
The compilation series which collects the rarest and most obscure and cool disco collector items ever. Tracks by: OZO, Tonica & Dominante, Comet,…

The compilation series which collects the rarest and most obscure and cool disco collector items ever. Tracks by: OZO, Tonica & Dominante, Comet,…

Special Re-Issue of Voulezvous V1 features Leandre’s “Musique Touche” & Rare Disco’s “Unreleased” edited by Jordan Fields. B-side has 3 mysterious disco dubs edited by Tony Bozak.

Ron Hardy is the only man who can test Frankie Knuckles’ status as Godfather of Chicago House Music. Though he rarely recorded under his own name and left little evidence of his life, Hardy was the major name for Chicago’s dance music from the late 70s to the mid-80s. By 1974, he had already effected a continuous music mix with reel-to-reel machines plus a dual-turntable setup at the club Den One. Several years later, Hardy played with Knuckles at a club called the Warehouse and though he spent several years in Los Angeles, he later returned to Chicago to open his own club along with Robert Williams, the Muzic Box. While Knuckles was translating disco and the emerging house music to a straight, southside audience at the Power Plant, Hardy’s 72-hour mix sessions and flamboyant party lifestyle fit in well with the uptown, mostly gay audience at the Muzic Box. A roll-call of major Chicago producers including Marshall Jefferson, Larry Heard, Adonis, Phuture’s DJ Pierre and Chip E all debuted their compositions by pressing up acetates or reel-to-reel copies for Hardy to play during the mid-80s. This CD compilation brings together some of of the classic house and electro-dance tracks he played at the Muzic Box back in the day.

You should know the drill by know… Mr. K Alexi – Don’t You Know, Greg Perry – Come Fly With Me & Drum track 1.

For Crimes of The Future number 3 presents the ubiquitous Black Merlin, Trevor Horn heads to Berghain at 3am Friday and stays til Monday. Completing the release Timothy J. Fairplay and Scott Fraser remix together for the first time in the Adrian Tripod mode, taking amazing exotics back deep into early 1990’s New York and kicking it out bonesbreaks style.

Local Suicide are a Berlin love story. Having met across a set of turntables, DJs, producers and dancefloor all-rounders Brax Moody and Vamparela have connected as a German and Greek soundclash since 2007, and this release rubberstamps their partnership on what is their debut EP. ‘We Can Go Everywhere’, chanting into a Balearic underworld, is in the classic mode of synth-pop, disco-house and indie dance brought back from the future and into a past discotheque philosophy. The future-retro scale is further determined when you have the expertise of In Flagranti to truly quantize the boogie, looping the chorus just behind a mix of digital distress signals and road trip guitars until it becomes so- mething near an incantation of Bananarama. Inigo Vontier trains tracky, fractal-examining synths for a deep tech-disco hustle. Powered by low slung electro- house blips that cram and gang up on the dancefloor so that it needs water cannon fire to disperse it. Last but not least Tom Tom Disco’s Richard Rossa is another bringing sounds back and forward, putting spit and shine on mainframe sequences so a vintage glitterball can spin once more. With the ubiquitous synth shunts and bongo percussion not losing sight of the fact that there’s a still pop-ish party going on.

This is the first project for new NYC native and Golf Channel signee under the new nom de guerre of Bogdan Irkuk aka Bulgari who did a bunch of celebrated stuff on Rollerboys over the last few years! It’s a heady duo of upfront modern Disco jams, all muscular bass lines, swirling atmospherics and tough drums.

Part-time tram driver and full-time disco disciple, Helsinki’s Jaakko Eino Kalevi catalyzes street smart funk into heat stroke for Yin Yang Theatre, his new EP on Beats In Space Records.

More sickness from Gay Marvine. A side pure disco and deep funk reshaped as tools for today. B side total cult classics revisioned to devestate any dance floor.

Groove Line Records continue with another Patrick Adams & Greg Carmichael produced classic, Lady Bug, by Bumblebee Unlimited, the second in our series of 12 audiophile reissues from the Disco underground. Side A is the Disco Mix by John Morales and Frank Trimarco. A solid kick opens the track before Morales’s trademark percussion is introduced. Then the slick bass, guitar and piano groove play alongside the innovative synth lines and drive the rhythm forward, before the addition of that simple but engaging single note piano groove… the core element of the track, and the synthesized vocal between the Lady Bug in question and the bee who’s chasing her. Side B features the Disco Remix by the legendary Larry Levan. Starting with the full drums and percussion Levan adds each element at an earlier stage than the Disco Mix, so the full track, including the vocal, hits you at just over a minute and doesn’t let go until the fade, giving a more intense dance floor experience.

3 stunning edits made by the master of European Disco: Albion Venables from Sweden. Just a quick description of the tracks, Disco Mambo is as you can imagine, a Disco Mambo track clearly dedicated to the label. Hear The Night comes from an obscure Italian record with some French Vocals in it. And The Mirror Forrest is a beautiful electronic tune coming from an Italian Library record.

Tee Mango rides some seriously wig flipping synth lines over an irresistible tropical groove that just builds beautifully into a bona fide ‘moment’ on the floor. Treating us with two solid gold Soulful extensions: Allenby Chilton takes on a little known Etta jam, amplifies the Funk elements and transforms the song into an altogether more heavyweight workout. Finally Fence take on a rare late 70’s psychedelic Soul tune, again adding some 21st century wide-screen sonics and dancefloor dynamic.

Brian Ellis enlisted two seasoned underground guests to usher in his brand of boogie-funk. ‘Love Is’ features the legendary Egyptian Lover, a master of the 808 and veteran party-rocker on vocoder detail, while on the flip-side, K-Maxx commands the microphone with his signature style on ‘Electric Body’.

‘Groovotica’ is a special one to be sure – a box set featuring two 12’s (one original material, the other a selection of edits from DJ Nature’s private stock).


Hot on the heels of the last release from Francisco in Slow Motions’s new soundtrack series comes this stunning four track release from Marco Antonio Spaventi. While recalling influences as diverse as Jan Hammer, John Carpenter, Goblin, Giorgio Moroder, Daniele Patucchi, the De Angelis brothers and many other legendary (mainly Italian) composers from the soundtrack side, these tracks are just as comfortable on the electronic dancefloor and provide a dancing experience every bit as engaging as a listening one. Synth-heads, soundtrack afficonados, space-freaks and dance fiends are all set to enjoy this one in equal measure.

Reiterate bounds back in the room with a 2nd iteration, this time with edits by JTC, DJ QU & a remix by New York’s Steve-Oh. Strictly dancefloor reworks of Dinosaur, Rafael Villafane, Bee Gees, & Liaisons Dangereuses.

House of Spirits is the church of sound over which Tom Noble presides, raising the congregation to ecstatic heights from his pulpit of passion. Noble invited musicians to transform his sketches into a dynamic live performance. The resulting studio celebration led to the euphoric “Holding On” for Beats In Space Records. “Holding On” glides on such a joyous, eventful groove that it’s impossible to confine the track to a specific time or place. Strings, seemingly lifted from a 70s Salsoul twelve, soar alongside a gospel choir preaching positivity for souls both lost and found. “Holding On” embraces disco house authentically and timelessly. On the flip, Peaking Lights tucks the heavenly wonder of the original under a dub-worn blanket for an out-of-body dream beam.