VA – Next Wave Acid Punx DEUX [Eskimo]

Next Wave Acid Punx DEUX is the second compilation for Eskimo Recordings compiled and curated by Berlin-based Musician and DJ Luca Venezia, aka Curses, to explore the darker side of club music. Spread across 3CDs and three 2LPs Next Wave Acid Punx DEUX features a mammoth 49 tracks that join the dots between early industrial pioneers Throbbing Gristle, EBM legends like Nitzer Ebb and the post-punk experiments of people like Malcolm McLaren and Big Audio Dynamite with some of the most exciting artists around today, such as Boy Harsher, Nuovo Testamento and Years of Denial. Where the first Next Wave Acid Punx compilation was a personal journey for Luca, a lockdown inspired exploration of his record collection to find the thread that ran through the music that had soundtracked much of his life, DEUX is a celebration of that music let loose on the world, the thrill of music performed live, the smoke and strobe filled clubs you’ll hear it in and the artists you’ll find on those stages.

chapter 1 / chapter 2 / chapter 3 / CD

VA – Next Wave Acid Punx DEUX [Eskimo]

Model Alpha – Perceptions [OBL05]

Jonathan Fitoussi & Julie Freyri are Model Alpha. 8 years on after their first album Dimensions, Perceptions is the duo’s second album and was entirely composed on analog synthesizers. Model Alpha is inspired by electronic artists such as Kraftwerk, Laurie Spiegel, Manuel Göttsching or early Detroit techno productions. An elegant blend of synthesizers and drum machines including remix by Chloé (Thévenin).

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Model Alpha – Perceptions [OBL05]

Poetical Licence – Footprints [LER1033]

Poetical License was a brief project uniting Scottish born and Aotearoan (New Zealand) musician Mark Airlie and keyboardist and vocalist Keri Ansley after the duo met in New Plymouth. The solitary 7” came together in 1986, recorded at the infamous Auckland studio, The Lab. The A side’s fragile Footprints is as utterly charming as it is drenched in melancholia with a delicate glockenspiel lick and Ansley’s ethereal delivery of the vocals. On the B Side, Room 101 pivots to wonky rock and a more post-punk approach to composition. The two tracks shine brightly among an abundance of outsider gems made in Aotearoa during the 1980s

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Poetical Licence – Footprints [LER1033]

Curses presents Tutto Vetro – No Mercy [MEGA03]

MEGABREAKZ is the brainchild of the collaboration between Oráculo Records, M.U.S.A. and Ombra Festival. It’s born to be a tribute to the iconic Valencia sound of the late 80s, when the city was a global epicenter of dance music, avant-garde exploration and cutting-edge creativity. The third part presents a new project from Curses, Tutto Vetro – No Mercy.

Curses presents Tutto Vetro – No Mercy [MEGA03]

Patricia Kokett – Psykhe [ITILP001]

‘Psykhe’ sees Lithuanian musician and composer Gediminas Jakubka continuing to explore his distinct sound, but taking it in a new direction: a step away from the euphoric new age dance floor and into a significantly murkier, more precarious territory. ‘Psykhe’ is meant as a sonic simulacrum of the artist’s psyche during the pandemic – a quickened mind bred by a decelerated world. In that and other senses, the record is a modern take on the ‘80s/’90s Detroit ethos of dance music created for an illusory dance floor.

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Patricia Kokett – Psykhe [ITILP001]

VA – Unknown Prospect Vol.1 [S001]

Pablo Bozzi inaugurates his new label, Second Sight, with the various artists ‘Unknown Prospect’. The title says it all: boundless and vast, Second Sight’s intent is to promote the talents of innovative producers who defy genres in the pursuit of their own idyllic aesthetic.

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VA – Unknown Prospect Vol.1 [S001]

Sololust – Too Much Days on a Row [SOIL022]

As a part of Soil Records’ 5th anniversary we have a special 7 inch edition of Sololust “Too much Days on a Row”, originally released in 2020, with an additional rework of this emotive song by the master Rude 66.

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Sololust – Too Much Days on a Row [SOIL022]

Blind Delon – La Métamorphose LP [VEYL038]

Veyl welcomes Blind Delon to the label with a new album, La Métamorphose. Founded in 2016 by Mathis Kolkoz, the band currently consists of Mathis Kolkoz (Vocals, Guitars), Coco Thiburs (Bass) and Thom Mayor (Synths, Guitars). Fueled by cold bass lines and synthesizers of yesteryear, French post-punk and black romanticism, Blind Delon shatters genres and styles to create an evolved strain of synthpunk that wears its influences proudly while mutating into something totally new. La Métamorphose represents a fresh direction – a heavy, post-metal sound that’s full of emotion and raw intensity. ‘Le Crépuscule’ opens the album with a hard hitting piece that commences the experience perfectly. Next up, the group kicks things into high gear with the speedy, heavy-synth play of ‘La Violence’ featuring vocals by Fivequestionmarks, followed by ‘La Mort’, a blackened post-punk cut featuring Curses. Label head Maenad Veyl makes a guest appearance on the fourth track, ‘L’Homme’, which drifts into deep experimental melancholy with a cinematic feel. Keeping with this mood is the powerful ‘L’Affront’ featuring The KVB, which descends further into darkness before resurrecting with the immense feelings of ‘Le Sarcasme’. Track seven, ‘La Noyade’, drills into the skull with growling vocals and menacing synths which bleed nicely into ‘La Foule’, slowing things back down with a subtle yet lingering sense of dread. French project Poison Point arrive on ‘L’Envie’ which moves guitars back to the forefront for a raucous ballad that sets up the final piece and title track, ‘La Métamorphose’, the glorious grand finale of an album teeming with emotion and begging to be played again and again. 

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Blind Delon – La Métamorphose LP [VEYL038]

Puerta Negra – Costo Humano [OR113]

Puerta Negra delivers amazing industrial breaks covered in a very simple but extremely effective by funky bass lines perfectly finished by ensoniq style super synth leads culminated by harsh raged vocals sung in castillan language. This is for sure one of the most fresh and brilliant modern ebm work coming from the states recently.

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Puerta Negra – Costo Humano [OR113]

Initial Light – 40 Degrees In The Air [OR112]

Many people consider the Tbilisi scene (thanks to the artists that turns around Khidi club) as one of the most advanced and influential in the entire world. Giorgi Kolbaia (aka Downwell) & Giorgi Kharanauli are a good example of those talented Georgian artists. They have made partnership as Initial Light to present a more relaxed work in relation to their solo acts stuff, “40 Degrees In The Air” is a blend of Italo, breaks, synthwave and modern EBM / new beat keeping a common pleasant industrial taste in the 6 tracks included in their vinyl debut.

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Initial Light – 40 Degrees In The Air [OR112]

Sad Madona – Dramatic Dance [OR111]

The very young Paris based Rémi Lauvergne signed some of the best post-punk and dreamy synthwave tracks digitally released in 2022. Oráculo Records put them all together and asked his usual partner in crime Skelesys to remix “Idole”, one of the very best tracks included on this mini- album. You could expect all genre classical approaches as repetitive drums, cold melodies and mesmerizing cavernous vocals.

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Sad Madona – Dramatic Dance [OR111]

Black Dot – Structure Without Tomorrow [MTRONW011]

Induced with hopelessness by power structures from the future, Black Dot lands on Mechatronica White with a deep rooted urge to wrestle institutions, soak in isolation and escape into the cosmos. Backed by an all consuming Cardopusher remix. Black Dot is a collaborative effort by Christian Kroupa and Le Chocolat Noir.

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Black Dot – Structure Without Tomorrow [MTRONW011]

ADN’ Ckrystall – Frankraut [MMS606]

French electronic pionner, ADN’ Ckrystall, became a legend in the Minimal-Synth scene when his first album “Jazz’Mad” (from 1982) was rediscovered and re-edited via the two biggest labels in the genre : Minimal Wave (circa 2005) and Dark Entries (circa 2012). Following this new interest, a bunch of unreleased materials reappeared and went out mostly directly through Erick (ADN)’s control, under compilations, coffrets (V.O.D.) or albums that never had the chance to come out before… But one piece was still missing, the album just following “Jazz’Mad” called “Frankraut” and here comes the story… During the covid year of 2021, Erick finally found the tapes forgotten somewhere at his parents house since 1984. After relistening to it he decided to bring them back to life. “Frankraut” was a project born from the reflexion about the concept of marrying (and not the opposite) the romantico-poetico side : naive melodies flirting with research and experimentations in the electronic music “à la française” like illustration, “bilbliothèque sonore” (library) or music for film… and the cold, mechanic, motorik, hypnotic, psychedelic free explosive and creative side of the Krautrock.

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ADN’ Ckrystall – Frankraut [MMS606]

The Creative Technology Consortium {CtC} – Panoramic Colorsound [DE300]

The venerable Dark Entries celebrates it’s 300th release with “Panoramic Coloursound”, a triple LP from The Creative Technology Consortium. Traxx, Andrew Bisenius, and Jason Letkiewicz forged the CtC during the depths of pandemic isolation. Drawing from film and television music of the 80’s/90’s and armed with a mighty array of vintage analog and digital synthesizers, they set out to explore heists, vices, and catastrophe. Panoramic Coloursound collapses sound and image into a neon blur throughout its 25 tracks. While retro scores were the starting point for the CtC, the project does more than pay dutiful homage — these notes are warped and skewed, devolving into decaying digital soundscapes. EBM-inflected basslines pop up on tracks like “Catastrophe” and “A Retro Vice”, menacing numbers that recall Traxx and Letkiewicz’s legendary work as Mutant Beat Dance (a project also featuring Beau Wanzer). “Follow Our Kode” pairs heroic synths with funky bass, striking cosmic chords akin to the material that Traxx and Bisenius have released as An Anomaly. Krautrock-esque guitars slide along anthemic pads on “Beautifully Polluted Sunset”, which comes across like an alien Miami Vice closing theme. The CtC channel corroded VHS vibes while making music for the future.

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The Creative Technology Consortium {CtC} – Panoramic Colorsound [DE300]

Fashion Flesh – Rubber Mountain LP [BL007]

Fashion Flesh aka John Talaga from Bay City, Michigan, is known for his “off the grid” approach to music. Most all of the instruments used to perform and produce are self-built electronics, oscillators, generators, sound toys, and modulators. Those that are not built from one’s own design are heavily modified beyond audible recognition or return. No sampling/stolen sound is ever used or sucked from outside pre-existing sources. No laptops, instead tape manipulation and hard copy cut-ups…analog devices that are built for specific purpose and dis-purpose. “Rubber Mountain” is his first full LP, 6 tracks of mutant mayhem on The Black Lodge label, spanning from odd italo-disco flavors, to no-wave, post-punk, jakbeat, and experimental sounds from the beyond. Equally for the dancefloor and home listening, this record has it all.

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Fashion Flesh – Rubber Mountain LP [BL007]