Credit 00 – The Cosmic Funk Collection EP [BAP124]

CREDIT 00 - The Cosmic Funk Collection

For more than half a decade Alexander Dorn has shaken electronic sounds, stirring shapes and forms as Credit 00 that adhere to few genre tags. His Bordello A Parigi debut is no exception. The alumnus of Uncanny Valley and Ratlife arrives with four tracks under the banner of The Cosmic Funk collection. Drawing on a spectrum of influences, the Leipzig based musician melts reimagined house with broken beats, blends Eastern acid aromatics with jazz abstractions and achieves a sound that is stunningly unique. Within this sonic cocktail you’ll also encounter dashes of samples, a peppery head of 90s anthems and a liberal glug of freestyle funk. A one of a kind record from a one of a kind artist.

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Credit 00 – The Cosmic Funk Collection EP [BAP124]

Peaking Lights – Sea of Sand [DKMNTL060]

Californian electronic pop duo Peaking Lights make a splash on Dekmantel with ‘Sea of Sand’, the band’s first release in 2018. It’s a kaleidoscopic melting-pot of dainty dub, experimental and leftfield beats, with wondrous sunny soundscapes that blend together the unconventional home-fashioned electronics, and windswept vocals that have defined Peaking Lights to date. ‘Sea of Sand’ is the band’s first record in three years not released on their own imprint. With six tracks, exceeding 30 minutes in total, the extended EP is a prelude to a forthcoming LP. With a DIY aesthetic and approach to analogue instrumentalism, Peaking Lights retro-digital sound is one that sits perfectly with Dekmantel.

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Peaking Lights – Sea of Sand [DKMNTL060]

Victor – Amerikan Dread [MFM030]

VICTOR - Amerikan Dread

Originally pressed on a now very hard to find 7”, this gem crosses over the dub with disco with the rock and the wave. More Talking Dreads than Heads. Dug out for MFM by Satoshi Yamamura. Comes with original Dub mix and new remixes.

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Victor – Amerikan Dread [MFM030]

Les Choc Stars / Teknokrat’s – Nakombe Nga / What Did He Say [RHRSS25]

Heat in two flavors! Check out the Zaïrian electronic dance floor banger ‘Nakombe Nga’ by Les Choc Stars. Comes with the dope, unheard Belgium new beat version on the flip… Co-curated with renowned record fiend John Gomez.

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Les Choc Stars / Teknokrat’s – Nakombe Nga / What Did He Say [RHRSS25]

VA – Alternative Funk: Volume 2 [PLA024]

The 2nd collection of songs selected from the Alternative Funk series released Vox Man and VP 231 Records. Originally appearing in 1985 across 1 vinyl and 2 cassette albums these cult collections have long been in collectors (and bootleggers) sights and finally see the first official reissue. The series covers the weird, wonderful, esoteric, exotic and quirky sound and puts them in a reset context that immediately gives clarity of the original’s curation. This volume opens with some DIY electro stealers, first with Dee Nasty’s Orientic Groove, where the early French hip-hop pioneer lays down a battle commence of beats, slapped bass and YMO keys, before the second offering from Scoop! and their rap attack, juxtapositions the past series and leads to label heads Vox Populi! & Man and their continued look at the rudiments of cut up manipulation and scratch techniques. The avant rappears with 3M’s percussive marker and legendary Amus Tietchens’ is ever challenging, before Melsjest’s post-punk meets the Weirmar possibly steals the side as Vox Pop spoken outro joins those (micro)dots. The cult of Randall Kennedy returns with another garage-fuzz gem. His stories for wackos’n’weirdos end all too soon and are followed by Liquid Liquid’s Dennis Young, diving deep with Intuition, before Stanalis returns with another winner. Bene Gesserit is a killer and welcome addition, before Kosa return with more industrial clippings and volume 2 heads to the door with Capital Funk’s electro-punk bomb – possibly the series champion – while the slap bass-scratch of California’s Psyclones leads to a music hall end in the homage to mum’s favourite, Chukk. What these Volumes again highlight is how the DIY aesthetic of so many independent labels was supplemented and spread via collections of friends, contemporaries and often, literally pen pals, to mail in their offerings that are then picked for wider ears. While some of these artists have become known, just as many are who and whats, but they sit side-by-side as warranted and often killing the scene of what Axel and co sought to be…the Alternative Funk.

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VA – Alternative Funk: Volume 2 [PLA024]

VA – Alternative Funk: Volume 1 [PLA023]

Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes. Known for the highly heralded “Folie Distinguee” album in 1985, what is often over looked is the fact there accompanied 2 further “Alternative Funk” cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these “Various Artist” selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene. As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet’s (aka Pacific 231) VP 231 label, released a number of cassettes, 7″ and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists. Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts – with a long lost first ever recording – and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy. What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time – such as Auxilio De Cientos’ Terra Incognita volumes or Final Image’s Nightlands – created a label snapshot by pulling together far and wide contributions but retaining an overall ‘sound’. The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts – an Alternative Funk.

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VA – Alternative Funk: Volume 1 [PLA023]

Knight Action – R-Trax [LDR077]

Two absolutely legendary pieces of early Chicago house music finally reissued for 2018. Mike Macharello and Duane Thamm JR’s Knight Action project was responsible for this colossal 1985 landmark release that saw a heady fusion of Euro influenced and Italo Disco sounds meet in the windy city and in turn create history.

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Knight Action – R-Trax [LDR077]

Clifford White – Lifestream [ERC064]

The spiritual and uplifting music of Clifford White is highlighted with two of his most sought after songs, taken from his 1989 album ‘The Lifespring’, and presented here in a special extended 12″ for the first time.

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Clifford White – Lifestream [ERC064]

Machinegewehr & Ayden Vice – Work It [ME001]

This is Amsterdam based Musique Exotique’s launch release. Dutch artists Machinegewehr and Ayden Vice team up to bring that timeless retro Italo vibe with Moroder inspired bass arpeggiation, mysterious vocals and epic pads. On the B side, San Francisco based Dutch artist, Yobkiss, offers up a masterful remix taking the track into darker electro territory. His offering includes beautifully haunting Japanese vocals by the producer’s long time collaborator Yuko Araki for exceptional exotiqueness.

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Machinegewehr & Ayden Vice – Work It [ME001]

The Working Elite – Bumper Cars [BIS035]

The Working Elite are Berlin-based spark plugs Thomas “Saap” Sabrowsky, of Extra Producktion, Terre des Pommes, ex-marine soldier, seasoned cook and barkeeper; and Daniel ”D´Lonely Al” Nentwig, who moonlights as The Whitest Boy Alive, co-directs Extra Produktionen, plays keyboard and electric bass for various outfits, and engineers at Berlin’s Butterama Recording Center. Suffice it to say, the pair have named their collaborative project suitably. The Working Elite create recreational music for dancers to shimmer through the days and nights of balmy season.

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The Working Elite – Bumper Cars [BIS035]

DâM-Funk – Architecture II [SAFT18]

DâM-Funk has left his LA home for another DJ tour across the European continent. What better way to celebrate this than to release a follow-up record to the infamous Architecture release from 2016. Architecture II is an up-tempo, dreamlike journey through the sonic palette of the Los Angeles based producer. The 12” contains four tracks that are carefully crafted to co-exist on the same record. ‘In The City’ is a drum oriented breeder with a constantly evolving bass line, that supports the cheerful and breezy melodies. ‘Best Weekend’ is dripping with lush synthesizer tones and meaty drums. DaM-Funk knows how to set a hazy atmosphere, the conflicting tones of the sophomore effort are impressive. ‘Best Weekend’ is a must hear for lovers of the DF repertoire. The B-side is opening up with the warm sounds of ‘Bounce’. The artist’s signature basslines thump away whilst a breezy chord and some exceptional FX work help to achieve a sense of lightness. ‘Don’t Give Up’ is a work of challenging Piano riffs and splashy synthesizers that evolve through and sometimes come together in an abundance of modulation and joy.

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DâM-Funk – Architecture II [SAFT18]

Ultra Satan – Freedom Rock / Anti-Clock [HNR026]

On Ultra Satan’s second 7inch release on Höga Nord Rekords, the band is developing a new genre and concept. Ultra Satan is like a space being, living alone in an enormously big and empty space station, orbiting our planet. With mathematical precision this genius creates music that effects us earthlings on a transcendental plane and shakes the foundation we lead or lives upon.

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Ultra Satan – Freedom Rock / Anti-Clock [HNR026]

E. Myers – I Am Alive / Dreamland [ESTY005]

E. Myers returns just in time for the summer, with two heaters of contrasting styles. ‘I Am Alive’ is a celebration, cooked up from heavy drums, percussion and bass synth, coming together with pads and arpeggiated synths for full blown elation. ‘Dreamland’ keeps its poker face on throughout it’s entire 9 minutes. Threatening to break out but staying cool with its restrained bump, it’s equally at home in basements as it is on beaches.

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E. Myers – I Am Alive / Dreamland [ESTY005]