The end of the year is always a good time to step back an reflect and for me is also a time to take a look at what our readers enjoyed the most on hipodrome. This is a summary of the top 3 albums, compilations and recordings that our readers liked the most this year. I’m really proud with our visitors and you can see they have a good taste in music.Continue reading “2021 Top 3 – Readers List”
Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. Originally released in 1986, Green is one of Hiroshi Yoshimura’s most well-loved recordings and a favorite of the artist himself. Recorded over the winter of 1985-86 at Yoshimura’s home studio, the compositions unfold at an unhurried pace, a stark contrast to the busy city life of Tokyo. As Yoshimura explained in the original liner notes, the album title in the context of this body of work is not meant to be seen as a color, but is rather used to convey “the comfortable scenery of the natural cycle known as Green”—which perfectly encapsulates the soothing and warm sounds contained on the album, although it was created utilizing Yamaha FM synthesizers, known for their crisp digital tones. This edition marks the first reissue of the highly sought-after and impossible to find album.
2019 is coming to the end so it’s that time of the year when we look back and see what caught our attention the most. As the tradition is on our side, we look first at the preferences of our readers and this is a top 3 of the most appreciated albums, compilations, mixes and other stuff.
Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as Kankyō Ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.