
Geat electro compilation out of the city of Leipzig. Tracks by Robyrt Hecht & XY0815, Varum, Perm and Credit 00.

Geat electro compilation out of the city of Leipzig. Tracks by Robyrt Hecht & XY0815, Varum, Perm and Credit 00.

CPU and dance music’s polymath Neil Landstrumm share a love for classic bleep techno, hence Landstrumm has brought to the table four superb reminders of the criminally short lived genre. With spine tingling melodies reminiscent of 808 State’s best work, and sub-bass worthy of LFO’s bass-bin shaking reputation – A Death, a Mexican and a Mormon perfectly encapsulates not only Landstrumm’s influences but also his deep seated love for bleep. A labour of love which the Sheffield based imprint has been only all too happy to encourage and hopes will keep the genre alive for generations to come.

The third self released EP by mysterious Transilmania. Expect lots of Lfo’s.

New York City based Further Reductions is the live project from husband and wife Shawn (aka Vapauteen, 400ppm, Let Er Est) and Katie O’Sullivan (aka Rose E Kross, ppG). Back in 2014 they released their gorgeous debut album on Cititrax records. The album was an adventurous trip, where they pushed forward a unique sound. After all those years there will be a follow up to this EP on Knekelhuis. Expect a fusion of different sounds, grimy and pretty at the same time.

Highly anticipated full length album by Australian producer DyLAB. Heavy duty analogue acid and techno with a distorted and sometimes industrial edge. Some lengthy tracks that are made to play in your car and drive 140.

Driving the tractor from the very south of Sweden to the more juicy lands of watermelon. Its going to make you sweat and it’s going to make you smell. Get ready for this muddy trance dance.

Plugged into the mainframe of the power station, Antonio returns to the label with a barrage of loner panzer funk and mechanised thrash metal from the shadows of Frankfurt’s industrial district. It’s a record fed and nurtured among copper coils, rusted voltage boxes, plasma and ionised sweat coming out to breathe among power surges and industrial smog. Four tracks from the heat of the machine. A total submission to your new electrical system.

Another excursion for the genre independent Borft label. Celebrated artist Obergman delivers a six tracker record for fans of acid and electro. The release is initiated with the drexciyan styled electro track “Germination” with occasional strings that brings some light in the atmosphere of desolate landscapes, followed by the groovy electrotech melodic track “Unexpected Connection” The acid techno workout “Acid Healing” slowly builds with sweet melodic strings into floorfilling potential while the B-side begins with “Inflatable”. A Bass ridden driving acid techno track with ominous melodic stabs that works well when doing a build-up mix into more frenzy territory. The b2 track “Greenglow” explores rocking acid lines bonded by delicate smooth detroit styled strings. Last track of the record, “Universal Hologram”, is a strong beautiful electro track with great electric pulses, melancholic atmosphere and subtle strings.

Analogical Force welcomes Pye Corner Audio for its 10th release. 4-tracker of raw acid jams from the oppressive mind of Martin Jenkins, the man behind the operation. ‘Island of Ghosts’ includes a wild electro remix by Finnish duo Morphology. Needs no introduction: brutal and beautiful.

The 12th chapter on Eerie Records is a 2 tracker by label owner Marco Shuttle himself. With the return to a more groovy and floor-friendly take than the abstract sound of his recently released LP the release maintains nonetheless the classic signiture deep landscapy approach the artist has made us used to with his production. Tribal rhythmics, 808 grooves, underlayed pads and some slightly middle eastern reminiscent sonic elements make it for a record that although still on the leffield side, is 100% techno. Anyone who loved Sing Like a bird will probably find this one very appealing.

Berlin’s Mechatronica with a new VA compilation featuring The Exaltics, Drvg Cvltvre, Le Chocolat Noir and Kluentah. The Exaltics and Drvg Cvltvre pack the A-side with gritty, hypnotizing acid burners, relentlessly paced and bound to induce frenzy. On the flip, Le Chocolat Noir and Kluentah (50% of Hamburg duo Fallbeil) dive deep into analogue driven electro trips, culminating with Kluentah’s 9-minute journey ‘Nightliner’.

Svengalisghost captured here in his most true form, the live setting. This recording comes direct from the board during his performance on French television in 2015 and harnesses the maniacal energy of his live set in perfect form. What may be the Chicago born artist’s darkest and most plodding recording to date, this is the definintion of deconstructed death-industrial, foward thinking and freeform yet totally focused and razor sharp, plodding drums over open wire electronics and zodiac killer vocals hitting you from all angles. This is sound of evil personified.


Alongside long-term DJ partner Harri, Domenic Cappello has been a Sub Club resident since 1994. He has released many records under many guises yet this is his first EP under his own name. 2017 also marks 30 years of Sub Club and it feels fitting for such two landmarks to dovetail as they have. The Intruder EP is 3 brilliant tracks that come from a lifetime spent in music.


Umwelt returns to Shipwrec for his third 12″ on the dutch label in as many years. Encoding the Future sees the French pioneer deliver five tracks of on point electronics. Umwelt is known for his trademark sound of piercing percussion, serrating synthlines and industrial strength bass. These elements are all present on this latest EP but have been carved back to allow strings to soar and pads to resonate. New plains are explored. Frigid elegance is juxtaposed by coarse chords, deep basslines countered by lilting lines. Encoding the Future opens a new chapter for the Lyons based producer as he dives into new textures and tones whilst remaining tethered to his cold electro roots.