
Collection of outtakes from ‘Screening Plexus’ & ‘Motion Pictures Regime’ sessions.

Collection of outtakes from ‘Screening Plexus’ & ‘Motion Pictures Regime’ sessions.

The UK Electro duo Transparent Sound reissue the infamous Slang City EP. Long before electro returned to prominence Transparent Sound were serving up world class must-check slabs of body-popping electronic brilliance.

Francois Dillinger brings his futuristic visions to this classy new EP on EC Underground. It finds the sonic sculptor kick off with a warped bassline underpinning an eerie and slow motion electro cut on The Pilgrimage. Tangential is another snaking rhythm with mysterious pads and bouncing bass that makes for a truly original vibe. ‘Message Failed To Send’ has a hint of Kraftwerk retro-ism to its snappy snares and talk box vocals then ‘When It Was Free’ classes down with a gritty mix of celestial charm and deep space unknown. These are next level sonics as always from Dillinger.

Legendary and genre-defining Detroit label Metroplex Records is rereleasing a run of carefully selected releases from its classic-studded catalogue. The remastering and recut was done with uttermost care, using the newest mastering and audio-restoration technologies. These Techno and Electro benchmarks, taken from original sources, have never sounded better. The first release is Model 500’s “No Ufo’s” (M001). Rediscover these futurist transmissions from techno’s ground zero and the absolute classic Detroit Techno EP’s that started the genre.

030303 Records presents the fifth Various artist compilation, featuring a variety of acid sounds that transcend the boundaries of genres. Sounds inspired by Chicago, West coast The Hague, Malta acid and/or Cornwall UK. Caramel Chameleon kicks off with an epic cut, one that will appeal to fans of Roy of the Ravers. Perseus Traxx, Raving Kid and RAG aka Steven Brunsmann follow suit with acid on a deeper tip, with the latter adding a heavenly soulful touch to it. And how great it is to see American producer Korre return to the label with a wonderfully spaced out introspective cut. Also standing out is Endfest’s heavy electro/acid take on one of the most obscure mysteries ever to come out of Detroit: Shari Vari. Dwaalgast & De Beer Uit Allekmaar aka Cosmic Force deliver the last track before the lights go on – the aptly named A Wave Goodbye has a distinctive, bouncy westcoast-sound-of-Holland feel to it.

Fundamentalist electro-techno. On this release we see Detroit’s Ultradyne continue with the approach of their Ultradyne concept: ideas and their evolution. Five diverse songs showcasing their concept into reality. Each song with an identity of its own cultivating what already exists inside of each listener: the need for expression and relation.

Beyond ecstatic to finally offer a glimpse into the world of Voertuig. Working on music for several years, purely for themselves in sheds and studios tucked away in the outskirts of The Hague, Tonal Oceans presents an album by the four piece act containing music embodying the true spirit of the city.

Vortex Traks presents the return of Lazercat. ‘Void Droplets’ showcases the Canadian artist’s love for old-school electro, while the B3, “Take Me To Your Discothèque”, pays tribute to the 2000s italo-revival sounds of her youth. Features a moody remix from French electro wizard KafkaCtrl.

First Various Artists EP on eudemonia with four electro tracks by Sound Synthesis, Hermeth, Caramel Chameleon and Larionov each exploring the acid side of the universe.

Marguerite Records announces its first release of 2023, MRG014 a New Wave, EBM and Electronic compilation composed of six tracks. Side one features artists who already appeared in Marguerite discography. A1 opens up with ‘Noi Non Ci Saremo’ a bruise of nostalgic, new-romantic and dreamy 80s vibes from Diana Berti, followed up by Black Dot’s ‘Recurrent Disorder’ with occult spoken-word intonation of Le Chocolat Noir reminding of John Balance, over acid bassline, electro beat and syncopated noises by Christian Kroupa. ‘Unknown Faces’ close up the A side – an EBM track with a killer raw beat and distorted bass ready for sweaty dancefloors from the label heads duo Bianco Negativo. Flip side is unwrapped by one of the synth pioneer and UK based artist Timothy J Fairplay with ‘Love Boat For Four’ that drags you straight into a sci-fi movie fiction with the 8 bit electronic synths. B2 is Highest Bidder from Harlem Electronics, a seductive minimal rhythm with a dark undertone. The journey ends with ‘Svart Magi’ an hardware industrial jam by the Swedish producer Celldöd.

Sinusoidal returns to Pinkman with five adventurous tracks that bow to the downtempo domain. From the gloomy mind trips of Le Liminal, Liber Novus and Mind Killer to the lumbering menace of Arrogance Heights and Hoax Bureau. Moral Decay is a fever dream induced by the waking life.
This release is offered as name-your-price by Pinkman. More than a year after Russia’s full-scale invasion to Ukraine the help is still needed for those affected. All profits of this release will be donated to the Ukraine Humanitarian Fund: crisisrelief.un.org/t/ukraine

Here comes Emotional Rescue and Konduko’s last in their series of Noel Williams/King Sporty reissues, this time looking at later electro productions and the hip-hop/boogie influenced ‘Sun Country’. Vocals and co-production come from Williams’ long-time partner Betty Wright and as well as a vocal and instrumental mix there’s a longform remix by Bay Area disco dub stalwarts, 40 Thieves.

Kraftjerkz solidifies itself as america’s east coast electro label with the 6th volume of the popular series. Brooklyn’s ALONZO gets the party started with a bass-heavy track which picks up where Pretty Tony left off. Daniel Savio’s contribution is perfect for street dance or cruising the highway. Deroboter comes with a hard, distorted kraftwerkian production. Kid Ginseng delivers an electro/scratch song featuring Questosahn reminiscent of Knights of the Turntables. Finally, the UK’s Cybereign concludes with a passionate, melodic banger that blends nicely with a technobass record.

Young Detroit-native Kenny Hooper, former member of Scan 7, steps up for his debut release on Elypsia Records with not one, not two but three 12 inches full of prime Motor City techno and electro escapism. Titled ,,Detroit Orbiter Series” Volume I, II and III, each EP features four tracks, showcasing Kenny Hooper’s brilliant and contemporary personal take on classic Detroit sounds. The twelve tracks of the ,,Detroit Orbiter Series” trilogy signal the arrival of a fresh Motor City talent ready to rake the world and dance floors by storm with his chunky and funkified sonic fictions.

After a frenzied 2019 debut on Pinkman under his scarcely-used Amato alias, The Hacker brings his seminal sound to Mindri for the sublabel’s 3rd release. Exploring desolate cityscapes and windswept tundras shrouded in winter’s gloom, he provides 6 club tracks that are suitable for dancefloors at any stage of the night. From feverish 4/4 kicks to stalking electro and a chugging after-hours stomp, stripped back rhythms dominate throughout. Punching their way through misty pads in a relentless chase with metallic synths that are icy to the touch, these are 6 slabs of machine-driven grooves from a master of the art.

Froid Dub continues to explore its synth-lined slowed down digi-dub cave flooded with waves of echoes and acid bleeps. From begging to end, bass lines and flanged delays sail over deep waters, seemingly barely disturbed by the minimal pump of the synth-wave track Not Loved.

Having been lost in the Discogs realms for many years, without many sound clips online, each of The Piroman’s EPs began to gain a lot of traction online. The Piroman EP, the first of 2 projects released back in the 90s, features three tracks with rolling electro/ breaks elements throughout, inspired from the West Coast. All 3 tracks were given a European twist and will fit onto modern day dance floors comfortably.

Martin Steinebach is back with his EM1V project on Soil Records, delivering a new 15 tracks album called “Escape Pattern “. A mix between e.b.m, electro and synthpop on a CD release.

Introductory single for Years of Denial’s ‘Suicide Disco Vol. 2’, featuring ‘Dancing with Demons’ taken off the new album and with ‘BB Kills’ a new and exclusive B-side.