
“A free compilation from the Pinkman HQ to thank you ALL for the support over the last two years. And keep an eye out on Pinkman in 2015, lot’s of good things will come!”

“A free compilation from the Pinkman HQ to thank you ALL for the support over the last two years. And keep an eye out on Pinkman in 2015, lot’s of good things will come!”

Dutch label Shipwrec present their next release – a special one-sided pressing – by revered electro specialist Anthony Rother. A pure dancefloor fire that is part techno, part electro. ‘Balkonien’ is a broody affair from the off, with a supple, rubbery bed of kicks down low and a molten synth line up top. As things unfold, a nebulous network of celestial pads spiral about, the drums bounce more and lots of sinewy machine lines dance about and have you doing the same.

Solar One Music present a very special project. Arne Weinberg (Valanx) and Robert Witschakowski (The Exaltics) join forces as “Val_Ex” and present their first album. Dark and deep tracks are featured on both sides of this album, the intention and atmosphere is undeniably pure darkness. The common goal of achieving this is audible each second of this record. The music ranges from ambient to electro, industrial and electronica.



The clandestine Black Narcissus project from Rephlex artist Jodey Kendrick has gone on to find a welcome home in WeMe Records. Some six months after the debut Black Narcissus LP on WeMe, Kendrick returns with a second album entitled Fatale, with ten tracks of thunderous electro that are notable for their indecipherable titles.

Key players of the Scandinavian electro scene have worked together to deliver a snapshot of their unique sound for BT04. Luke Eargoggle, Kan3da, Obergman and Rutherford deliver everything from icy electro to downtempo, mournful IDM leanings.

Uncanny Valley and Permanent Vacation are joining forces for an Uncanny Vacation! There has always been a lively exchange between Dresden and Munich and both labels are known for releasing a wide variety of music so it was only natural to team up for a joint release. The record starts off with Permanent Vacation-regular and UK-veteran DMX Krew and his “Astro Logical” which is as sharp and crisp as Electro can go. The bass line strikes hard but he also squeezes some great melancholic synth lines out of his machines. After that, Uncanny Valley’s Sandrow M finally gives access to the much in demand live version of “Prayervan”, a tune that everybody has been singing along during his live sets. On the flipside, Jacob Korn hands in “Eieiei” which rises on a percussion-heavy drum basement to a discoid House stomper thanks to an irresistible sample straight from an obscure flea market find. Drvg Cvltvre delivers a tropical House jam. “See You Again” is riding on a funky Disco bass line and creates a warm and cosy atmosphere with a whole bag of sound ideas.

Void Vision is a Philadelphia-based electronic project helmed by Shari Wallin. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.

Mannequin Records celebrated Halloween with a free download of the classic electro-dark ‘See You In Hell’ from Suicide Commando covered by the NYC based combat techno collective DUST.

Spaced out disco electro. The mysteriously named 4M International was a side project of the production team behind short lived Italo group Trilogy (”Not Love”, ”Black Devil” etc). ”Space Operator” is the only record the outfit recorded and is an ultra spacey, pitched down, cosmic anthem based around fellow Italian band Traks’ ”Drums Power” record, taking the rhythm track and adding a wealth of killer sound FX, synth washes and sinister vocoded voices inviting us to join them in some intergalactic space travel. Released in 1982 on Full Time records off-shoot Good Vibes.

Ubre Blanca return with their second release for Clan Destine. Continuing with their obsessions of 70’s and 80’s horror and B movie soundtracks, fat synth sounds and live drums, Joel Stone and Andy Brown bring us a more evolved sound with the Terminal Island EP. A heady mix of full on synth and live drums, mixed with some more atmospheric pieces this time around. Terminal Island takes us straight to some tropical island where some horrifying shit is going down. Bringing to mind old cinematic masterpieces like Cannibal Holocaust mixed with Miami Vice.

Four tracks of atom crushing slo-mo disco darkness, creating hazy semi real dreams of isolation and paranoia on the red planets vast emptiness. The first track alone ‘Invasion’ is a dance floor soundsmash to rival any recent disco chug. The story continues with the quicker pace and acerbic tones of ‘Rulers of the Red Planet’. ‘Martian Emotion’ drifts more towards ‘beautiful space ballad’ and finally the grand finale to the story of this EP is the dark and foreboding John Carpenteresque ‘Last Day On Mars’. The track completes a journey in sound so well accomplished it will have you feeling like you just watched a 3 hour sci-fi epic inside your mind.

Stylishly blending a powerhouse mix of EBM Machismo, New Beat Sleaze and Space Disco’s hot synth solos, ‘Revengers Of The Darkness’ throbs like a robot post-the singularity on a quest for alien sewer sex. Giallo Disco are more than honored to present the debut EP from this fantastic group. Five cinematic dancefloor bombs for the discerning listener.

This new Bordello A Parigi 12″ sees Machinegewehr on a solo tip with two killer Italo numbers, with the title cut “Carradine” seemingly positioned to look skywards throughout such is the soaring synth work at play. Complementing this, “Guarding The Frontiers” is a more supple and dare we say subtle affair that really highlights the artist’s talent for intricate melodies.

On his new release, Gavin Russom explores the possibilities of layering his homemade analog processors, trying to create an evolving and changing repetition. Pulsing and deep, this limited edition 12” will hypnotize you into a cosmic lull. Although not founded in religious beliefs, still excellent for starting off your Friday afternoon prayer.

Umwelt with a release on Shipwrec. This new EP deals mainly in moody electro that is tinged with nice acid lines, which slowly becomes a trait of this great label. ‘Somatogravic Illusion’ goes first and is a synapse-twitching bit of bulky electro with tough kicks, groaning synths and starry melodies. ‘Subterranean Bases’ is a little more stripped back, with sheet metal snares blowing in the wind and background pads adding a sense of drama. ‘A Tale Of Disruptive Science’ gets all liquid and frenzied like a prime era Drexciyan cut, with lashings of acid flashing about in the deep chambers of the track, ‘Realm Of Chaos’ explores slow, dragging ambiance that is pregnant with sense of end of the world doom and finally ‘Terraformation’ picks up the ante with pixelated melodies, urgent drums and lots of slapping percussion and gurgling acid 303s that really make you want to move.

2nd in the lost tapes series from a true boss in German Electronics,Move D. All taped between 1992 and 1996 at at KM20, Heidelberg. This second round of archival material proves to be just as rewarding as last year’s inaugural entry, with lead track “Willenlos” a killer 12 minute journey into classic deep dub techno. Flip it and you’ll find a young Moufang dabbling in some trippy downbeat manoeuvres with “Evil Track” whilst “Inside the Dollhouse” fizzes with alien percussive qualities.

Cultivated Electronics presents the first in new series of collaboration EP’s which see’s CE label head Sync 24 joining forces with other artists. The first instalment is with the the dark Electro purveyor The Exaltics. Together they serve up 4 moody yet diverse Electro tracks synonymous with the style you would expect from both of these producers.