LVRIN @ Arma Labelnight (Moscow) 30.09.2016 – Arma Podcast 177
experimental
Hieroglyphic Being – Azimuthal Equidistant [MATH096]
On ‘Azimuthal Equidistanta’ Jamal Moss aka Hieroglyphic Being & The Configurative Or Modular Me Trio serve up 3 tracks on limited colored vinyl. The title track is a jackin’ phaser workout, while ‘Discotic Compuserve’ is minimal bleep at it’s best and ‘How Far Back..’ is a contemplative lowbit riddim!
Kilner – Walk Type [AVN027]
Kilner aka Blawan with a new double EP for Avian. Jamie Roberts is no stranger to the more experimental tenets of the Techno genre, and much of the British artist’s output of late has hinted at more leftfield leanings. It’s this same willingness to break down perceptions regarding his own music that marks Walk Type – Roberts’ debut on the Avian label, as a notable chapter in the artist’s discography. In terms of aesthetic finish, AVN027 might be Roberts’ most comprehensive and well articulated ode to the culture of machine music – but it’s also his most organic offering. Corroded drones provide the basis for much of the material, pitching & bending at will – shifting & warping in and amongst furtive drum work, that by and large sits uncharacteristically deep in the mix.
VA – T.R.U. Halloween EP [TRUHWN001]
TX Connect’s Gavin Guthrie is a horror soundtrack enthusiast and regularly DJs gigs with that premise. So it’s no surprise that he’d produce an EP that implements these themes. The T.R.U. Halloween EP is a special edition EP that collects and compiles 5 tracks from Gavin’s inner circle that range from 80’s era horror soundtrack chase scene music to dark techno. With the recent surgence of Survive and Stranger Things, this EP fits right in the pocket and is slated for a Halloween 2016 release.
Sendai – Ground And Figure [EMEGO232]
Editions Mego publish the third release by Sendai. Comprised of Peter Van Hoesen and Yves De Mey, Ground and Figure presents the duo reside in a more economic framework which allows the sound and rhythm they produce more room to shift, swirl and swim the circumference of the audio spectrum. Moving away from the twitchiness and anxiety of the earlier output Ground and Figure is a vast spacious journey from a duo in full control of their chosen path. Throughout Ground and Figure abstraction and rhythm weave amongst each other in such a sly manner that the resulting tension in the conflicting elements presents the listener with a hypothetical high-tech elastic percussive grid. A thudding, pulsating, shapeshifting ambient beast is summoned by these two creators working as one. This is machine music. This is hypnotic disorientation. This is an immense ambitious and refined world of sound and rhythm. This is the work of two producers who continuously try to top up their skills.
Ioannis Savvaidis – NSA Trusted Networks [LP012]
Greek label Lower Parts is back with a cinematic new EP from Athenean artist Ioannis Savvaidis. Influenced by his love of old school computer programming, all four tracks are live jams made with classic Yamaha machinery from the nineties. Form start to finish this is an absorbing ambient release that transports the listener into the world of science fiction. Gently unfolding and expanding in all directions, Savvaidis invites you to cut loose and get lost in your own mind. Some are tracks darker and more foreboding, some are airy and heavenly, but all together the EP acts as a movie lived out in the mind.
Credit 00 live @ The Hanging Garden (Dresden) 20.08.2016
Young Male – How To Disappear In America [WM009]
The debut album from White Material co founder Young Male. A collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. Paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian American landscape.
Alain Neffe – An Introduction Into The Insane World Of Alain Neffe [STRLP002]
Beautifully put together and deeply personal comp of pioneering Belgium New Wave / DIY enigma, Alain Neffe (Bene Gesserit, Psuedo Code, Subject etc). Highly reccomended – includes Folded Inner with Liner Notes (Biography).
Staccato Du Mal – El Mago En Ti [NOSTILEVO061]
Miami is a Geministic outpost of complimentary halves: subtropical rainforest and art deco cityscape; unmitigated wealth and staggering poverty; limitless sunshine and equally limitless thunderstorms. From this outpost, culturally and geographically isolated from a state teeming with hillbilly abjection, composer Ramiro Jean-Carlo entertains a unique decadence under the guise of Staccato Du Mal, a project perhaps something of an anomaly in Miami, but no less at home. At turns gauzy and drugged, energized and electric, SDM is analog electronics that would be best heard in a blacklit dance club or a mouldering mansion against the background of any given tropical depression. “El Mago en Ti” shows Jean-Carlo keeping things as sinister as ever, with classic SDM sawtooth baselines and rickety clattering rhythms (Spherical Aberration), “La Gran Evasion”), with the requisite amount of reverb (lots), but with a few surprises: opening track “Drowning Feathers” integrates Jean-Carlo’s affection for classical music into the project, with its complex and sullen chord structure reminiscent of a J.S. Bach organ piece, while the songs “El Mago en Ti” and “Fistful Questioning” showcase an industrial aggression unexplored in the context of SDM.
Chino live @ Unsound Dislocation (Kraków) 22.10.2016
Black Meteoric Star LIVE @ †HRILLER, Club Paula (Dresden) 30.10.2016
The Xecond Xoming of Black Meteoric Star at †HRILLER
Black Meteoric Star LIVE
The transcendental and occult energies emitted by Black Meteoric Star first reached our ears via transmissions on DFA with the Xecond Xoming of Black Meteoric Star on Nation in LP form. this LIVE performance was his 1-TIME EXCLUSIVE in Europe to showcase heretofore unheard material from the album….respect the unexpected.
Marie Davidson – Adieux Au Dancefloor [CITI021]
Cititrax presents a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.
Intergalactic Gary & Pasiphae – Made Of Glass EP [RHYTHM020]
The return of The Hague’s black magician. It has been 13 years since The Parallax Corporation / Conservatives projects together with I-f and now Intergalactic Gary is back. I-G hooked up with a new musical partner, the lovely and talented Pasiphae from Greece and together they deliver four very well-crafted tracks of contemporary machine-driven techno romance, with the ecstatic title track ‘Made of glass’ being the floor burner that will unite dancefloors worldwide. With the ‘Made Of Glass’ EP Bio Rhythm proudly presents the absolute creme de la creme of the current Dutch West Coast ‘noir’ scene.
Kane Ikin – Sensory Memory [EVR022]
Sensory Memory’ marks the second installment on Echovolt’s brand new series of mini-albums that has opened them up to more experimental fare. Kane Ikin is an experimental musician from Melbourne. Drawing from an isolated upbringing on the south coast of Western Australia, he creates music influenced by science fiction, broken synthesizers and endless horizons. Equal parts narcotic and kinetic, “Sensory Memory’ is built as an exploration in the genres and sounds formative to Kane’s sound.
The Holy Fix – Tracks & Traps [PB002]
The Holy Fix stands for the solo project of Camil Dumitrescu, co-founder of Future Nuggets and the Delusion Men project together with Ion D (Utopus). With this second release of the Future Nuggets’ clubloving child, the fresh imprint P-BALANS, The Holy Fix delivers a highly personal bass-driven, dub-flavoured and psyched out blend of electronic sounds in a solid attempt to define the labels edgy technodelic profile. Tunes for depth divers and tormented dancers.
mgch – 87 [L2M004]
mgch comes through with a dexterous debut 12” for listen2me. This 4-track EP explores lush pulses and shadowy rhythms, balancing both introspection and evocation. Label mate and long time collaborator Serb flips the title track on its head, delivering an ever evolving and explosive remix.
Personator – Personator’s Primordial Tracks Vol.1 [LSE008]
This is the first volume in a series of release showcasing the analog hardware experiments of Michigan-raised, New Jersey raised Michael Alan Rogers aka Personator. Running the gamut from raw, springy machine rhythms propelling the snarls of modular synths to softly pulsating white noise adorned with lullaby-like melodies, two of the tracks were recordded straight to DAT in the artists studio, while a third was recorded live at a late night loft party in Chinatown.
Kassem Mosse – Disclosure [HJRLP073]
Subtle music, radically strange and unafraid of the deep, but with a killer understanding of rhythm. Lush drum-machine nocturnes, gnarly electronica and glorious flowerings of zoned-out dubspace: an evolutionary music, continuously engaged with experimentation both in the studio and the club.
Shifted – Appropriation Stories [HOS470]
How does one appropriate oneself? In the case of Guy Alexander Brewer, the situation is complicated by his various current projects in techno, noise and experimental electronics overlaying a once-hidden past in drum’n’bass. ‘Appropriation Stories’ tackles the matter head-on at length, the endpoint of the mounting inward focus already evident in his work as Shifted. For years shunning his previous work in Commix, more recently Brewer has learned to look back, even making sideways stabs into breakbeat territory with his Covered in Sand alias. The process grows more intricate and subtle on his new album for the Hospital Productions imprint helmed by Dominick Fernow (aka Prurient, Vatican Shadow, et al.). Here rigorous processing and studio treatments transform classic breaks into deeply hidden components that add new layers of character to his highly-developed techno sound.
The Hipodrome Of Music 