The Colours That Rise – 2020 [BRKKR004]

The sound of ‘2020’ is new jazz and old funk with an electronic city pace, brought to you by duo The Colours That Rise. Made up of multi-instrumentalists and producers Simeon Jones and Nathanael Williams, their ‘2020’ EP is a confident guide through future sounds and past histories from a time yet to come. Created using analogue synths and acoustic instruments, the 4 track EP works as the score to a yet to be created animation. Nathanael’s background is creating soundtracks for films, while Simeon plays with UK jazz prophets Yussef Kamaal and featured on Henry Wu’s ‘Negotiate’ 12′. Providing groove for the dancer and hidden meanings for the listener, ‘2020’ is plugged in to the pulse of UK dancefloors and the resurgence of funk audiences. With their fusion sound, The Colours That Rise are another welcome addition to the new ‘UK Jazz invasion’ alongside their friends and colleagues Yussef Kamaal and The Comet is Coming. ‘2020’ is an experimental electronic voyage that emerges from the ambient and arrives on the dance floor.

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The Colours That Rise – 2020 [BRKKR004]

Pauli Lyytinen Magnetia Orkesteri – Pauli Lyytinen Magnetia Orkesteri [WJEP05]

On the fifth release on the Grotto Editions X We Jazz 10” EP series, sax man Pauli Lyytinen steps up with a strong 4-tracker featuring Verneri Pohjola on trumpet, Eero Tikkanen on bass, and Mika Kallio on drums. ”Artist of the Year” at the 2017 Pori Jazz Festival, Finland’s premiere jazz event, Lyytinen displays his ability of writing melodic fire music with ever-evolving momentum. The quartet pools together their creative resources, presenting four original compositions by Lyytinen. They rely on their individial soloistic strengths and get a lot of mileage out of the group’s strong interplay.

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Pauli Lyytinen Magnetia Orkesteri – Pauli Lyytinen Magnetia Orkesteri [WJEP05]

Byron The Aquarius – Leaving This Planet [EGLO56]

Byron The Aquarius makes his Eglo Records debut. The Alabama producer once again delivers something truly special, journeying through disco, jazz, acid, house and crashing 808’s. ‘Leaving This Planet’ is an EP of two halves. The A-Side bumps, with two bubbling house jams. whilst the B-Side sees Byron get loose over two freestyle jazz odysseys. Music for the mind, body and soul.

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Byron The Aquarius – Leaving This Planet [EGLO56]

Same Speed Edits – Same Speed Sambas 2 [SASP002]

Same Speed Sambas are back to celebrate the sound of the summer in 2017 in their very own unique way.S earching out for more obscure uses of Brasilian rhythms and coming up with two dance floor delights – one from Denmark and another from right here in the UK – giving them once again, that unique Same Speed re-touch. Samba Operator takes a rare live recording of one of the UK’s finest soul acts of the 80s’ biggest hits and re-works it into a mostrous tropical club anthem; while Numero Dois goes down the Samba-Not-Samba route taking a Danish 70s girl band and giving them some very warm disco treatment. The result is something very contemporary sounding that’ll fire up the dance every time.

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Same Speed Edits – Same Speed Sambas 2 [SASP002]

Abstract Orchestra – Dilla [ATA006]

“Dilla” by Abstract Orchestra has been generating a buzz since it’s inception in 2016 and subsequent UK tour, during which the album was presented to the public in its live form. Led by Saxophonist Rob Mitchell, Abstract Orchestra seeks to reflect the diversity of music sampled by Hip-Hop producers by presenting music that has the complexity of jazz, framed within the simpler structures of Hip-Hop. Complex harmonies are framed within simple loops and complex bar structures and time signatures can pass by unnoticed. “I selected the tracks on the album with very much the live performance in mind” says band-leader and arranger Rob Mitchell “So the album is a reflection of the tour and the music we performed”. Inspired by the legendary live performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel-Atwood Ferguson of the work of J Dilla, classic arranging techniques underpin modern loop-based structures.The band itself is based on the classic jazz big band instrumentation of saxes, trumpets and trombones and features the cream of the north of England’s jazz scene who collectively have played with Jamiroquai, Corinne Bailey Rae, Mark Ronson, Martha Reeves, John Legend & the Roots, Roots Manuva and Amy Winehouse. “Dilla” by Abstract Orchestra is a tribute to the work of the highly acclaimed and influential producer.

vinyl / CD

Abstract Orchestra – Dilla [ATA006]

Ian Fink – Middle Birth [DSCVRY009]

Ian Finkelstein is a jazz pianist and producer. He has been an active member of the Detroit jazz community since the age of 14. A student of Geri Allen, he performed with Marcus Belgrave from 2010 until Belgrave’s death in 2015. He currently performs with the Robert Hurst Quintet, and is a founding member of Detroit music collective Video7. Ian self-released his first album of house music It’s Time in 2016. His keyboard work can be heard on tracks by Scott Grooves, Omar-S and Shigeto among others. He is a regular member of Scott Grooves’ Overdubs. Middle Birth EP highlights Ian’s dual talents as a producer and instrumentalist. Side A features two electronic cuts, Middle Birth’ and Mort Crim’ with Ian playing live drums and bass on the latter. SIDE B showcases Ian’s jazz quartet, he is joined by several of Detroit’s most talented young musicians: Marcus Elliot on sax, Ben Rolston on bass and Alex White on drums.

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Ian Fink – Middle Birth [DSCVRY009]

Nomade Orquestra – Estremundos [FARO198]

Nomade Orquestra return from the stratosphere via Brazil with their second offering: Entremundos (Between Worlds). Gazing outward through a kaleidoscope from the heart of Sao Paulo’s jazz scene, the collective consciousness of the ten-man orquestra has dreamt up an adventurous amalgam of earth’s most far reaching musical cultures. Recorded at Red Bull Studios, Sao Paulo, Entremundos is like a cosmic musical playground where Ethio-jazz, Indian classical and Oriental sounds dance around Afro-Brazilian roots rhythms and Northern hemisphere jazz, funk, soul, library music and hip-hop influences. The sheer vastness of the album is astounding, Nomade Orquestra have quite literally conquered the world in sound. vinyl / CD
Nomade Orquestra – Estremundos [FARO198]

Potter & Tillman – …Space…Rapture [HJLP002]

Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

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Potter & Tillman – …Space…Rapture [HJLP002]

Joao Donato & Seu Trio – Muito A Vontade [GB002LP]

Go! Bop! present a reissue of Joao Donato & Seu Trio’s Muito À Vontade, originally released in 1962. Joao Donato is a legend of Brazilian jazz and Latin music and this is his legendary debut album. The well-skilled performance speaks of a great routine each musician has, but there is so much fire and hunger to be found within the compositions. The listener will experience rather relaxed slow jazz tunes with an obvious bossa nova groove and a leading piano that takes off from the backing rhythm of drums and standing bass. On the other hand, there are tunes with wicked piano staccato lines and a powerful rhythmic drive that is rooted in Latin music, but shoots forward on a ray of energy. The tunes are well composed and have a memorable structure that distinguishes them from the beginning free jazz hype back in the day. Joao Donato and his mates in the trio were jazzy boys, but they were also songwriters. Catchy melodies were as important as a great and skillful performance. The combination of both sides of jazz, and the crossover with Latin sounds, makes Muito À Vontade a special album, with other greats to follow. Muito À Vontade stands out as a landmark. If you feel that it is time for an equally relaxed, but exciting jazz record to enchant you, here you go. A sweet reissue of a classic from the early ’60s. Joao Donato and his trio play it rather smoothly but their passion hits you automatically after a short while listening. Even the slower tunes offer twists and turns that leave you feeling amazed.

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Joao Donato & Seu Trio – Muito A Vontade [GB002LP]

Riz Ortolani – Si Puo’ Essere Piu’ Bastardi Dell’ispettore Cliff? [FLIES023]

ORTOLANI, Riz - Si Puo Essere Piu Bastardi Dell'ispettore Cliff? (Soundtrack)

Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie Si può essere più bastardi dell’ispettore Cliff’ (also known as Mafia Junction’). Only two tracks from this OST were published at the time in a now extremely rare C.A.M. 7-inch, but that was enough to create the legend. Four Flies had access to the original C.A.M. master tapes, so to present here the complete session for the first time. Just expect one of the funkiest piece of the whole Ortolani’s career: car chases, sex scenes, vicious kills are served here by amazing drum breaks, fat bass lines, captivating horn section and wonderful guitar effects. Totally outstanding session, and a real new classic for all crime-funk lovers.

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Riz Ortolani – Si Puo’ Essere Piu’ Bastardi Dell’ispettore Cliff? [FLIES023]

Fontän – Fontän [HNRLP010]

FONTAN - Fontan

There are many ways for a band or an artist to compile an album: some make it in a week and some let the process go on longer. The latter approach does often mean that that the record will not be better than had it been recorded and mixed within a short amount of time, rather the contrary. However, there are those albums that just could not be made within in a week or a month, those compilation of songs that needed the time to melt together to form an album. Fontän’s third album titled ‘Fontän’, released on Hoga Nord Rekords is that kind of an album. Put the opening track ‘Mangsebung’ on, then stay with the record until the closer ‘Shadows’ rings out and you will go clear, sharp, and mildly messed up by the listening experience because this is an extremely well directed trip in mind-altering music! This album needed time to reach such heights. With Johan Melin’s and Jesper Jarold’s love for music and non-sentimental creative approach, this album proves that the band never gets hung up on trying to sound like the past masters, but to develop what they once started.

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Fontän – Fontän [HNRLP010]

VA – Ethiopiques Box [HS164VL]

VARIOUS - Ethiopiques Box (Record Store Day 2017)

If you’ve been digging the brilliant Ethiopiques series of compilations, which shine a light on the lesser-known Ethiopian music scene of the 1960s and ’70s, you’ll love this lavishly produced box set. Put together by series founder Francis Falceto, the box boasts fresh pressings of six impossible-to-find 7″ singles and a booklet containing extensive liner notes. The musical treats come thick and fast, quickly jumping between evocative Ethiopian jazz, unique fusions of rhythm and blues and traditional East African styles, Hammond-heavy groovers and exotic dancefloor workouts that defy easy categorization. Includes tracks from great Ethiopian artists like : Mulatu Astatke, Girma Beyene, Mahmoud Hamed, Getatchew Mekuria, Tilahun Gessesse.

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VA – Ethiopiques Box [HS164VL]

Spiral Deluxe – Tathata [AX074]

Spiral Deluxe is a band led by Jeff Mills. Initially formed for the performances in Japan (Tokyo/Kobe) and released “Kobe Sessions” EP (AX070) last year, they gathered again in October 2016 for European tour, when they named themselves as Spiral Deluxe. This record is live recordings from that tour and will be our 2nd series of “Axis Audiophile Series” with HD sound.

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Spiral Deluxe – Tathata [AX074]

Move D & Thomas Meinecke – On The Map [OMLP12]

The long-standing partnership of Moufang and Meinecke hit album number five with On The Map. A conceptual piece comprising five tracks that explore and celebrate black music and cultural history in five neighbourhoods across America, we’re treated to an arresting blend of found sounds and motifs across the deliciously slo-mo soundscapes. From the coastal blues of “Norfolk” and the darker, paranoid twangs and unease of “Washington DC” and “Watts” to the strutting space bound “Houston” and jazz blasts of “East St Louis”, this could be M & M’s best trip to date.

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Move D & Thomas Meinecke – On The Map [OMLP12]

Alessandro Alessandroni – Afro Discoteca [FLIESDJ001]

ALESSANDRONI, Alessandro - Afro Discoteca (Soundtrack)

Four Flies Records is back in full force, this time with an EP that looks at the more sophisticated and modern dancefloor… The Italian label embarked on another journey of rediscovery, a specialty they seem to master. The destination of this trip was a dusty vault in Africa, where a famous Italian musician moved years ago… The Italian film and TV industry provided in the 60s and 70s countless opportunity for talented musicians to compose and produce a rich variety of music: soundtracks, library music, experimental music – an infinite amount of recordings that still represents a paradise for the most curious and passionate diggers. So here we have the proof that there’s still lot to discover. Alessandro Alessandroni is one of those pioneers, a maestro that built the legend of Italian soundtracks and library music along with Ennio Morricone, Piero Umiliani and many others. His vault testifies how prolific had been those times, with hundreds of tapes and obscure recordings from that period. Among the many, a dusty tape bearing the hand-written label “Afro Discoteca” captured the attention of Four Flies. The music contained in the tape had never been released until now.

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Alessandro Alessandroni – Afro Discoteca [FLIESDJ001]

Shankar Jaikishan – Raga Jazz Style [OTR001]

Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail. Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent. Raga Jazz Style takes the melodic, scale-based raga system of Indian classical music and marries it with a swinging jazz rhythm section assembled by Bollywood’s most highly acclaimed musical directors, the soundtrack composing duo Shankar Singh and Jaikishan Panchal. Singh and Panchal were a dominant force in Hindi film music from the late 1940s onwards. Shankar had been trained in classical tabla, while Jaikishan was an expert harmonium player. They worked together on well over a hundred films, and their innovative compositions and orchestral scoring revolutionised the music of the nascent Bollywood industry.

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Shankar Jaikishan – Raga Jazz Style [OTR001]

Hieroglyphic Being & The Truth Theory Trio – Materialized Psychism Of The Bottomless Void [LMD018]

HIEROGLYPHIC BEING/THE TRUTH THEORY TRIO - The Materialized Psychism Of The Bottomless Void

2017 marks 10 years of Lick My Deck and we are very excited to welcome one of Chicago’s finest and one of electronic music’s most singular visionary artists to the family: Jamal Moss aka Hieroglyphic Being. Jamal teams up with “The Truth Theory Trio” to deliver the “Materialized Psychism Of The Bottomless Void” EP. “Long Night Of Iboga” opens the EP and sees Jamal & The Trio create a DJ focused cut with unpredictable drum patterns, abstract melodies and psychedelic horns. A killer weapon for any seasoned selector. “Mystery Of The Changelings” is a mesmerizing 11 minute odyssey through magical harps, melancholic synths, and a piano riff that will stay with you long after listening. Truly music for the mind, body & soul. Praise be to The Sun God.

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Hieroglyphic Being & The Truth Theory Trio – Materialized Psychism Of The Bottomless Void [LMD018]

Mike Collins – Lost Tapes 1983-1989 [MIC001]

New label MIC launches with some previously unreleased and unheard material from UK DIY jazz funk maverick, Mike Collins, better known as the brains behind the spacey Loft classic, Sun Palace – ‘Rude Movements’. MIC presents a small archive of Collins’ material (recorded around the time of ‘Rude Movements’) and reveals the more experimental side of Collins’ production. Five tracks that explore early, proto-house music, electro, and fascinating drum machine observation.

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Mike Collins – Lost Tapes 1983-1989 [MIC001]