
4 Wicked & raw (of course) but ethereal techno tools by the man from Romania.

New release by Ivel Tax on his own Disco Birds. A three track release with: deep, groovy and ambient sounds to enjoy.

Heavy groovin 3 tracker. New imprint run by Jay Bliss, trying to find the balance between house and techno, retro and future, art and dance.

Eklo is proud to welcome a new member in his family, Cristi Cons from Romania shows us his classy forward house music add to his classical music background & universe.

Strictly Chosen presents the sixth release on it’s sublablel Neo Strictly. This time is an EP with 4 hypnotic deep minimal groovin shit by Romanian Cally.

More heavy hitting analog club tracks by the man from Bucharest! Proper house tools that will bring joy worldwide.

New Cosmin TRG making his debut on Running Back. White label techno feel on this release with three stong slowly building cuts that slowly move further away from the old TRG titles.

New label by DVS1 delivering some dubby spaced out house tracks by German-Romanian Borrowed Identity.

Growing up in the deep south of Germany with multi ethnic friends and big interest in many different music genres of the world, Borrowed Identity built his wide knowledge in music. This variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween. Borrowed Identity debut EP on Quintessentials is another great example for his multistyle approach to music. You’ll find elements of house, disco, techno, ambient and more – always with an imminent love for music.

The Romanian hotshot Cosmin TRG gets his work reshaped by two of the best contemporary remixers. Marcel Dettmann is best known for his industrial-tinged techno, but his remix of the title track casts a different light on him. Shards of delicate, metallic percussion provide the basis for Dettmann to deliver fragile melodies and a mysterious electronic groove. It’s an impressive about turn for the German producer, but not quite as jaw-droppingly unusual as Lee Gamble’s version of “Noise Code”. There, razor sharp hats soar in over a pacey, tracky rhythm that stops, starts and collapses to reveal a wobbly, cartoonish bassline. Just before the end, Gamble lets the track descend into abstract mushiness, a fitting end to an idiosyncratic remix package.