LVRIN @ Arma Labelnight (Moscow) 30.09.2016 – Arma Podcast 177
industrial
VA – But Darling It’s Hideous EP [CY006]
The sixth compilation of mutated machine music from Contort Yourself centres around British industrial pioneers Nocturnal Emissions. The group hack out two thick cuts of oil soaked savagery. Gears crunch and chains clatter as drum machines are minced and mangled for Demon Circuits Bloodbath before the reduced and removed bitterness of Even the Good Times are Bad. L.I.E.S. main man Ron Morelli under the guise of U-202 takes on the static of the ’83 original, lonesome rhythms fired into a gaping hollow of echo and decay. There is brief respite, very brief, coming in the haunted strings of Penelope’s Fiance. Torrent grinds this short break into dust with EXE 2 Blueprint, a sludge stomper drowned in distortion and dripping with distress. Innsyter (L.A. Club Resource), aka Seixlack, calls time with the hazy house bottle smasher; think fog machines and bodies in the dark and you’re getting close. Off-kilter madness all-round!
Interstellar Funk – Caves Of Steel [BH037]
Ace four-tracker. Caves was created in the aftermath of a devastating set by DJ Stingray, and sounds like it: storming but funky, infused with the spirit of classic Detroit techno. Spacetown marries Arpanet and John Carpenter, with a saturnine melody which sticks in the mind. Flip it for a deadly Caves remix by man-of-the-year Convextion, inimitably sci-fi but banging; and the elemental, ambient accomplishment of The Strips, consolidating the promise on show throughout.
VA – Murray CY Edits Part 1 EP [SBZ003]
After heating up with Sign Bit Zero’s second release with Wosto and label boss Kilian Krings, Sign Bit Zero is now continuing with some edits by Murray CY, the label honcho of Contort Yourself. The next release contains strictly rough tape material of old and forgotten cassettes from the eighties with a wide range from weird obscurites to strongly distorted material.
Hvren – Change R00m Vi0lati0ns [CDRTP042]
With his first discore discharge on Clan Destine Records, Huren mutates his low rent $cumtronic$ from the Rollberg compound in Berlin and coin$ a new chapter in his descent into Kängtechno. Change Room Violation$ -sound the ☆ƎLƎKTR0NI DƎATH KNƎLL☆
Kilner – Walk Type [AVN027]
Kilner aka Blawan with a new double EP for Avian. Jamie Roberts is no stranger to the more experimental tenets of the Techno genre, and much of the British artist’s output of late has hinted at more leftfield leanings. It’s this same willingness to break down perceptions regarding his own music that marks Walk Type – Roberts’ debut on the Avian label, as a notable chapter in the artist’s discography. In terms of aesthetic finish, AVN027 might be Roberts’ most comprehensive and well articulated ode to the culture of machine music – but it’s also his most organic offering. Corroded drones provide the basis for much of the material, pitching & bending at will – shifting & warping in and amongst furtive drum work, that by and large sits uncharacteristically deep in the mix.
Daniele Cosmo – Endless Illusion Radio #75
X.I – Last Waves SP
New release on Mind Records.
Manie Sans Delire – Untitled [JUNE011]
The return of Manie Sans Delire with seven new tracks on a double vinyl edition (12inch & 7inch) recorded in studio between June 2015 and July 2016. Manie Sans Delire is the project of June and Trenton Chase focusing on electronics, played and recorded live.
Savage Grounds – Atrocities [LXRC30]
Savage Grounds return to Lux Rec for the third time, with their third record. Atrocities comes after Unpleasant Music for Unpleasant People, released in 2015, and Over Fences, 2014. It is, as much as the previous 2, the result of investigations in music, live, composed with a minimum amount of instruments. The duo, comprised of CCO and Daniele Cosmo, worked with a Roland 606, a Roland 909 and a modular synthesiser. Experimenting with FM modulation and loose sequences. The result is concrete noise, anger, ghostly voices, and above all, the sheer conscience of human failures. Atrocities marks number 30 in the Lux Rec catalogue.
Zombies Under Stress – Stalin [MNQ086]
Four iller 80ies industrial techno tracks: ‘Liberation’ and ‘Stalin’ from their 1985 cassette ‘Fanaticism & Hysteria’, this last one also presented in a “Seven Sisters of Putin” remix form, plus on the b-side the killer slow industrial-techno ‘Message’ from the cassette ‘Matrix Machinations’ (1996).
Plath – Plath [MNQ088]
Originally self-released as a 7” in 1982, Plath release is definitely one of the obscure gems of the Italian underground. Plath were a duo from Prato, formed in 1982 by Silvia Innocenti (voice, bass guitar) and Fabrizio Lucarini (synth, drum machine). Plath were influenced by Throbbing Gristle and early Cabaret Voltaire works, moving in between two essential thematic actions: first, the constant search of a sound which aims to reflect the current reality as they were interpretating it and, second, the constant exposure of their anarchist ideological thinking against the established political and social system.
Device Control – Most People [LIES031.5]
Device Control is Jake Reif’s new solo production outlet which draws equally from the pools of early Wax Trax and Medusa’s with the hybrid pit jack of early Farris or Rush. Machine made yet with a soul, all four cuts are for the true hyper jackers on the floor, tested and recomended. Born in New York and spending his formative years in the mid-West, Jake Reif has served time amongst some of the best, producing alongside both Mystic Bill as well as Reade Truth; releasing well recieved 12s on Rong Music and a break out remix on Snuff Trax in recent years. Back in the day you could catch Jake clocking hours working at Sonic Groove Records among a motley crew of heavy hitters whilst honing his talents.
Cosimo Damiano / Luciano Lamanna – LB019 [LB019]
Luciano Lamanna & Cosimo Damiano, known together as Assalti Industriali, release a split EP on Love Blast. Four tracks of heavy acid techno, an assault to the dancefloor on 4/4 to put your head into the speakers.
Helena Hauff @ The Peacock Society Festival (Paris) 13.06.2016
Black Merlin – Control [BNR159]
Black Merlin continues to push his retro-aggressive style forward to now- his new EP ‘Control’ for Boysnoize Records. Power, discipline, CONTROL- the word itself is inseparable from the aesthetic mythos of industrial music, channeled so adeptly by Black Merlin across the 4 track release. The first two cuts, ‘Control’ and ‘Secondo,’ capture the neurotic, mechanical energy of a fantasy after-hours in a weapons factory- the kind of sci-fi meets political unrest wet dream that was Amiga-tracked through every undercut, black booted teenager’s imagination in the late 80’s. Production evoking the most dancefloor forward moments of Front 242, a sound both retro and contemporary but firmly planted in dark and aggressive EBM… Sound familiar for a BNR release these days We hope so.
Black Merlin – Resistance [OMD010]
Black Merlin makes his debut on Omnidisc Records, with a two tracker of hard hitting distortion.
Mick Wills @ Mannequin Records Night, OHM (Berlin) 07.10.2016
S. English – General Dimensions [LIES087]
American experimental musican Shane English continues in a long tradition of outsider electronics as he’s been humbly prolific in his output though the years involving himself in numerous recording projects. Collaborating with Jonah Lange in their group Corporate Park as well as an ongoing collab with Beau Wanzer (seeing a release last year under the CP/BW name), English now commits his second full length solo offering to vinyl in the form of the General Dimensions lp.Sparse machine driven electronics dominate the recording providing a back drop for the occasional pulsating rhythm, metallic clank or floating obscured vocal. While it is a dark and sparse affair there is a quiet downtrodden beauty throughout giving the recording a sense of uncertain serenity in an almost shoegazey way. Highly recommended for those into early electronics.
Shinoby Vs Hypnobeat – All Things Pass Into The Night [ITW004]
Driven by the common 80’s DIY-attitude, the 4th Is The Way release happens to be a cooperation for an absolute one-side vinyl, Shinoby vs Hypnobeat (James Dean Brown + Helena Hauff). The one-track (9:19min) is rooted in the concept of a ‘neo-tribal’ approach; compressing electronics into an emotional, hypnotic and rhythmic core. The energy and the emotional impact of polyrhythms and the track turned out to be centered around the inimitable sound of the Roland TR-808 plus a wide range of analogues gear including up to eight synchronized rhythm machines
The Hipodrome Of Music 