
Here comes the brand new In The Dark Again record. For release number 06 Snuffo got the chance to bring together four tracks by Le Chocolat Noir, Vault and Bakunin Commando.

Here comes the brand new In The Dark Again record. For release number 06 Snuffo got the chance to bring together four tracks by Le Chocolat Noir, Vault and Bakunin Commando.

Zarkoff (Sasa Rajkovic) is Croatian musician and sound engineer that has been busy making proper sound of dozens labels and doing his own music last ten years. Genre could be described as dark electronics, somewhere between techno and synth wave, but if there is something that makes him unique, it’s his powerfull and distinctive voice. Sasa is also member of EBM-ish project Sumerian Fleet, having releases on mighty Dark Entries or Creme Organization, where we took the opportunity and asked his colleague, legendary Mr. Pauli to enrich this 12inch with proper west coast style remix.

Brand new Inkamera EP on Last Known Trajectory! Inkamera’s fresh, fluid and often poetic twist on electro is evident via all six tracks on this striking release. Includes the gorgeous ‘Skylar’ and ‘No Dead Men’s Cries (feat Bogdan W. Rousseau)’.

The debut release of Aspecto Humano, label based in Barcelona, is being presented as a sampler composed of five tracks, which clearly shows the label’s preferences and what to be found in the future. The first track is the new version of Das Ding’s classic ‘H.S.T.A.’, a jewel that has not been pressed on vinyl to date. Follows ‘Extraterrestrial Biological Entity’, a killer track made by master of horror Antoni Maiovvi, and finish the side Hyboid with his well known synthwave ‘Telepath or Psycopath’. On the other side the debut of part of Aspecto Humano founders, Anbau, with their kraftwerkian ‘Disco Z’. Ends the reference Synth Alien, one of the most reputated spanish artists at the moment, focused to burn the dancefloor with his ‘Bailarina Automatica’.

Copenhagen based conceptual music act Design A Wave returns with ‘Snakeface’, a document of surprise within the composition process. Specifically, Design A Wave uses the computer to create several beats and then utilises the mutated results as building blocks for several new compositions. Interest in computer-synthetic snakes, beyond all networks of communication and agency art, centres on placing these formless serpents into existing genres, such as music. Snakeface is a timely exploration of the infectious qualities of music, and how it too, as a carrier, makes it’s way through neural networks, irreducible to bits and designed to infiltrate and replicate.

Collins’ debut 12″ on Giallo Disco is dark as night and sharp as a knife. Twisted electro-nightdrive stormers for revenge fantasies and futurist cyberpunk sex dungeons, dreamlike replicant discotheques or if the Boccaccio Club existed in Liquid Sky. Remix duties come from Giallo Disco favourite Protector 101 who takes ‘Signature Ligature’ into heavy synth territory peaking into blown out electronic doom.

Gliptolito sees Frigio return to its beginnings whilst making a bold statement of future intent. This time in collaboration with Seti Recordings for a split release by the heads of both labels. Juanpablo shares the platter with ArD2, the team of Ekis and Penélope Martín (of NSRB-11 and Zwischenwelt.) Label boss Juanpablo opens with his ever evolving sound. Rasping beats and subtle key changes are warmed by basslines in the cerebral “Ica”. “There is a Silence” comes from a similarly esoteric place, gentle chords shimmering against glitchy undercurrents and clean drums. ArD2 follow up their 2010 appearance on Frigio with two tracks of complex machine funk. Sidelined is their trademark electro sound as the pair lean towards electronica and broken percussion for “Winter.” Colder tones arrive with “Utopia”, sublime string work warming them through to bring “Gliptolito” to a close.

The return of The Hague’s black magician. It has been 13 years since The Parallax Corporation / Conservatives projects together with I-f and now Intergalactic Gary is back. I-G hooked up with a new musical partner, the lovely and talented Pasiphae from Greece and together they deliver four very well-crafted tracks of contemporary machine-driven techno romance, with the ecstatic title track ‘Made of glass’ being the floor burner that will unite dancefloors worldwide. With the ‘Made Of Glass’ EP Bio Rhythm proudly presents the absolute creme de la creme of the current Dutch West Coast ‘noir’ scene.

Nocta Numerica sixth instalment comes courtesy of French duo Glass Figure, putting on display six cuts that set old-school breaks and hectic electro grooves against an ebullient retro-futuristic backdrop. Vocoder blazing and synth arpeggios glancing off, the Drexciyan title-track – which you can now stream in full via our channels, whizzes at mega light speed like a space-traveling vessel flashes across fields of asteroids, in search for a new planet to colonise.

It’s a first for Pinkman and Lux Rec. Yet the two labels have so much in common that it isn’t surprising they have been drawn towards each other. And The Rosa Luxembourg Files is the result of this collaboration. Rotterdam and Zurich, Ian Martin and Barbir & Nicola Kazimir, exploring different shades of the same black, wandering at the fringes, plunging into obscurity and machines talk. There’s no rest and no comfort, but manic fixation.

The acclaimed debut of one of the most surprising new projects of the very active french scene. The one man project of Mathis Kolkoz from Toulouse will delight any modern era synth wave post-punk connoisseur with rude analog synths, simple drums and effected guitars over Mathis mesmerizing voice. Drvg Cvltvre joined the party with a crazy old school acid version of “Alcoolemie”.


FlexiWave releases debut EP by NYC duo Only Edges. Only Edges is a project by Jean Lorenzo aka Silent Em and Hellyn Teng. 6 tracks of excellent minmal synth.

Superconscious Records offshoot ”Suco” returns with two bizarre club edits from Bjorn This Way aka Francis Inferno Orchestra.

Bocal 5 were a No Wave art group composed of Doc Pilot (synths, vocals), Zouka Dzaza (bass), Florian Guillou (synths), Mickey Lepron (electronic drums, bass) and Evy Tinguette (lead vocals). The project was born in November 1980 in Tours, France as the brain child of Doc Pilot. Between 1981 to 1986 Bocal 5 recorded one 7” single and a cassette-only album before taking a year off in 1984 to launch X-Ray Pop. Influenced by Erik Satie, Brigitte Bardot, Suicide and Young Marble Giants, they call their music ”minimum naive new wave.” “Musique Électronique” is a 19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before. 16 tracks appeared on the “From Bocal 5 To X-Ray Pop” album originally released on cassette by Sound of Pig in 1984. Both tracks from their debut 7” originally released in MB5 1984 are included and show a progression in sound as a result of newer recoding equipment and techniques. Also present is a song from the tape compilation “Andreas N°3 L’Animal” released by Fraction Studio in 1984. Armed with a Korg 770, MS-10, Prophet Pro-One, Roland TR-707 and TB-808 they crafted their own brand of quirky synthesized electronic pop. Songs are short, concise and well structured; richly textured, moving at a quick speed with hardly a pause. Evy’s pouting, tongue-in-cheek vocals (sung in French) come together for a catchy, sensuous, danceable, eccentric psychedelic ride. This collection shows the group’s sense of humor, vitality and carefree playfulness.

Release number two on Pleasure Wave comes from Jonny 5. Here the edit meister delivers four tracks of cosmic goodness, adding synths and drums to the cut n paste..

United over a love of Throbbing Gristle and Chris & Cosey, Richard Fearless partners with artist and writer Sasha Grey on ‘Consequences of Love’, the second single from Death in Vegas’ critically lauded sixth studio album, Transmission. In the spirit of this collaboration, we are thrilled to announce the release of ‘Consequences of Love’ with a remix by iconic electronica pioneers Chris & Cosey. “After listening to the stems we could sense a kind of “October Love Song’ vibe in there so – so that’s kind of what we aimed for. We really enjoyed doing it, there was lots of dancing around the studio while we worked on it.” Chris Carter.

Executive Slacks began in the hot, humid summer of 1980 Philadelphia by Matt Marello, John Young and Albert Ganss, three bored, broke, anxious art students. Starting out with performance art in subways, they soon took their angst-ridden act to galleries and night clubs. The band found their moniker in a run-down bookstore after seeing an ad for men’s polyester pants. They pieced together sounds that captured the growing paranoia of an age predicted by Orwell and the growing inequalities of the 1980s. They excavated two cassettes that contained their earliest recorded material from 1980 and 1981. “Seams Ruff” is a 13 song compilation from these cassette collections plus a bonus flexi disc featuring a live performance on WXPN from 1980. The tracks were created with the use of heavily modified synthesizers and noisemakers, the broken innards of a grand piano, metal oil drums and a spray painted Harmony Rocket guitar. The Slacks drew their influences from contemporaries like Cabaret Voltaire and Tuxedomoon, as well as Disco and Dadaism. Dripping in nihilism, the song’s lyrics tackle the existential dread of the late 20th century and three of the songs are taken from “Mann ist Mann” a 1926 play by the German modernist author Bertolt Brecht. Executive Slacks’ unique brew of primitive electronics, harsh guitars and aggressive vocals inspired many bands like Ministry, Front 242 and Skinny Puppy.

Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of “Pool One,” a sixty minute home-produced cassette. “Pool Two” followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music. In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. “Jamaica Resting” was sped-up, extended, and reconfigured as “Jamaica Running”. The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool’s spartan, self-assured songs are experiments you can dance to

Pater Noster introduce the debut LP from Swedish synth wizard Christian Åkerström. Produced under the alias Folkvett, ‘Tröskelvärk’ is a collection of ten infectious, hypnotic and cinematic frost-covered Nordic synth jams. Analogue and uncompromising melodic minimal synth, this is music for the ice-cold punks.