
From Chicago Noleian Reusse (Africans With Mainframes) serves 3 tracks of alien jacking weirdness. The package is completed with a remix by labelboss Paul du Lac aka Paul West.

From Chicago Noleian Reusse (Africans With Mainframes) serves 3 tracks of alien jacking weirdness. The package is completed with a remix by labelboss Paul du Lac aka Paul West.

Africans With Mainframes return with ”Faces Of Africa Pt. II” in the series of Deep House and Acid Chicago sounds. Think Guidance or Large records from the mid-90’s.

Noleian Reusse and Jamal Moss team up again as Africans With Mainframes for ”Faces Of Africa EP”. Think early Ibadan or Smile records B-sides of murky excursions in Tribal and Techno.

Noleian Reusse (half of Africans with Mainframes) and Thomas Cox (one third of Pittsburgh Track Authority) got together in the studio in Pittsburgh during a week of extreme social unrest in the USA in late 2015, resulting in these recordings. The tracks are crafted with a stripped back electronic funk and a stark, relentless feel that reflects the energy in the air at the time.

Solo outings from Africans With Mainframes member Noleian Reusse are relatively rare. Here he dons a brand new alias, the Eddie Murphy-referencing Dexter St Jacques, and sets off on a techno trip into the ether. Opener “Laamb” [sic] is a curious but alluring beast, with undulating synthesizer and acid lines riding a fizzing, almost bubbly drum machine rhythm. It feels like electronic jazz with techno drums, yet it’s not overtly jazzy. There’s a similar feel about the more distorted “Temporal Understanding”, where rising and falling melodies lines and winding electronics compete for attention over a hissing drum machine groove.

Jamal Moss, aka Hieroglyphic Being, returns this time under the alias Africans with Mainframes. With fellow Chicagoan Noleian Reusse they have been releasing music under the name Africans with Mainframes for over 15 years now. The K.M.T. LP is the debut album from the group, a collage of apocalyptic Chicago acid meets industrial and transcendental post-house machine funk. Both intense and unique, the album of forward-thinking, experimental, boundary-pushing Afro-futurist electronic music shows why Hieroglyphic Being is regarded as one of the most serious purveyors of experimental electronic music today.

This benefit compilation for Andreas Gehm is being split into 5 parts. You can buy each part for 7 Euro or the full combo package (with all 5 parts – 129 tracks in total) just for 14 Euro (10.64 GBP, $15.56 USD, $20.27 CDN, $21.66 AUD); you can pay more if you want;
All donations go directly to Andreas Gehm to assist with financial stresses due to ongoing health issues (the “Buy” button sends your contribution to Andreas’ PayPal account).
Comp For Andreas Gehm features unreleased and exclusive material.

Three more post-Chicago transcendental machine funk sessions by the Africans… You can’t stop the prophet.

Some say history has come to an end… we say the future is about to start… Two brand new nu-jack sessions by Jamal Moss aka Hieroglyphic Being and Noleian Reusse.

Noleian Reusse is back with his second EP, Airborne, on his own imprint Black Tekno. Three modern techno tracks that reflect Reusse’s own style, while echoing the rich musical history of his hometown, Chicago

Black Tekno emerges from the undercurrent of Chicago with it’s first release, an acid infused, floor jacking four track EP from Noleian Reusse entitled “Second Language”. The songs here are aimed at the dancer, ranging from emotional sci fi to straight up party jams. All tracks were recorded live – hands on the keys, knobs and faders of Noleian’s analog hardware setup.

Reclusive Chi native & member of Africans With Mainframes drop 5 tracks on Pittsburgh’s finest. The machine funk runs wild from the jumpoff, w/raw, jacking beats produced on real hardware.

Africans With Mainframes return with ‘The Sound of Something Ending’, a monstrous three track EP full of heart-pounding, dirty industrial styled acid house in the way that they can only do. Along with the title track, ‘The Pleasure Seekers’ and ‘98.6’ throw down some seriously heavy energy.