
Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer.

Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer.

Anorax has got a vital 10″ here featuring a stone cold classic Balearic house tune from Don Carlos in two different mixes. First is the Paradise mix which is as Ibiza as house music gets – the swirling pads, the subtly joyous feeling in the piano chords, the blistered bassline. It all immediately transports you to the White Isle and gazing out to see as the sun sets and the party ratchets up a gear. On the flip is a Lute Mix which brings some more mellifluous melodies and makes the drums a little more bouncy.

The italian trio Mamosato composed of Paolo Macri, Cristian Sarde and Emanuele Montalto, come back to squeeze a new lemon.

Roman Flügel returns to Phantasy Sound with his second release of 2024 on Erol Alkan’s beloved London label, ‘No Solutions EP’. ‘No Solutions’ expands Flügel’s contributions to Phantasy into a triple track delight, another generous expression of his lifelong immersion in electronic music culture.

The Beat Boy Wonder returns to Parkway this fall with his brand new single “Desire” Hard to pin down, Trey’s music is part freestyle, part hi-nrg, part electro, part Italo synth-pop, but always rooted in the traditions of the NYC dancefloor.

Clone Jack For Daze on a roll with Tom Carruthers up next. Tom delivering trax that will make you jack all night long. The 4 track EP reflects a keen ear for detail and a deep appreciation for retro-futuristic influences that made the genre. No nonsense classic bleepy techno with lush strings and contrasting metalic basslines fierce enough to keep the energy flowing till sunrise.

Shonky debuts on Wicked Bass with ‘The Way It Goes’, an EP of spooky and minimalistic house/techno.


Red Laser Records continue their stellar form with another knockout release, blending Manctalo fire from old hands and fresh faces alike. Frank Butters opens the EP with The Call Of The Wild, a dazzling blast of crystalline synths, thunderous bass, and cosmic effects that showcase his forward-thinking production skills. Bob Swans delivers ‘Bodyform4U’, a dreamy arpeggiated groove that builds an uplifting, futuristic atmosphere, perfect for igniting the dancefloor. Lone Saxon switches things up with ‘Hypersleep’ a breakbeat-infused piano gem that oozes nostalgic charm, before Franz Scala and Il Bosco finish strong with Webo, a late-night, tension-filled Manctalo banger.

Hotmix presents a new release by Legowelt and the Dutch Master delivered a fantastic 2 tracker on a white ten inch record.

Legowelt returns to Clone Records with yet another sonic journey that defies conventional electronic music boundaries, offering an album that is as eclectic as it is immersive. Blending different styles and textures seamlessly and proving that electronic music can still be creative and that function doesn’t always prevail style. He delivers a collection that transports listeners through a kaleidoscope of retro-futuristic sounds, deep grooves, and cosmic melodies. Despite being in the music game for more than 25 years the music from Danny Wolfers remains playful and refreshing. Stylistically taking elements from his whole musical career and not commiting to the latest trend or any genre specifically, and low-key taking the piss with everyone who takes themself to seriously. While many electronic music artists are stuck in their own void, busy pleasing the big room, Legowelt meticulously crafts rich textured soundscapes, balancing between cosmic exploration and the dancefoor, that evoke both nostalgia and futuristic visions. His ability to fuse elements of house, techno, disco and electro with cinematic influences results in an album that is not only ready for club use but also gratifying at home. Each track offers something unique–whether it’s the hypnotic rhythms, the lush synth lines, or the subtle, eerie undertones that creep in unexpectedly. Legowelt’s attention to detail and passion for his craft shine through, making this album a worthy follow up to his last album on the Clone Jack For Daze series.

Dutch label Brew returns with more moody techno that is both deep yet impactful. It’s Robert Bergman at the helm and ‘3 AM’ is his opening gambit. It has ghostly voices shimmering across the beats with a menacing low end, rugged bassline and scaring percussive sounds. ‘#5’ is another fresh sound with great sound designs and alluring rhythms and last of all is ‘Drum Trax’ which is a third and final blend of nostalgic and futuristic house tropes for heady basements.

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, ‘Sunset On The A38’ , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Napoli based Gigi Testa brings the heat yet again on his third Rush Hour Store Jams release with some spicey Sichuan flavours, straight from the Dragon Temple.

Julio J, aka Californian-born Julian Smith, resurfaces with ‘Rhythm Vault I’ on his SFR imprint, showcasing his ability to evolve through multiple aliases. Known initially as Don Froth and later as Jane In Palma, this EP marks a return to form with a modern, tightly wound house sound. The four tracks offer a blend of broken beat and UKG influences, while inventive percussion and razor-sharp production give each track a distinct, spacious feel. The echo-heavy dubs feel built for the dancefloor, with cavernous reverberations creating a dynamite soundscape perfect for peak-time sets.

Detroit house maverick and FXHE boss man Omar S is back with a new EP named seemingly in honour of himself. And why not? Few house producers can touch him even 20-plus years into his career. The title cut ‘O Maarr’ is dry, paired back but immediately catchy with a loved-up vocal loop and knackered kicks that bump along nicely. The second track ‘Glass’ is for lovers of lo-fi sounds of the sort that this man has made his signature. Searching synths circle the dusty analogue drums and coarse claps add some raw texture. ‘Bug Off’ is another archetypal Omar S cut – pensive chords that are whimsical and inwardly reflective over chunky beats and bass with brighter chords bursting out of the mix to bring a hint of optimism.

Chicago underground legend Mark Grusane presents ”Take Me” on his own Disctechno imprint, a proper 12” single featuring vocals from DJ Saucy Lady, the Beantown Disco Queen. The lead single uses a driving bassline, infectious synth fills and filtered arps and pads to build up an electrified disco heater with sweat-soaked NRG. Saucy Lady’s seductive, dubbed out vocals bounce off the walls with a repeating mantra of ”just take me” and spoken words from a creature of the night, backed by her harmonizing ooh’s and aah’s. This combination sounds something like Bobby O locked in a Chicago basement during a heatwave with nothing but a fog machine and broken A/C for company. On the B-Side, disco wizard Rahaan reworks the lead single with a ”Psychedelic Dub” that layers the sounds of machine funk synth sweeps and disorienting tweaks for a mesmerizing take on the lead single. On either side of the record are also the Dub Instrumental and Accappella versions – versatile tools for freaking out any dancefloor.

Three groove heavyweights unite on this new Frappe release. Jamie 326, Young Pulse and Danou P are the Mystic Freaks, taking us on a cosmic Disco House flight. These 3 tracks are sweaty, made for dancing numbers. They are sexy, dirty and relentless, dripping with funk and disco influences. The very essence of House Music. You’ll hear disco drums, over housy drum machines, eiry sound effects surrounding groovy keybords and vocals franctically whispering at the dancer’s ears.