Reissue of the legendary debut album “The Silicon Dawn” by the US producer Dan Curtin, which appeared in 1994 on Peacefrog. In the best Detroit-style, Curtin managed to set melodies and harmonic levels over complex percussion, which at that time in an innovative way broke the usual techno standard.
Symbolism Ltd kicks off with four strident, hypnotic but powerful Mike Storm tracks, all featuring the unquestionable editing skills of Ben Sims. Super limited pressing.
Jonas Kopp presents his new own platform Tremsix, created by the inspiration of his 3 iconic labels from Detroit to continue the legacy of underground techno and electro movement. This EP Called Tremsix shows the vision and concept of the label, a perfect balance between minimal techno and electro represented by the creator of this new platform.
Eduardo De La Calle with a showcase of electronic music. Four tracks with four different styles of electronica: deep and marvelous keys in ‘Wondrous Punia’, a mastely detroit house lesson in ‘Knockout Sakshi’, the minimal techno monster in ‘Great Manojar’, and the psichodelic electronic cult song ‘Georgeous Shiama’.
The original minimal techno master wastes no time with ‘Clocks’. There’s a sense of urgency as the track builds, looping into its crescendo with waves of staccato hi-hats. Tick tock, tick tock. Over on the flip side there’s a familiarity in the opening chords of ‘Low Life’ that will resonate with fans of Hood’s work. Instantly recognisable, it’s stamped with his ability to bring funk and groove to the colder stomp of techno. Final opus, ‘Go’ brings a spiralling samba tempo to the dancefloor. The punchy drumbeat is interwoven with sweeping cymbals for a highly effective infectiousness, like a call to arms, or better still, the Brazilian call to carnival.
Minimalist, swinging, fast paced DJ tool Techno exclusives from DVS1’s ‘Fabric Mix’.
Tresor Records announces a new commission, bringing together two of its most time-honored contributors. Berlin’s Thomas Fehlmann and Detroit’s Terrence Dixon came together in Detroit to produce this expressive album. An avant-premiere live performance of this album was presented at Tresor’s annual Detroit showcase in May 2017. Composed of six titles and exploring a wide range of rhythms and emotions, “We Take It From Here” is a celebration of resilience, patience, creativity and devotion.
We are heading to Toulouse this weekend to catch the last representation of Jeff Mills’ new conceptual electronic-classical project, ‘Lost In Space‘, which is a collaboration with Orchestre National Du Capitole De Toulouse.
Jeff Mills in cooperation with Orchestre du Capitole present Lost In Space
Continue reading “Jeff Mills – Lost In Space – Classical Debut (Toulouse)”
Scoro aka Bogdan Scoromide is a constant presence in the clubs of Bucharest in recent years. He started his DJ career in 2009 by approaching an experimental style through various small locations in Bucharest. He was known for his rather difficult style, mixing electro-acoustic improvisations, modern psychedelic and free-jazz, later becoming a Control Club resident. This experimental approach was then channeled towards club music, and today Scoro mixes in his one style house, techno, post-industrial & jakbeat, all the time trying to create polyrhythms.
Steve Parker’ continues to raise awareness off what he can do in the scene. This ”Interplanetary Dust LP” is another example of what he is capable of. A 2×12” containing 8 powerful tracks that fits right into the resume of our widely ranged techno collection.
Damon Wild and David Sumner (aka Function’s) relationship dates back to 1991 at Lord Michael’s Future Shock, Limelight, New York City – when Damon was running Experimental Records via Northcott Productions. At the time, he first saw something in Dave and added him to Brand X, a record pool run by Moneypenny. But their bond is based around a period 5 years later when Dave had an apartment above Rogue Music at 251 West 30th Street in Midtown, Manhattan. It was during this time Damon developed him as a Synewave artist and released his first EP as Function in the Fall of 1996 – catalog number; SW-24. Falling in and out of contact over the years, across continents, the two have somehow remained on the same cosmic path. So it’s not a coincidence that now Damon has turned to Dave to release his first album in 13 years. This is where those paths cross again…21 years later, this Fall, Dave will release Cosmic Path on Infrastructure. The cosmic connection.
Population One, also known as Terrence Dixon, offered a first remix of his mysterious, minimal Detroit track ‘Rush Hour’ for the celebration of the label’s 10th anniversary and now blesses us with new takes on five ‘Hippnotic Culture’ album tracks. Five dazzling remixes of Population One’s ‘Hippnotic Culture’ 2LP by the Detroit minimalist himself. Kicking off with a 20th Anniversary Mix of ‘Rush Hour’, the track that inspired our company name.
After solemnly closing out the SPC-series in 2016, Jeroen Search hands in his second EP of the year for Figure. Carrying his signature style, these tunes embody the live-recording feel he is known for, perfectly executed and arranged in clean-cut layers. Both tracks on the A-side feature big and beefy beats, their generous sub-range creating ample space for the juxtaposing elements to effectively slice through, whether it be the penetrating bleeps of ‘Deduced’ or the piercing rides on ‘Interval’. Things get bumpy on the flip when the rugged but undeniable groove of ‘Steady Pulse’ firmly stands its ground against repeated onslaughts of flailing percussion. The jolty rhythms and tinkling loops of ‘Endless Circles’ may seem like it being the odd one out, but unexpectedly merge into an intricate mesh of sounds, making for a most memorable closer to this jam-packed EP.
MindTrip introduce Dold, a young talent from the Swedish Techno scene. Known for his first releases on Float Records and his platform Arsenik, ‘Shutdown’ EP showcases a big range of his musical identity. Dold takes us into a hypnotic journey with his melodic interpretations, while he moves things faster on the darkest side of this EP, with his driven techno tracks fully inspired by 909 patterns and analog synth jams.
ASC are a perfect fit for Silent Season, favouring as they do greyscale melodic content and a cerebral approach to mutant techno. “Cerulean” is a fine opening gambit on this 12″, all crooked kick patterns and micro bleeps calling out into nothing, while “Dimension 1010” maintains the austere approach with a slow swell of melancholic ambience over a meditative rhythm. “Enchanted” is no less restrained, but there’s a subtle shard of light in the murmuring pad that lingers in the background. That’s well and truly dealt with on the bleak beatdown “Molniya”, which pings bleakest techno into a black hole of sound, which is of course a wonderful thing to behold.
The visionary from Detroit, Terrence Dixon, is back to 30D Records with an exquisite pack of vanguard tastefully built on Techno. This fifth chapter of the ExoPlanets series is powered with two original cuts and a pair of remixes.
The Hipodrome Of Music 