The Strangler Of The Swamp / Bande Berne Crematoire – Eine Aufnahme voller widerlicher Verderbtheit [LXRC50]

Throughout the 1980s, Michael Antener, born and raised in Bern, Switzerland, initiated an array of sonic endeavours in the realm of industrial, dark, aggressive music. The triple vinyl release is all about documenting Michael Antener’s adventures during that intense 1980s period, comprising materials from vinyl records, cassettes, and live recordings, some of it unreleased. The release also includes a deep dive into Michael’s visual archive of posters, photos, and sleeve artworks. The disjointed, tumultuous body of work presented here marks the testament of a fringe musician who was disruptive and confrontational, keen to shock and alarm people (much to our liking), and who could easily have been lost in oblivion. 

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The Strangler Of The Swamp / Bande Berne Crematoire – Eine Aufnahme voller widerlicher Verderbtheit [LXRC50]

V​​​A – Northern Nightmares IV [UNR013]

As the darkness creeps in from the depths of the north, the restless spirits of the underground rise from their eternal slumber. Like a chilling reckoning, the creatures of the night emerge from their graves, summoned by the pulsing rhythms and haunting melodies of Up Norths’s latest offering. This cassette tape release unleashes a malevolent force of EBM and dark electronics, conjuring an unholy alliance of sounds to possess your soul. Let the shadows consume you…”

V​​​A – Northern Nightmares IV [UNR013]

Years of Denial – Suicide Disco Vol. 2 Remixes [VEYL039]

Years of Denial’s ‘Suicide Disco Vol. 2’ album is receiving a well-deserved remix treatment from some of the dearest and most important artists in their circle. Featuring The Hacker, NEVER & Maenad Veyl, Phase Fatale, Kris Baha, Velvet May, Codex Empire, Geistform & Years of Denial’s very own Supreme Low, some of the most influential figures in the genre are offering their unique takes on their favorite tracks from the album.

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Years of Denial – Suicide Disco Vol. 2 Remixes [VEYL039]

Dame Area – Toda La Verdad Sobre Dame Area LP [MNQ166]

Dame Area unveil their highly anticipated fourth studio album, “Toda la verdad sobre Dame Area” (“The Whole Truth about Dame Area”), a collaboration with the renowned labels Mannequin Records and Humo Records. Formed in 2017 within the vibrant underground scene of Barcelona’s Màgia Roja club, Dame Area comprises the Italian-Catalan duo Silvia Konstance and Viktor Lux Crux. They fuse industrial-tribal polyrhythms with minimalist synth basslines, drawing profound inspiration from avant-garde masters such as Esplendor Geometrico, Throbbing Gristle, Suicide, Einstürzende Neubauten, Can, Coil, Swans, Big Black, and Wolf Eyes. This record represents a new phase in Dame Area’s discography. It’s a big step up in terms of sound, composition and ideas. This record it’s the perfect representation of what they have been playing live the last three years and what most people know them for.

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Dame Area – Toda La Verdad Sobre Dame Area LP [MNQ166]

Asymetric80 – Rara Avis [OR128]

The long-awaited return of the techno trance wizard Asymetric80 is finally here. You can once again expect his unique vision of what a dancefloor banger should be: powerful low drums and mesmerizing melodies dancing around the perfect bass to energize any dancefloor.

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Asymetric80 – Rara Avis [OR128]

Severed Heads – Ear Bitten LP [DE-314]

Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing.

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Severed Heads – Ear Bitten LP [DE-314]

Mujahideen – Dead Language [CM​-​RE02 / NRR2]

As the world got even worse in the past ten years, Mujahideen’s songs from 2014 about greed, vengeance, culture slaves and the human factor are more relevant than ever in 2024, as it seems that the world is trapped in a vicious circle, which summons new dawn of Fascism. Therefore, Dead Language still sounds like a prophecy of wrath accompanied by a shivering crossover of post punk, dub and industrial, inspired by bands like Suicide, P.I.L, The Fall, Mark Stewart & The Maffia, Section 25, Psychic TV, The Young Gods and The Chameleons, which offers a captivating but desperate introspection into the abyss of humankind.

Mujahideen – Dead Language [CM​-​RE02 / NRR2]

Roberto Auser – Data Desire Disorder [DDE08]

Data Desire Disorder is Roberto Auser’s upcoming EP on the Dalmata Daniel label, part of their lathe-cut series. This four-track EP showcases Auser’s deep engagement with analog sound, blending noir, industrial, minimal synth, dark wave, and electro influences. Created largely during the lockdown era, it features vintage hardware and modular synths, crafting a sound that is both raw and meticulously detailed. Data Desire Disorder continues Auser’s exploration into dark, atmospheric soundscapes, offering a blend of cinematic tension and rhythmic pulse.

Roberto Auser – Data Desire Disorder [DDE08]

Black Dot – Love At Glance [IM017]

Black Dot lands on Italo Moderni with a cult futuristic gem on vocals by Le Chocolat Noir and hardware wizard Christian Kroupa, three obscure killers bangers ready for the dancefloor, last but not least with an epic remix by the king Marcel Dettmann.

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Black Dot – Love At Glance [IM017]

Harlem Electronics – Cagey [MRG017]

Marguerite Records welcomes Northern Europe’s machine funk masters, Harlem Electronics, as the 17th label output. ‘Cagey’ is a punchy cocktail of sly bass hooks, raw machine grooves, and found sounds, all tied together by vocals that shape-shift from staccato statements to haunted murmurs and back again. Featuring six tracks including a remix by Colombian producer Filmmaker.

Harlem Electronics – Cagey [MRG017]

Jäger 90 – R​ü​ckspulen [OR123]

Jäger 90, from Germany, stands as one of the last genuine bastions of body music, akin to DAF or Liaisons Dangereuses. Their album “Rückspulen” provides an hypnotic sonic experience characterized by simple yet powerful instrumentals, where acoustic drums intertwine with deep square wave monophonic basslines to create an immersive and intense atmosphere.

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Jäger 90 – R​ü​ckspulen [OR123]

Crash Course In Science – Near Marineland LP [DE328]

Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years – yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981, but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight CCIS’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see CCIS going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions – this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.

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Crash Course In Science – Near Marineland LP [DE328]

VA – MRG016 [MRG016]

For the sixteenth output, Marguerite Records presents a new compilation. The A side marks the eclectic label shadow: ‘Condizione Umana’ by Italian Massacres, the duo composed by Violet Poison and Davide Pestillo, opens the release with an enigmatic VHS-tinged composition, sci-fi b-movie soundtracks inspired. A2 ’Zezuru’, a giant cinematic drone wrapped in distorted percussion by LIES affiliated German Army followed up by ‘Drone Thugs & Harmonies’, a slow tempo psychedelic-dub from Dutch’s Galactic Funk owner Bertram. Closing up the first side is ‘Solar’, an authentic electro full speed track by the Croatian musician and sound engineer Zarkoff. ‘Lies in Disguise’ has an obscure synth bass sequence and textured vocals by KRI affiliated the duo Black Dot and opens up the second side, followed up by ‘Cage’, produced by the Italian New-Beat master Unconscious. After that, Florence’s Synth-Punk band Zona Utopica Garantita maintains the old-school vein with ‘Lifetime Shock’. The release is closed by the firework-ish beats of ‘Tory Gloryhole’ by Autumns.

VA – MRG016 [MRG016]

SMFORMA – It’s a Weird Place [SOIL026]

Dive into the sonic waves of SMFORMA’s latest release, “It’s a Weird Place”. This 4-track EP unleashed by Soil Records, is a captivating journey through sound, blending the energetic technoid-EBM with sensual, bewitching vocals. Drawing rich inspiration from the old-school EBM sound of the late ’90s and early 2000s, SMFORMA breathes new life into a classic genre.

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SMFORMA – It’s a Weird Place [SOIL026]

Ike Yard – 1982 [DE312]

Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP – only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink.

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Ike Yard – 1982 [DE312]