COS_MOS welcome Argentinian Nehuen for their next EP. The Barcelona based artist makes uncompromising dance floor tracks and co-runs the Classicworks label with Cardopusher. This time out he offers four more fierce cuts that cannot fail to get the attention of the club.
Mannequin Records presents a 2xLP retrospective compilation of the french electro/wave pioneer Le Syndicat Électronique, the historical electro/wave project by Alaxis Andreas G., founder of the seminal Invasion Planète Recordings – the first French minimal electro/wave/experimental label founded in late 1998 by the insurance proceeds of a car crash. Heavily influenced by the work of masters like Kraftwerk/John Carpenter/Front 242, Alaxis Andreas G. is responsible for many others dark electronic / industrial / neofolk projects – to name a few: A//, Bruta Non Calculant, Swesor Brother, La Séduction Des Innocents, It & My Computer, Eva VIII.
The German label Dominance Electricity presents Phase 4 of the Global Surveyor various artist album series (launched in 1998). Featuring heavy-weights of the international Electro genre such as Anthony Rother, Hardfloor, Silicon Scally aka Carl Finlow and Heliopause (a project of Germany’s Dynamik Bass System & Detroit’s Keith Tucker of AUX 88) and many more, this carefully selected collection includes a total of 24 productions out of 13 countries / 5 continents ranging between clubbish acid power, deep space cruiser, playful kraftwerkesk melodic downtempo and ambient synth magic.
Boris Bunnik is no stranger here at Shipwrec, having graced the label with some beautifully deep and textured music under his Conforce, Hexagon and Versalife monikers. It is to his Versalife guise that the Rotterdam based producer returns, this time for a quartet of works in the shape of Vortices. A spectrum of musical radiance from a modern day master.
Co-founder of Endless Illusion, Exhausted Modern returns to brokntoys with a limited white label. Ampér shows the Czech producer running the gamut accross 6 tracks covering melodic acid, hypnotic slomo grooves and celestial electro.
Hamburg’s Kluentah lay down 6 cut to the bone DIY tracks. One half of duo Fallbeil debuts on Sisters, in this release Kluentah brings his own brand of EBM infused techno and electro with tough & relentless drums, haunting synths and asphyxiated vocals, suitable for the end times or the club.
1/2 GOTT is the new project of Sneaker from Dresden/Berlin and Scannoir from Zurich, who share their love for EBM and Synth Pop not only when DJing but also when producing. In several nights and with the help of a decent group of instruments, they have evoked a series of tracks that can certainly be subsumed as New Swiss wave. The first record is entitled 1/2 GOTT and will be followed by GOTT in the foreseeable future. The result is music that sounds as if the Iron Curtain had never fallen. Although Sneaker likes to step to the microphone, he leaves the vocals to Scannoir, who gives the perfect counterpart for the menacing beats with his deep laments. The tracks are little masterpieces in the matter of repetition with whipping drums and off-beat percussions. However, they cannot disguise their hymn-like gesture. This must be the sound of a sunrise over the industrial area.
Gifted Culture collective is ready to unleash the second jam session of the announced trilogy. GMI Jam Venice comes from the filth and the mug of the abandoned ex-industrial area in the outskirts of Venice. There, Autre and Two Thou invade Hawaiian Chips’ top-notch studio, where all together ride 70’s synthesizer rarities and try to domesticate the monstrous Yamaha CS 80. This jam, inspired by the post-industrial Venetian scenario, dives between the dreams of archetypal electronic music and reminiscences of psychedelic progressive bands, giving birth to two long journeys ready to gently carry the dance floor into the outer space.
The ‘metallic’ compilation Danzas Electricas is back for a second volume. Curated by Sacha Mambo, it presents only artists from nowadays and takes distance from the edits to push original and weird electronic music of close artists friends from Dresden, Copenhagen, Berlin, Prague, Lyon and Hamburg. Some of them are already relatives of Macadam Mambo : Konsistent, Wosto, Heninspace, Eva Geist or Sacha himself and it introduces new acts : Ekstern (Nixxon & Spacelex), Service, Houschyard or Sauerstofff to present a good mixture of Kraut, Punk, Industrial tracks, which never fall into dark.
Raw formed during the summer of 1990 in Athens, Greece when keyboardist Giannis Papaioannou and percussionist Makis Faros started composing music for imaginary waiting rooms. They combined the traditional cut-up technique of tape-loops, the industrial timbres of musique concrète with the harmonics of world music, all filtered through digital sampling and computer programming. Their first recordings generated an 8 track demo, which was freely distributed among friends and the local underground press. After 6 months of work and several sessions with guest musicians on acoustic and electric instruments, Raw self-released their first album ‘Land’ in December 1991 on Elfish Records. In 1992 they recruited the band’s sound engineer, Coti K., as a third member, both on stage and studio sessions. ‘City’ was their second album fully inspired by the mechanisms of their home town. Presenting a different electronic face of Raw, manipulating rhythms with analogue synthesizers and harsh sampling to evoke the atmosphere of Athens. ‘City’ was released on CD only by Elfish Records in 1994. ‘Fragments’ is a collection of 4 songs from ‘City’ presented on vinyl for the first time plus bonus track recorded during the “City’ sessions previously released on a compilation in 1992.
For the fourth instalment of SCB remix EPs from Hotflush, Mor Elian and Hammer step up for their own interpretations of tracks from Caibu. Fever AM label co-founder and hybrid club producer Mor Elian provides a spaced out take on ‘Fish Bowl’ full of angular drums and woozy synths. For his take on ‘Test Tubes’, Hammer formulates a steady groover for the after hours.
‘Previously Undisclosed Rituals’ is the first various artists release on Veyl — An Experiment in Noise & Body Music. Years of Denial, Cassegrain’s Rhyw (under his Poison Green alias), Downards affiliate Autumns, RNXRX, Exhausted Modern and label mainstay Maenad Veyl contribute one ritual each for this grimoire that is guaranteed to keep everyone angry and confused throughout the rest of 2018.
Mannequin Records presents the first of a new serie of compilations underthe ‘Death of the Machines’ serie, the dancefloor/experimental oriented side of the label, dedicated to new artists. Connecting music producers from all over the world, this new compilation will unearth names who are already building strong grounds for the future.
Amidst the chameleon-like output of his many monikers such as Ontal and Figure/Ground, Brooklyn-based Brenecki releases as his own name for the 3rd time in 10 years. Mutated funk techno under skilled hands, out to thrash pits across 5 tracks reneging against modern technology manipulation. Written and produced by Boris Brenecki in Brooklyn.
Sweden’s Kess Kill and Italy’s Veleno Viola join forces resulting in a (nowadays) rare vinyl split release, one side per label. Violet Poison needs little introduction, being one of the first and most productive in the new new wave movement of industrial music. He helms the Veleno Viola side, coincidentally being his own label, With three songs of purist industrial with its feet in both body and rhythmic noise. On Kess Killís Side B, the very same signore Baudazzi shows another side with his anarcho alias Bakunin Commando. Two tracks leaning heavily towards post-punk and proto-techno, raising the pulse far above the wholesome, in true Kess Kill manner.
