Teakwood – A Distant Star [MSLP9053]

It is a rare occurrence, especially when you consider that we are writing this in the year 2017, that an unreleased soul/disco album from the 1970s surfaces after 40 years. The Tramp crew first heard about the album while discussing the re-release of Teakwood’s sole 45RPM single release “Can You Dig It” with former band leader and founding member of the group, Fred Forsh. It was in 1972 when two new Berry College freshmen met and realized that they were both music majors which led to an impromptu jam session in the lower level of the student center. This was the beginning of what would soon become Teakwood. “Those two original members, Ralph Moore on saxophone and me on piano, along with five others went into the studio in 1976 and recorded two songs for our first and only single”, remembers Fred Forsh. Unfortunately, shortly thereafter, Moore and Forsh parted ways but Teakwood continued with four remaining members plus two new ones and with this new lineup, went into the studio in 1977 to record nine songs under the collective title “A Distant Star”. However, for some obscure reason the songs were never released but luckily the reel-to-reel master tapes survived. The tapes were sent to the head quarters of Tramp Records in early 2016. In the end it took several attempts at three different recording studios to transfer them successfully.

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Teakwood – A Distant Star [MSLP9053]

Halal Cool J – An Ottoman Excursion [EXC003]

For the third set of Excursions, we’re letting off some tasty Turkish flavours. Darkhouse Family presents ‘An Ottoman Excursion’. Halal Cool J (aka Don Leisure of Darkhouse Family) has blessed us with four cheeky edits, crafted with care, and guaranteed to create dancefloor flames. For ‘An Ottoman Excursion’ we head straight in with the neck-snapping drums and epic riffs of ‘Visne Nektari’, before the synth-led ‘Derbent’s Groove’ breezes triumphantly into motion. For the flip, we nicely drop the pace a little to do the ‘Turkish Duck Walk’, before the humidity of the ‘Fernebache Heat’ raises up the tempo to close out the set. 4 chops. 8 minutes of Turkish Psych-Funk vibes.

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Halal Cool J – An Ottoman Excursion [EXC003]

Azymuth – Dear Limmertz [JD037]

AZYMUTH - Dear Limmertz

With the dust of their new album Fenix still settling, Far Out and Azymuth flex back 37 years for one of their finest and most indelible records in their illustrious and consistent career: “Dear Limmertz” slaps and pops with the same ridiculous soaking wet slap bass it did when it first blew your mind. With dreamy chords, that yearning vocodered vocal and the pensive prelude thrown in, it’s still an incredible one-of-a-kind record. And that’s before we get to the way-ahead-of-its-time breakbeat and deep groove of “Maracana”.

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Azymuth – Dear Limmertz [JD037]

Mike Collins – Lost Tapes 1983-1989 [MIC001]

New label MIC launches with some previously unreleased and unheard material from UK DIY jazz funk maverick, Mike Collins, better known as the brains behind the spacey Loft classic, Sun Palace – ‘Rude Movements’. MIC presents a small archive of Collins’ material (recorded around the time of ‘Rude Movements’) and reveals the more experimental side of Collins’ production. Five tracks that explore early, proto-house music, electro, and fascinating drum machine observation.

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Mike Collins – Lost Tapes 1983-1989 [MIC001]

VA – Africa Airways Three: The Afro Psych Excursion 1972-1984 [ASVN030]

The Africa Seven label might not have been around for very long, but the London-Paris dynasty has certainly established itself as a no.1 outlet for rare, unhinged world music. This is Africa Airways Volume 3: The Afro-Psych Excursion, a gorgeous compilation spanning the years 1972 to 1984, and it clearly offers some of the most magnetic tunes that they label has put out thus far. There isn’t a mediocre song in here and, as the saying goes, it’s all-killer-no-filler; take African Black’s “Nzango”, for example, a twisted, FX-heavy tribal experiment, or the more soulful highs and lows of tunes like “Zinabu” by Bunzu Soundz. Rough, dusty, completely psyched-out, and inimitable the whole way through; if you’re looking for something that’ll get the heads turning, and the diggers jealous, then this is your LP.

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VA – Africa Airways Three: The Afro Psych Excursion 1972-1984 [ASVN030]

Modula – Autostrada Galattica LP [BAP085]

MODULA - Autostrada Galattica

2183. After crash landing on an alien planet, intrepid explorer Modula valiantly crawls from the wreckage of his interplanetary cruiser clinging to his life (and antique synthesizers.) Taken captive, this neo-Naples born space traveller is soon drafted into the services of the court of this other world’s ruler. His music boxes save his life and change the very face of this distant kingdom. The results have just been beamed back in time to earth and intercepted by the Bordello receiver dish. Modula’s voice crackles through and utters two words: Autostrada Galattica . Cosmic boogie, futuristic funk and deep space disco are human terms to describe these sounds sent half way across the universe to be enjoyed by we humans of the 21st century. Love, sacrifice and musical riches from a synthesizer super nova.

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Modula – Autostrada Galattica LP [BAP085]

Daddy Long Legs – Intergalactic Lover [CPU00100111]

Intergalactic Lover is the first release on CPU’s new 7″ vinyl series and is the debut single from Daddy Long Legs aka Tom Parker, one half of City Guys and all round ‘FM’ synthesis maestro extraordinaire. Side A’s ‘Intergalactic Lover’ is new wave Kraftwerkian electro funk, with added vocal not too dissimilar to the great Edwyn Collins circa Orange Juice. Side B’s ‘The Club’ could be mistaken for a 1980’s breakdance anthem, poised with casio orchestral stabs, scribble scratches and electro bass designed for the dancefloor, more specifically poppin’ and lockin’.

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Daddy Long Legs – Intergalactic Lover [CPU00100111]

Playgroup – Previously Unreleased Bonus EP [YW00X]

Featuring 6 bonus tracks not available as part of the initial nine EP’s. ‘Dirt Biter’ is a return to the source raw hip hop instrumental, ‘Don’t Stop Dub’ a wild electro-funk workout complete with a demented electric guitar solo, ‘C’mon C’mon’ a decadent slice of sleeping bag style disco dub, ‘No Lube’ a heavyweight hi-nrg sleazy stormer, ‘Perc up’ a sampledelic hedonistic house bomb and Do It! a weirdo post-punk electro jam.

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Playgroup – Previously Unreleased Bonus EP [YW00X]

DMX Krew – Space Cucumbers [CPU00100110]

Following his stunning box set on Fundamental Records, Ed Upton aka DMX Krew makes his third outing on CPU, increasingly becoming home for his darker side. Space Cucumbers contains a wealth of expression with Italo disco arpeggiators, seldom heard time signatures, Hi-NRG, and bass heavy electro funk. Featuring the usual aquatic tendencies mixed with echoes of darkwave. Vintage analogue strings, overdriven acid and Upton’s favourite drum machine all make an appearance riding on his signature funk laced arrangements.

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DMX Krew – Space Cucumbers [CPU00100110]

The Beginning Of The End – Funky Nassau LP [ALSTON77001]

Seminal early 70’s Bahamian Funk of the highest order. The debut LP from the Munnings brothers legendary outfit. “Funky Nassau” is one of the most sought after Soul/Funk records ever with it’s highly original blend of US black music styles and Bahamian roots. A very famous band in their native Nassau, the group only had 2 full length albums under their belts along with a slew of 45 singles but have managed to stamp their name on the ears and minds of record lovers since they first burst onto the scene. The obvious track to reference here is the title track “Funky Nassau” a breakbeat fuelled monster dance cut that has supplied hungry samplers with sounds for decades (everyone from The Prodigy & The Roots among those who have used the cavernous drum break!), the rest of this excellent LP also includes the amazing Funk of “Come Down” and a whole host of other brilliant sun-drenched tracks. Absolutely essential. Here’s your chance to own a true classic! You’d be hard pressed to find another well rounded debut LP, this one is pure joy from start to finish.

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The Beginning Of The End – Funky Nassau LP [ALSTON77001]

Tilahun Gessesse – Sima! [MRP030]

During the 1970s, Tilahun Gessesse enjoyed a successful career in his native Ethiopia. Blessed with a sublime voice, he specialized in creating popular hybrids of hot American styles – most notably soul and jazz – with traditional Ethiopian styles. Sima!, which is named after one of his most revered 7″ singles, gather together music from numerous releases throughout the 1970s. It boasts numerous gems that see Gessesse combine his bold, snaking vocals with rocking rhythms, modal jazz mysticism, and heart-aching ballads. Given the standards of recording studios in Ethiopia at the time, much of the material is notably lo-fi, sound wise, but in many ways that enhances the intoxicating feel of the music. A killer selection from one of the leading vocalists from the golden age of Ethiopian music, ranging from 1969-1975. If Ethio-funk, soul and pentatonic, Sun Ra-esque moods are your bag, you’ve come to the right place.

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Tilahun Gessesse – Sima! [MRP030]

Dam-Funk – Architecture [SAFT014]

DAM FUNK - Architecture

SAFT announces a release by the one and only funketeer and Pasadena based connoisseur of the true underground funk-music ”DaM Funk”. The trans atlantic collaboration between the Canary Islands based label and DaM FunK resulted in ”Architecture”. A 3 track limited slice of otherworldly synths, drum machines and percussive grooves that showcase the true west coast sound of modern funk.

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Dam-Funk – Architecture [SAFT014]

Duke Hugh – Canvas [RS016]

Bradley Zero met Duke Hugh in Amsterdam, when he handed him a green USB stick after a show. He played the promos in the empty club and the first track immediately grabbed his attention – he knew it was something special. When he remembered the hook to Green Leaf the next morning he signed the release almost instantly. Each song has its own essence, there is absolutely no filler and the entire double pack sits together as a perfect whole. Flirting with aspects of broken beat, Jazz, hip hop and dreamy electronica – Duke Hugh winds together a most idiosyncratic release equally at home on the peak time dancefloor as it would be for a long road trip. Canvas is a big statement from an artist who’s here to stay.

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Duke Hugh – Canvas [RS016]

William Antonini – William Antonini E La Sua Orchestra [SME026]

Very rare’cult’ Library album by maestro William Antonini and his orchestra recorded with the deep sounds of Dirmaphon studios in Rome. Very small Library and Orchestra production by the pianist Antonini during his career as session man, this is the unique long-playing we have and for sure a lost collectible gem. Excellent studio orchestra arranged by the maestro. Expect some strong Blues Rock influences with loads of Killer Psychedelic sounds all over the place / amazing Jazz-Funk and Blues Funk vibes / heavy Progressive riffs with Big Band Swinging Jazz and Jazz-Rock tunes / huge bassline with stoned flute and deep Tenor sax / amazing early ’70s Freakbeat clubbing tunes

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William Antonini – William Antonini E La Sua Orchestra [SME026]

Jimi Tenor – Saxentric [HRKL005LP]

Jimi Tenor has compiled a selection of afro jazz tracks that he has written and performed over the years with musicians Icelandic drummer, Helgi Svavar Helgason, Helsinki based guitarist/bassist and journalist Ilkka Mattila, legendary drummer Tony Allen, Cuban & Berlin based trumpeter Daniel Allen Oberto, Ethiopian/Finnish & Helsinki based percussionist Abdissa ‘Mamba’ Assefa (Itetune), Nigerian/German & Berlin based percussionist Akinola Famson, Helsinki based percussionist Mongo Aaltonen, American & Paris based spoken word artist/singer & painter Allonymous, Helsinki based flügelhornist Tero Lindberg, Finnish & Berlin based guitarist Kalle Kalima, Polish & Berlin based bassist Patrick Frankowski, British trombonist Hilary Jeffery and Ghanaian/German & Berlin based drummer Ekow Alabi Savage. Jimi Tenor, born Lassi Osmo Tapio Lehto in Lahti, Finland, who has been releasing recorded music for 30 years, plays several instruments as is his usual practice. He is credited for playing on the upcoming release Saxentric; acoustic guitar, acoustic piano, background vocals, bass kalimba, drums, drum programming, electric guitar, electric piano, flute, Hammond organ, Korg MS-20, Korg PolySix, Log-o-phone, Moog, organ, percussion, Photophone, plastic bongos, programming, shaker, synthesizers, tambourine, tenor saxophone, vocals and Walton organ.

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Jimi Tenor – Saxentric [HRKL005LP]

Roy Ayers – The Funk and Soulful Side Of Roy Ayers [MUKAT048]

Mukatsuku sets up the ongoing winter months with a couple of hot dance floor burners of gems from the legendary vibes master, Mr Roy Ayers. First up an monster club instrumental in the shape of ‘Funk In The Hole’ with driving driving electronic keys accompanied by a funky breakbeat ,brass stabs and strings. On the slipside is the sultry personification of sexy soulfulness that is ”Liquid Love” …;..Both tracks issued here for the first time on a single in their own right.

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Roy Ayers – The Funk and Soulful Side Of Roy Ayers [MUKAT048]

DMX Krew – Escape-MCP [AFSLP003]

UK wave funk veteran DMX Krew returns to Abstract Forms with his latest double album project. Escape-MCP features 13 tracks of synth drenched electro and elastic techno grooves drawing inspiration from a 1983 computer game where the player is trapped inside a computer by a rogue processor. Fortunately DMX Krew isn’t trapped inside a computer and is still with us making killer grooves.

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DMX Krew – Escape-MCP [AFSLP003]

Sory Bamba Du Mali – Sory Bamba Du Mali [ASVN035]

In 1979 Sorry produced his third LP for the Paris based Sonafric group. Long out of print Africa Seven is pleased to be re-issuing the LP with the authorization of the newly reformed Sonafric group. The re-issue benefits from extensive restoration and re-mastering to a spectral analysis level, bringing and polishing long lost and distorted sounds. The six track masterpiece opens with ”Mayel”. It blends Afro-space grooves, cowbell and swirling organ with psych guitar and punchy horns. ”Kanaga 78” was named after his band of the time. Sounding as fresh (if not more so) in 2016 as it did in 1979 the hypnotic bass, expansive drums, twisting organ and snakelike fuzz-guitar all combine to create a masterpiece of African psychedelia. ”Bayadjourou” closes off Side A of the LP with its pulsating, incessant organ hook-line and driving tom drums while adding in layers of Malian vocal from a female chorus and Sorry himself. Side B opens up with ”Tjamantie Kolo” which is powered by driving conga and drums layered with traditional vocals and distorted picked electric guitar lines. ”N’Nebakaidi” focuses on the song writing skill and delivery of Sorry who delivers a masterful vocal over grooves which somehow manage to sound melancholy but somehow also forlornly uplifting at the same time. The LP closes with ”Nani Nani” which is a brass driven wall of African sound.

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Sory Bamba Du Mali – Sory Bamba Du Mali [ASVN035]

EKO – Funky Disco Music [FBNM014]

The latest vinyl slice from Fly by Night Music sees us head to the depths of central Africa via Paris to track down a feast of rare seventies afro funky jams from Cameroonian master musician EKO. We’ve brought FBNM favourite Riccio along for the journey too, who has provided us with a fantastic Rerub coaxing out some modern dancefloor sensibilities and production sparkle. Eko Roosevelt Louis has had a music career spanning over forty years, born the grandson of a Kribi tribal chief, his musical persuasion beginning humbly with his village’s local church before his formal education at the Senegal conservatoire and Paris’ École Normale de Musique. EKO made a number of jazz funk and disco records in the mid seventies during a stint recording and touring in and around France before returning to Cameroon to take over his grandfather’s tribal chieftaincy, a role he still holds today! Alongside this position of office EKO has continued to work with music, performing, teaching and even leading Cameroon’s national orchestra! The tracks we have selected for reissue are all taken from EKO’s third album, Funky Disco Music which was recorded in Paris and released on his own Dragon Phenix imprint. Sung in a combination of English and EKO’s native tongue we’ve lined up a real excursion in feel good afro-jazz, funk and soul made purely for dancing feet and boogying butts.

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EKO – Funky Disco Music [FBNM014]