
After debuting on UTTU back in 2013 Lake Haze returns to the fold with 2 epic 90s Goa-Inspired-House-Jams for the freaks. Backed with an incredible bleep n bass remix from DJ Boring.

After debuting on UTTU back in 2013 Lake Haze returns to the fold with 2 epic 90s Goa-Inspired-House-Jams for the freaks. Backed with an incredible bleep n bass remix from DJ Boring.

After a long hiatus the Fasaan Recordings crew finally emerges from their basement to break out a second volume of their Chalice imprint. Functioning as a looser side vehicle to Fasaan, Chalice is a home for rawer and more uncompromising side projects of the Fasaan crew and their extended family. Honing in on a murky zone of cheap-sounding machine rhythms and punchy boogie-influenced proto-house sounds, the Chalice style is in your face and then out the door “just like that”: take it or leave it. As the title “Import/Export” suggests, the contributions for this installment have been gathered from such foreign places as Copenhagen, Bandung, Tallinn, Manchester and Dublin.

One of the most unconventional techno tracks which were released during the last years. Catchy pop like and unbelievable dark at the same time. H-Friend starts at the peak and then progressively reduces itself into an intro that is actually the outro of this song. (Black) Devil like totally reverted – the start could be the end, the end could be the start. Remixed by Benedikt Frey. A typical project by Berlin based label Private Records that results in a lot more than the single ingredients. A fantastic follow up on the new Closing the Circle label. Get some magic as long as it is available.

Originally released in 1990 the Sun & Moon Mix of ‘Walk On Air’ has taken on near mythical status as a benchmark record that brought together strands of Ambient, Deep House, Techno and Trance. The B side sees the original Amphibious Carbine mix joined by two previously unreleased Dubs unearthed from the original DAT tapes.

Ron Maney aka DJ Skull presents some new tracks on the second part of his own series called “The Dj Skull Saga”.

Panorama Bar resident Nick Höppner gets to “Work” on his second solo album on Ostgut Ton, connecting the territories of House music with the ease of Alt-Pop. Work as in labor. An axiom that fuels the capitalist system just as the Techno/House scene economy says that one needs to keep oneself busy to make a living. As a musician, things are complicated of course. It’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. Those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. After leaving his full time job as Ostgut Ton’s label manager in 2012, Nick Ho¨ppner went fully freelance, focusing on his musically diverse, deep and dynamic DJing in and outside Berghain’s Panorama Bar, but more importantly spending more time in the studio. The result was his critically acclaimed debut album Folk (Ostgut Ton, 2015), various 12′ releases and remixes, and now his sophomore LP, Work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

Mytron & Ofofo debut on Bordello with an intoxicating blend of sleaze and synth, disco and depravity. “Airforce One” smoulders. Dripping in funk, samples and smooth keys are bolstered by burbling bass for a track that glides and slides in glazed steps. “Hewa Kenya” keeps the vocal snippets, building them into fevered points as rhythms rumble. Medlar strips back the original percussion, crisp snares forming a base for shimmering synthwork and cascading chords in a shifting remake.

New to the Stay Underground It Pays gang, the tenth release on the label comes from one of the hotest & experimental french producer from Marseille : Donarra. The EP includes 6 cuts, which is almost a mini album introducing us to his astonishing sound. It could be described as dreamy, raw, completely analog, well some kind of proto-techno Chicago new-wave belter.

Pelvis Records returns with a breakbeat trip around the train yards of New York, coming to you care of Klasse Recordings’ Luca Lozano. Entitled King Blade, the record is an ode to the eponymous NYC writer, famed for his prolific painting of trains during the late 70s. Featuring an alternate mix from Lozano and remix by Eargoggle.

After a couple of releases for the label, including many notable remixes, Jamie Paton returns to the warm glow of Especial for a collective vinyl only EP of 4 ‘unreleased’ remixes for the likes of Sexy Merlin, Guy Schalom, Gatos Negros and Blancmange.

Lunar Disko presents… Time marches on with two Various Artist EPs to celebrate the 20th release on Lunar Disko Records. Eight tracks encompassing the modus operandi of the label since the beginnings. Part 2 features another selection of Lunar Disko favourites, with the return of DJ Overdose and Raiders of the Lost ARP, while two of Ireland’s finest in Tr One and Automatic Tasty complete this stellar line-up. ..and time is still marching on

The prolific Jason Letkiewicz returns to his Steve Summers alias for a suite of post-apocalyptic jack tracks. Across labels like L.I.E.S., Future Times, Echovolt, Nation and Clone, Letkiewicz spent the last decade exploring dimensional rifts between techno, house, noise, ambient and more. After occupying nearly as many cities as monikers he’s landed in Chicago and on local outpost Clear.

D’Marc Cantu’s second release on Drone is an introspective, emotive piece of electro. With it’s deep pads, ‘Omega Red’ provides the soundtrack to a trek through the snowy wastes, never letting up and calling through the night. In contrast, under his Rival alias Cantu delivers ‘Sustain’ a ferocious track with monotonous drum lines that slowly takes you into the night.

‘Artful Rifle’ is a new record label dedicated to ‘non-serious techno music’ founded by Berlin based producer Pablo Mateo. The first release “Tentlover” EP comes up with 4 atmospherical, psychedelic techno trips – paying an homage to Octavia E. Butlers ‘Xenogenesis’ trilogy.

More dead bears for the masses! Unreleased/never heard before material by Newworldaquarium. Trancendental disco fever straight from the aquarium.

Dekmantel has wheeled out the big guns for this third volume in their 10th anniversary vinyl series. Mr Consistency himself, Leon Vincent, kicks things off with “UK Spring Vibes”, a pleasingly deep and softly spoken shuffler piled high with attention-grabbing analogue bass, stretched-out chords and twinkling piano flourishes. Legowelt excels himself (as usual) on the darting, synth-heavy intergalactic fun of “Blue Astral Techno”, while Joey Anderson is an ultra-positive mood on the melodious, slightly melancholy, synth-heavy deep house of “Opened Gate”. Central’s “Six Five Two”, a wavy and Balearic-minded trip though gentle, sun-kissed sounds and bubbling electronic rhythms, draws a fine EP to a close with an intoxicating flourish.

Alex took his first musical steps by studying piano and guitar at the young age of 6. His fascination for the more outlandish, experimental side of each instrument corrupted his lessons and sent him down a modular synths and tape loop composition wormhole. Years later Alex resurfaced, got himself clean and, through connections made while spending time as a vocal audience member (and sometimes uninvited participant) at Lyman Woodard, Phil Ranelin, and other Tribe- and Motown-linked gigs in Cass Corridor during the mid-1970s, spent time as a session musician for Earth Wind and Fire, Chic, and Prince. It was only toward the mid-90s he found himself enthralled by the techno and house sounds of Detroit and Chicago so he went into the woodshed and came out firing electronic salvos.

Crimes Of The Future head to the other side of the world their first release from Australia as Paradise Box joins the family with the Hookup EP. Two original cuts of fine and upliftying deep and tropical house music are joined by two very special cover versions like you have never heard before. An incredible EP working equaly as well in the club or on a sun kissed beach bar.