Swedish EBM hero Celldod is back on Electronic Emergencies with a full album on transparent magenta vinyl! På Liv Och Död is an electronically driven emotional bomb with references to D.A.F. and Front 242. It features collaborations with Leroy Se Meurt from Paris and Michael Zodorozny of Crash Course in Science, as well as Anders Karlsson’s own Swedish lyrics about death and the meaning of life. Each track is a wild invitation to dance away our fears in this complex world of impending doom.
Black Light Smoke drops his first EP on Tiga’s Turbo Recordings. The Chicago born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.
Blkmarket Underground Music Party Edits is a sub-label to the influential Blkmarket, an esteemed label and event series in New York. Contrary to what that catalogue number might indicate, this is actaully their second release and has Facets at the controls. First up is ‘Computers’ with its raw and snappy analogue drum sounds and late-night synth details. ‘Time Of War’ is another full-fat blend of analogue drum thump and driving synth motifs, ‘Talk To Me’ has crashing cold-wave synths and deadpan vocals and ‘Paranoia’ has loopy vocals and moody atmospheres for freaky dancing. ‘Lies’ and ‘Dub To Destruct’ shut down this varied and retro-tinged EP with jerking rhythms that will do plenty of damage.
22Recordings aka Veintidos from Barcelona is building on the city’s popular new beat, dark synth and EBM scene with this release from the ingeniously conceived and christened Synths Vs Me. “So Far” (2015), “Ballet Dancer” (2018) “Monotony” (2016) And “Bye Bye Tom” (2017) originally written, composed and recorded by Vanessa Asbert and Nico Cabañas. “Fahrenheit 451” (2016) recorded by Vanessa Asbert and Nico Cabañas is an adaptation from “Fahrenheit 451” By Scortilla. “Sei Morto” (2023) was recorded by Nico Cabañas and India Nardone and remixed by Dark Vektor. “In Loving Memory of Vanessa”.
“Chacha” is the third album from one of the most groundbreaking European acts of the moment. Schulverweis, the collaboration between the prolific Levente Pavelka and the elektro enfant terrible Johannes Haas (aka L.F.T.), delivers an exceptional blend of eerie, lo-fi post-punk. This album breathes new life into an otherwise seemingly explored genre, making it an undeniable must-have for collectors drawn to the experimental edge of darkwave sounds.
Since its inception in 2020, Italo Moderni’s energy, spirit and inspiration has been the dancefloor. The darkened bunkers of Belgium, the trembling speakers of Valencia, the warming dawn of Rimini, these influences have been the lifeblood. Solidifying this tireless effort, Mellow Bangers Vol 2 is the label’s most ambitious collection to date.
Factory Floor return with their first new material since 2018, joining Erol Alkan’s Phantasy Sound imprint with a new single, ‘Between You’. Fifteen years since their formation, Factory Floor remain one of the most distinctive acts that the UK’s underground electronic scene has produced, channeling post-industrial, acid, rock and minimal influences into their deeply physical work. Building on a rapturously received performance at the 2024 edition of Mutek Montreal, ‘Between You’ captures the hypnotic, rejuvenated interplay of Gabe Gurnsey and Nik Colk Void, alongside additional percussion from touring member Joe Ward.
The Italian 80s avant garde / anarcho scene is explored in this limited 12” release presenting Nengue and their previously unreleased cover version of the new wave classic Los Ninos Del Parque and the electro pop wave African Beat. These are matched with a remake by Bionda e Lupo. Presenting a ‘Neumisch’, Sneaker’s exacting studio mastery and Sano’s additional vocals are a blessing – a new duo version – dynamic and wonderfully special. To complete, the powerful dub of African Beat closes. Stepping out of his time as one half of Romanian duo Khidja, Andrei Rusu delivers a fantastic, bottom heavy version.
Ediciones Espectro Oculto announce their first vinyl edition ‘Elementa Obscura Vol. 01’, a wave-infused compilation which moves through the dim & dazzling realms of electronic music. Includes works by Trenton Chase, synth wizard and legend Martial Canterel, Gravitational Waves boss DJ Nephil, cult czech producer & DJ Exhausted Modern, Fragedis and Argentinian duo Happy707.
Mannequin Records presents the debut release from Children Of The Night, a dynamic duo whose music is rooted in cinematic soundscapes. The project brings together Mexican techno producer Alejandro Barba, also known as Dellarge, and French documentary/film music producer Pierre Labret, forging a distinctive creative partnership. Their collaboration masterfully combines dark, atmospheric elements with driving electronic rhythms, drawing heavily from the worlds of classic horror and psychological thrillers. The result is a collection of soundscapes that are as eerie as they are captivating, creating an immersive and haunting listening experience. The LP is not only rich with atmospheric storytelling but also boasts a range of remarkable remixes by prominent artists in the electronic music scene. Contributions from Alessandro Adriani, David Carretta, Legowelt, and Broken English Club inject new life into the original tracks, offering reinterpretations that span from industrial techno to Italo disco, further enhancing the project’s depth and versatility.
Parade Ground march back to Dark Entries with ‘The Hidden Side’, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. In 2011, Dark Entries released ‘The Golden Years’, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. ‘The Hidden Side’ continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles – all cold, dark, and brooding.
Clear Memory welcomes back En Direct. After their appearance on CLEAR001 and the two EP’s on the sister label Lunatic. With ‘The Illusion Of Control’, En Direct release their first Album. A long player diving deep into the realms of the human mind and its abyss. Exploring insecurities, uproar and mania with Industrial studies and EBM, rounding it off with bittersweet Minimal Wave and Electro for the sleepless.
Orior’s first release introduces Marlon Lopez with a record that boldly explores the boundaries of time and genre. This debut EP is as uncompromising as it is unique. Crafted in near isolation amidst the forest, Marlon’s work is untouched by the usual club influences, offering a refreshing, introspective take on new wave and 80s-inspired EBM. Featuring live bass, 70’s synths, and guitars, the tracks exude an uplifting energy – capturing the raw spirit of punk while steering clear of darkness. Orior (Latin for “I rise”) is the brainchild of LVCA. Born from a journey of resilience and creativity, Orior reflects a commitment to artistic individuality and is a celebration of rising through challenges with limitless vision.
Mannequin Records presents Chromium – Something in the Air (The Hacker Club Mix), a thrilling reinterpretation by legendary French producer The Hacker. Originally composed by Chromium in the early ‘90s, this track is part of the Chromium Industries (1991-1992) collection—an essential archive of forward-thinking electronic music, bridging proto-techno, industrial, and EBM. With his signature touch, The Hacker injects a darkly hypnotic energy into “Something in the Air”, transforming it into a peak-time club weapon, while staying true to the spirit of the original.
Harlem Electronics, the Stockholm-based duo of Martin Thomasson and Johan Skugge, returns to Veyl with a new 8 track LP titled Cage, diving deeper in to their infectious cocktail of menacing electronics. The pair fuse electro, no wave, post-punk, disco, proto-body, dub, hip-hop, and grime, creating a unique sound that cannot be categorized.