
Heap at the controls on his own deadly NeuBau imprint. Die Wilde Jagd supply a heavy sweat enducing remix on the flip.

Heap at the controls on his own deadly NeuBau imprint. Die Wilde Jagd supply a heavy sweat enducing remix on the flip.


The 5th entry on the Discos del Quebranto series continues to rake the kerbside muck of ‘club music’, presenting 2 disparate visions from 2 label heads. KUMP’s mastermind Gil.barte opens proceedings with the stuttering bodysludge of Guédé and Egareur. Two kleine nightmusiks to drag you out of meatspace, with the Kyuss-ala-PCP throb of Guédé especially sure to find favour on fog-bothering 8 AM+ floors worldwide. Tempos pick up and lights turn down on the B-side, with Lostsoundbytes (Vastechoses label head), driving disintegrating delays and snares into 3 Belgiqué-nouveau tools, keeping the rhythm & textures bumping throughout.

Sao Paulo’s “Vermelho Wonder” (AKA DJ Vermelho and vocalist Ivana Wonder) debut on Mister Mistery, loaded with Italo-disco, New-wave, Synth-pop and House influences, the duo already made a name for themselves locally with a huge and very present fanbase. The EP comes with two dance-floor remixes by Italian Massimiliano Pagliara and Mister Mistery’s ROTCIV.

Steve Murphy returns to Lobster Theremin for his debut solo album, curdling a molten mixture of metallic tones and stomping rhythms all culled from the electro, new wave, EBM and italo worlds. Cold wave spoken word vocals shimmer, holla and wail from the depths of an 80’s basement studio (Connessione Europa, Digital Fix Today); stomping italo rhythms take off with a flourish and wash, as they’re bound onto the surface of poly synth dreams (Space Train, Mira Electronics); bastardised modular squelches and blips reveal a hidden underground lab (Ray Gun); modem-bleeping electro machine-worx and on-the-run basslines from 2125 (Disappointed, The Truth, Again); the end, when it comes, is a slow play-em-off jam. An italo electro elevator them tune gently carrying us up to a formerly erased dystopian level of this monolithic brutalist cuboid.

Space Invaders… They never quit smoking grass. And why living in a grey reality when the grass is greener on the other side This release features an extra long and remastered harvest. As an extra added bonus you’ll get an instrumental version and the previously only on CD released Pong’s Run’ by I-F and Intergalactic Gary. Mothers keep your children away from these deadbeats; they’re up to no good smoking and gaming their lives away.

2019 marks the return of Austrian electro duo Microthol with the project’s first EP in 8 years. ‘Transmissions’ is the culmination of years of sonic research. From techno-esque opener ‘Hostile Invasion’ to ‘Transmission 0604’s soundtrack of a burning space ship spiralling out of control – ‘Transmissions’ is much the sonic equivalent of a wormhole linking the aural orbits of Ultradyne and Autechre.


Massive 22 track compilation spanning three vinyl lps and one 45 showcasing a wide scope of subterranean American electronics. This is just a small look into the the massive contemporary underbelly of odd-ball sonic bottom dwellers making noise across the 50 states. These tranmissions come from remote government outposts, booming overcrowded metropolis’, outskirts of America’s South and even the long forgotten muck and sleaze of Northeastern suburbia. This America in its glory, a nasty place rife with tension and division, ready to boil over into complete chaos at any given moment and these are artists that walk amongst it. Absorbing it all and spitting it out, moments of clarity and tranqilty go head to head with dramatic clashes, attempting to make sense of it all or simply to isolate oneself and escape this morbid world. A definitive sonic document of modern life in a nation on the decline.


RX-101 is Dutch producer Erik Jong, who recorded hundreds of top-tier AFX/Rephlex-style tracks to cassette tape from 1997-1999, but never sent out any demos. Suction Records discovered RX-101’s output via Erik’s Soundcloud page and they began work on an ongoing campaign to release his music. Now Suction presents ‘Dopamine’, RX-101’s first full-length vinyl LP, a special batch of melodic, chilled out techno and electronica.

A long player of new music from DMX Krew on Hypercolour. ‘Glad To Be Sad’ presents the usual collection of first class electronic funk and modular melodies that DMX is known for, but covers a wide and colourful palette of rhythm and sound, abundant on the bass and with a heavy dose of futurism in its waves of glorious synth-work and deadly drum machine rhythms.

The various EP opens with V9843 from Heath Brunner aka Silicon, previously released on the “There Was a Day” white label on V-max records and is a driving melodic techno classic. Next up there’s Manic (Maana Mix) by Erotek, doing what he does best with a ghetto electro beat. On the flipside there’s “Paradox”, an old archival track by Orland Voorn reminiscent of his earlier techno works from the 90s. Eoism close the EP with “Floaters”, a mellow electro track in the vein of the artists previous output on our label.

Rotterdam’s Machinegewehr returns to Electronic Emergencies with Kurayami, a four track 12-inch. Its analogue synths make Machinegewehr’s sound darker than ever, reaching into every groove. The embodiment of Disco Noir, the record leaves you with a sophisticated sadness, made bearable only by the pulsating bass and rolling beats leading you to the dance floor. Kurayami’s mysterious cover art was created by the multi-talented artist himself.

Samuel van Dijk releases his third album as VC-118A on Delsin Records. It dives deep into the sonic narrative of VC-118A (who is also known as Mohlao) and mixes up his unique sounds with evocative musical imagery. An album that goes from sparse, mysterious grooves to shiny underwater electro to frazzled and distorted techno via absorbing passages of ambient and overdriven machine workouts. It marks his first original work on Delsin, having released his distinctive brand of electro and techno on Frustrated Funk, Radio Matrix and Tabernacle before now.

DimDJ returns on June Records with the long player Recurring Patterns after his first appearance on the label in 2015. This time he expands his classic acid house sound with slower, mystifying tracks that were recorded between 2015 and 2018 in Thessaloniki, Greece.

Tone Dropout’s finest Dawl delivers on the A-side, two gems with electro influences, like only he can do. On the B-side is Moxx from the Viennese House and Techno label called Yoshi, with his first solo works after the infamous ‘Waves’ EP in 2014.

Hailing from Montreal, M.S.L is the project of Edouard Le & his pal Francis Latreille (also known as Priori and co-founder of NAFF label with Ex-Terrestrial, he also produces as Jump Source with Project Pablo). After two much acclaimed releases on Model Future and dutch label BAKK, the duo settles down on Les Yeux Orange with a deep and melodic electro four tracker.

Italian producers Teslasonic and Composite Profuse (aka. Heinrich Dressel) touch down on Berlin’s Mechatronica with a powerful and spacious electro record, splitting each side of the EP and remixing one another to full effect. The Breakout EP is an electrifying journey into their vision of electro, drawing on new inspiration and decades of musical output. From the dazzling cosmic funk of ‘Golden Sphere’ and ‘Teleforce’ to the strange and dark spheres of ‘Ausser Betrieb’ and ‘Thronic’, the two producers present a captivating outlook on the electro sound, bound to move bodies and transport minds.

Propaganda Moscow presents a split EP between Sync 24 and Jensen Interceptor. Last track on B-side features also Assembler Code.