Reel By Real aka Martin Bonds from Detroit comes with three new original tracks on a.r.t.less, harnessing extra terrestrial vibes combined with Detroit Techno and Electro magic. The EP is completed by a stripped down space funk remix from label boss Don Williams.
Another instant classic electro-techno banger from the mind of Erik Travis. Ever since his first release in 1987, Erik Travis has become well known for his individual style consisting of pared-down, up-tempo drum programming, short vocal samples, and synth stabs.
After a period of inactivity Caustica Waveform is back with an E.P made up of three powerful original electro tracks. In true Caustica style the real deal shades of proper electro and featured and presented – classic electro breakdance and electro jazz all designed to make you move & groove. The record comes with a full sealed artwork cover and limited edition sticker.
Inherent Futurism is a new label coming out of Copenhagen, Denmark and headed up by Morten Kamper, a staple in the Danish electronic music scene who’s been involved in it for more than 30 years and nowadays is running the 313vinyl_collective record store in the capital. Inherent Futurism will focus on a blend of unearthed old records and new material with no real boundaries, just a focus on quality electronic music in all forms with an inclination towards Techno and Electro. To inaugurate the label, Morten shines a light on an unsung gemstone from the Detroit Electro genre, Autobot-1000’s ‘3 Dimension Of Space’, The album comes on vinyl for the first time, the project was only out on CD and released in 2001 on Hoodwink Records from North Carolina, US.
We’ll never tire of Gerard Hanson’s individual take on electro, where vast swathes of pads and finely balanced melodies ensure a smooth trajectory into the outer realms of what machine funk can be. This latest EP appears on Spanish label Apnea, and it leads in with the bubbling bass and celestial vistas of ‘Lake Bachman’ before swerving to the lightly Italo-tinted melancholia of ‘Summer Springs’ – a fast but delicate trip to unknown regions. ‘Myrtle’ is a knottier transmission from Hanson’s tangled studio circuitry, while ‘Station Wagon’ completes the picture with some consummate Moog-esque basslines and star-gazing chords that speak volumes without saying words.
This is Robotron – a cyborg designed for cybersonic purposes. He has been hit by an electro-static blast and suffers a technosis trauma. As a result, his programming is disrupted – causing him to transform into LO-FI algo-rhythms. The Transformation has just begun by adopting ballistic identities and relearning AI-abilities – to continue his advanced exist-dance of termination. All 4 trax are pressed on 45 RPM to be transformed into a serious SLOW-FI nightmare via 33 RPM.
Convextion steps up under his “Event Related Potential” alias and delivers 4 special cuts for om:nia that push his sound into new realms.
Detroit-native Kenny Hooper steps up for his debut release on Elypsia Records with not one but three 12 inches full of prime Motor City techno and electro escapism. Titled ,,Detroit Orbiter Volume 1 – 3″, each EP features four tracks, showcasing Hooper’s brilliant personal take on classic Detroit sounds. The twelve tracks of the ,,Detroit Orbiter” trilogy signal the arrival of yet another Motor City talent ready to rake the world and dance floors by storm with his chunky and funkafied sonic fictions.
Entering the two-digit era, Clear Memory presents this carefully curated compilation. Oscillating between Dark Acid Rain and L-Town-(Ultra)-Funk. Six surprises, six boxes of pandora, six welcoming arms, six uncanny offers.
Young Detroit-native Kenny Hooper steps up for his debut release on Elypsia Records with not one but three 12 inches full of prime Motor City techno and electro escapism. Titled ,,Detroit Orbiter Volume 1 – 3″, each EP features four tracks, showcasing Hooper’s brilliant personal take on classic Detroit sounds. The twelve tracks of the ,,Detroit Orbiter” trilogy signal the arrival of yet another Motor City talent ready to rake the world and dance floors by storm with his chunky and funkafied sonic fictions.
Futuristic electro by Gerald Donald (Dopplereffekt, Drexciya) and Beta Evers, originally released on Weme in 2011. This version includes a previously unreleased track.
Legendary and genre-defining Detroit label Metroplex Records is rereleasing a run of carefully selected releases from its classic-studded catalogue. The remastering and recut was done with uttermost care, using the newest mastering and audio-restoration technologies. These Techno and Electro benchmarks, taken from original sources, have never sounded better. This is the second release Model 500’s ,,Night Drive (Through Babylon)” (M002). Rediscover these futurist transmissions from techno’s ground zero and the absolute classic Detroit Techno EP’s that started the genre.
Watch this space for more.
Legendary and genre-defining Detroit label Metroplex Records is rereleasing a run of carefully selected releases from its classic-studded catalogue. The remastering and recut was done with uttermost care, using the newest mastering and audio-restoration technologies. These Techno and Electro benchmarks, taken from original sources, have never sounded better. The first release is Model 500’s “No Ufo’s” (M001). Rediscover these futurist transmissions from techno’s ground zero and the absolute classic Detroit Techno EP’s that started the genre.
Fundamentalist electro-techno. On this release we see Detroit’s Ultradyne continue with the approach of their Ultradyne concept: ideas and their evolution. Five diverse songs showcasing their concept into reality. Each song with an identity of its own cultivating what already exists inside of each listener: the need for expression and relation.
Kraftjerkz solidifies itself as america’s east coast electro label with the 6th volume of the popular series. Brooklyn’s ALONZO gets the party started with a bass-heavy track which picks up where Pretty Tony left off. Daniel Savio’s contribution is perfect for street dance or cruising the highway. Deroboter comes with a hard, distorted kraftwerkian production. Kid Ginseng delivers an electro/scratch song featuring Questosahn reminiscent of Knights of the Turntables. Finally, the UK’s Cybereign concludes with a passionate, melodic banger that blends nicely with a technobass record.
Young Detroit-native Kenny Hooper, former member of Scan 7, steps up for his debut release on Elypsia Records with not one, not two but three 12 inches full of prime Motor City techno and electro escapism. Titled ,,Detroit Orbiter Series” Volume I, II and III, each EP features four tracks, showcasing Kenny Hooper’s brilliant and contemporary personal take on classic Detroit sounds. The twelve tracks of the ,,Detroit Orbiter Series” trilogy signal the arrival of a fresh Motor City talent ready to rake the world and dance floors by storm with his chunky and funkified sonic fictions.
Re-issue of Drexciya’s 4th storm! Another seminal work of 6 Futuristic deep & Drexciyan Electro/Techno tracks. Hypothetical questions translated into music by the visionaries of contemporary electronic music. ”Music beamed through Dimensional Waves by Abstract Thought…” First released in 2003 on Kombination Research. Remastered from the original session tapes.
Following the re-release of Drexciya’s essentials ‘Neptune’s Lair’, ‘Hydro Doorways’, ‘Harnessed The Storm’ and ‘Digital Tsunami’, the reissue series continues with Transllusion’s ‘Opening Of The Cerebral Gate’ and the ‘Mind Over Positive And Negative Dimensional Matter’ 12”. Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, ‘The Opening Of The Cerebral Gate’ was conceived as the second part of the so-called Drexciyan Storms – a whopping stack of seven albums by the Detroit pair released under di erent monikers within a single year. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion’s first album. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion’s first album.
Following the re-release of Drexciya’s essentials ‘Neptune’s Lair’, ‘Hydro Doorways’, ‘Harnessed The Storm’ and ‘Digital Tsunami’, the reissue series continues with Transllusion’s ‘Opening Of The Cerebral Gate’ and the ‘Mind Over Positive And Negative Dimensional Matter’ 12″, produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums.
The Hipodrome Of Music 