
The Pilotwings are back on Brothers From Different Mothers with another ode to rurality and old-fashioned analogue. Including 4 tracks, Molitor 71 goes deeper into retrofuturist nostalgia and bucolic
mood.

The Pilotwings are back on Brothers From Different Mothers with another ode to rurality and old-fashioned analogue. Including 4 tracks, Molitor 71 goes deeper into retrofuturist nostalgia and bucolic
mood.

Nemas Problemas are a crate-digging crew linked to Malmo’s Wildlife Records. Here, they make their first appearance on Passport To Paradise, editing up a quartet of suitably obscure tracks found on various dusty-fingered record hunting trips. Rizzolo DJ kicks things off with “Ride To Paradise”, a suitably rolling, dancefloor-friendly version of a stoner rock/cosmic disco gem, before Kool DJ Dust raises the pressure further with the vocoder-laden electrofunk jam “A Brew With My Crew”. Flip for Rastanils lo-fi, synth-laden disco delight “Darling”, and arguably the highlight of the entire EP, The Keeper’s deliciously Balearic, melody-rich jazz-funk chugger “Quivering Crevice”.

A tri-continental modern funk teamup with Tug Boatmen joining Megadon to rerub 2 of his deepest cuts. The A-side is a funky boogie classic with a Cylon-esque robotic vocal. B/w ”Don’t Ask” a floor filling modern disco knockout-one of TZ’s personal secret weapons.

Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco’s straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP’s and a handful of 12″ singles that changed the face of underground Disco. The first of these two LP’s made for Salsoul was the truly epic “Dancin’ & Prancin” containing the all time classic “Jingo” which has been sampled, edited, re-configured and coveted by too many names to mention! It’s a killer funky Disco version of master Nigerian drummer Olatunji’s 1969 percussion suite of the same name, Salsoul style. The LP also contains one of the deepest Disco records of all time; “Thousand Finger Man” a testament to Candido’s percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more.

Napoleon Cherry is perhaps not the unknown name that Music From Memory excels at celebrating but the Philadelphian musician’s releases are certainly suitably hard to find. This career retrospective offers a mix of impossible-to-find tracks, many from his deliciously rare 1990 debut full-length, and previously unheard cuts. It portrays Cherry as a master of warm, evocative, Balearic soul and lo-fi synthesizer funk, whose analogue-rich releases were always out-of-step with the musical trends developing around him. Crucially, all 10 of these tracks are superb, making Walk Alone yet another essential Music From Memory purchase.

Glasgow based Thomas Clarke encompass Left-field Disco, Tropical Oddity, House and Techno whilst channelling the spirit of a youth spent playing in psychedelic rock bands in Luxembourg, listening to krautrock and worshipping Lou Reed and David Bowie. Another ep from the depths of the Glasgow underground. Unique, organic, mind expanding.

Following strong releases on Disco Deviance and To Rack n Ruin, Dutch Disco fiends SHMLSS return with 2 killer reworks on Special Edition. Both cuts work the trackier and clubbier side of the discotheque and are 100% guaranteed to shake the dance floor.

The last time that Marcello Napoletano flew this far off the radar was on Jamal Moss Mathematics label back in 2012. Now the follow up release comes on another outsider label, Berceuse Heorique and again, Napoletano treats the listener to another freeform selection. While the Italian producer’s house grooves have always been unconventional, going all the way back to Listen In Dreaming, this is in a whole different realm of weirdness. “Introspettivo” kick starts the release with doubled up beats and mad percussive whirrs and clicks and deranged cowbells. “New Old Think” goes in a jazzy direction with sax squalls fused with Patrick Pulsinger-style atmospherics and “Sunplasemood” ends the release with dubbed out beats and space invader bleeps.

First volume from obscure label Go Music. Wicked evocative melodies and weird electronics from mysterious collective.

Eight tracks blend the boundaries between original productions, illicit remixes and straight re-edits. There’s a celebratory, life-affirming feel throughout, from the rubbery bass, D-Train synths and rolling house grooves of Giovanni Damico’s ”The Break Down”, to the bluesy deep house brilliance of Borrowed Identity’s ”Queens Bridge”. Highlights are plentiful elsewhere, too, from the hustlin’ electrofunk-meets-disco of Vogel’s own ”Come On”, to the killer synth solos and fuzzy bits of Tim Jules’ thrilling ”Slap Beat”.

One of the hidden artistic gems on Mathematics comes with another solo project of high class, jump up, movement on floor sounds.

Glasgow has a new label on the horizon in the shape of Work For Love who kick off proceedings with a fine 12″ from Mr Timothy J Fairplay. Given his previous form and the title of this 12″, it’s easy to suggest the influence of John Carpenter looms over No News From New York, but there are more strings to Fairplay’s bow than that as the four tracks prove. There is a range of tempos explored here, with “Carla Is Typing A Message” a deathly crawl through delay-laden synth drama, whilst “Court Street Shuffle” is a life-affirming box jam that wouldn’t sound out of place on a Legowelt record. Those melodies! “Mickey’s Theme” is more redolent of Fairplay’s celebrated work with Sir Weatherall, whilst the title track is the slowest production here and is quite captivating.

Honey Soundsystem is proud to present an unreleased disco 12” by San Francisco-based musician and producer, Patrick Cowley.

Die Verboten are a Space Rock band formed by David and Stephen Dewaele of Soulwax, Fergus Fergadelic’ Purcell and Henry Riton. This is the first release from Die Verboten, written and recorded in 2007, rediscovered and mixed in 2015. This LP consists of five tracks, Dafalganger’, White Island’, E40′, Nacht Winkel’ and Aquarius’. It is the sound of classic German kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves.

Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, ”The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time, Patrick, along with his classmates Maurice Tani and Art Adcock, would create radio jingles and electronic pieces using the school’s equipment: first a Putney, then an E-MU System, and finally a Serge synthesizer. He would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

Cold Colors mixes warmth and melancholia, an obvious homage to Italo, Cold and New Wave, by blending todays electronic music with the melodic sounds of yesterday.

MM Discos originally emerges from the passion of two friends who share the same fondness for records made just of vinyl, after years spent hunting, collecting and spinning them. This is driven by the intention of bringing to light the work of talented newcomer artists.

A mainstay in NYC jazz & dance music in the 70s, his drum machine & synth based cover of William Devaughan’s ”Just Be Thankful” on Profile Records in ’83 gives the jam a haunting & funky rework. Unreleased reference mix. EU pressing.

More Hip Edits – this time provided by Edit Piafra & Johannes Albert. Starring unlimited vinyl only with music to make you cry… ahem dance. These tunes were rediscovered in a lonesome backyard in Monza, Italy. Straight recorded from original cheese plates and abletoned up for today’s DJ needs.