“Ten years have gone by since I began this project called Sequencias. When I started it, all I had in mind was that I wanted to put out the best music that was available to me and that I’ll follow wherever it’ll take me. I’m very grateful to all the people that have been part of this journey and have trusted me with their art, without them there was no way this could have happened. Also, to everyone behind the scenes that have made it all possible, thank you. With this selection of tracks, I intend to give the catalog a breath of fresh air. All of them were previously released on vinyl-only between 2011-2021 so now you can enjoy them digitally as well. All the tracks in the compilation got remastered and the ones that were not included will remain only on vinyl.” JM De Frias.
Aroy Dee with a first solo EP on his own M>O>S Recordings in years. Four emotive, atmospheric deep house efforts. Joined by his R-A-G peers Spaventi and G-String on track 3 for the special spiral galaxy blend.
Tracks from local boys R-A-G, (Aroy Dee, Ma Spaventi & G-String) and solo work from Ma Spaventi. Nostalgic to the bone- going deep on the Acid House, Italo and Chi-town flavours.
Sequencias introduces MaSpaventi to their catalog with this EP called ‘Le Cose Che Sentivo’, which is a mixture of tempos with a melancholic feeling spread throughout. The dexterity of MaSpaventi is shown on this one; from the funky drum programming and melodic lushness of “Una Piccola Amaca” on the A-side, to the more ethereal downtempo/ambient side of him with “Profondo Blu” and “Coralli Lia” on the B-side.
Marco Spaventi and M>O>S label head Aroy Dee link up for another of their intriguing collaborations. Their latest offers another vital mix of raw house and ambient. Opener ‘The Way We Love’ features typically rough, blistered drums and sci-fi synths, but this time with a heavenly vocal and uplifting chords up top that tug on your heart strings. An ambient reprise of the same track is a perfect excuse to kick back and get lost in your own thoughts. ‘The Way We Move’ then takes a long view, with far-gazing Detroit pads and mid tempo drums getting you deep into a dreamy groove that is wide open and expansive. Last of all, Marco remixes this one on his own and flips it into something that is even more melodic, with circling pads and a musical bassline all making for a beautiful piece of timeless house music.
First part in a brace of new chapter of Italian Dance Wave Compilation Serie. Ma Spaventi, Sauvage World, 2000 and the hardest working man in disco, Slow Motion label head Franz Scala. A trippy selection of proper after hours jams, to keep feet moving and heads spinning till the sun comes up.
For the fourth edition of Slow Motion’s Soundtrack Serie we welcome Heinrich Dressel, better known as one part of Minimal Rome. Space Shaft is three tracks of dreamy, sleazy space-funk delivered with a light touch across expansive musical horizons. Backed up with a brace of Ma Spaventi versions – both ‘disco’ and ‘chill’ Space Shaft is a record for movie fans and dancers alike.
Pizzico Label head Billy Bogus is back on track, this time joined by Kasillen , mysterious producer and sound designer who comes from a hip hop and black music background, and is behind Italian pop projects. Bogus & Kasillen come up with two original tracks with the consistent help of a MPC 1000, blending old Italian horror soundtracks with dubby/cheesy analog sounds so to convey the sense of discomfort you feel while watching a thrilling Italian b-movie, but in a clubby way. The final punch comes from the acid psychedelia of a different version of the same track by In Flagranti and the 80’s space-like vibe of homeboy Ma Spaventi.
A year after his debut album “Viaggi”, Amsterdam based italian Marco Antonio Spaventi is back with another fine full length statement. Entitled “Isola Sommersa” and landing on M>O>S Recordings, it follows up after many great EPs on the label over the last five years. Spaventi has a passion for old school house but always brings it up to date. Using hardware tools like a natural extension of his body, he cooks up rugged grooves, nostalgic moods and smoky atmospheres that cocoon you in sound of its own. Long the way here, Spaventi dips his toes into various waters with equal success. There are spaced out and invitingly warm grooves such as the rubbery ‘Tape Noodles’, blissful ambient interludes like ‘Undisclosed’ and serene synth passages filled with retro future beauty such as the closer ‘Titanic Moments.’ Cuts like ‘Simple Mind’ prove this artist can conjure up genuine feelings of internal reflection as well as raw physical drum lines, and ‘Best Regards’ is a tantalisingly go slow bit of cosmic house that erupts into a fluid acid track. Though Chicago and Detroit are obvious reference points, Spaventi always develops his own ideas with a refreshing vibe. It makes for an album that is house at its heart, but also one that is ambitious, absorbing and widescreen in the way it is executed.
Ahead of him releasing a full length album on MOS in 2016, key label artist Marco Antonio Spaventi is teasing us with a three track Prelude EP. Spaventi hails from Italy, but is based in Amsterdam, and is someone who deals in misty, Chicago referencing house sounds that are loaded up with a real sense of analogue jack.
Released by Pizzico for the first time in 2009 with the moniker “Erre”, Marco Antonio Spaventi was one of the most pleasant surprises about what an excellent techno producer can do with his beloved background: Italo disco. Influenced by soundtrack masters as Vangelis, John Carpenter and most of all Italian maestro’s like Nico Fidenco, Pino Donaggio, Francesco De Masi, and appearing in the sky like a laser beam in a post-atomic Bronx filmed by Enzo G. Castellari, the positive first album of MA Spaventi called “Viaggi” is landing. A real journey into obscure worlds, dirty streets, atomic sunsets, broken hearts and analog feelings, a blessing for your most romantic and cinematic essence. Could this folding full length fit the modern dance floors? Maybe It could be better for the outcast clubs of a near future: synths atmosphere are sweet and pressing at the same time, the melodies and beats fit together in a succession of deep emotions, the “tape” sounds old school and totally irresistible. Pizzico is proud to present MA Spaventi’s VIAGGI: nine exclusive tracks for a brand new album, invoking and evoking dusty Italo vibes, analog synths and written soundtracks for unwritten movies.
Hot on the heels of the last release from Francisco in Slow Motions’s new soundtrack series comes this stunning four track release from Marco Antonio Spaventi. While recalling influences as diverse as Jan Hammer, John Carpenter, Goblin, Giorgio Moroder, Daniele Patucchi, the De Angelis brothers and many other legendary (mainly Italian) composers from the soundtrack side, these tracks are just as comfortable on the electronic dancefloor and provide a dancing experience every bit as engaging as a listening one. Synth-heads, soundtrack afficonados, space-freaks and dance fiends are all set to enjoy this one in equal measure.
Ma Spaventi’s Revolver, Most Excellent Unlimited’s inaugural release, is something of a Swiss army knife for DJs planning to venture into the wilderness. There’s a melancholic, mid-tempo house number, “The Sick Tape Dealer,”that’s lit with a crystalline glow. There’s “Slowmo,” a loping openerthat suffuses an andante house groove in queasy Giallocore tones. “Revolver,” the record’s fastest cut, balances strapping snares andinsistent open hi-hats with dreamy chords; it sits on the fence between placid and acid, just the thing for tipping the night intofull gear. And the slow-motion tearjerker “La Valle Delle Lacrime”comes in two versions — one with a skeletal drum machine and a beatless edit that revels in the simplicity of his analog synths. Luxuriating in ringing fifths with just a hint of Theremin-likewarble, it’s an unusually sturdy example of ethereal ambient techno. On remix duties, the prolific Mark E delivers a deep, atmospheric, slow burner.
Marco Antonio Spaventi returns on MOS with two tracks. ‘Insanity’ is a mad melange of fizzing electronics, ticking cowbells and swirling atmospheres all pinned to a chugging deep house beat. Raw drum fills and squelchy modulated synth sounds fill nearly every gap, taking you to a place as intense you could imagine for the duration. On the flip, Spaventi’s lo-fi aesthetic gets even more fucked up as he delves deep into the recess of house music with ‘The Jungle’. Crunchy hits, echoing hi hats and a tightly coiled melody all race along next to each other with a slapping drum combination keeping energy levels up down below. Raw and brash yet totally beguiling, it might be some of his best work yet on the ever excellent MOS Deep.