
Berghain infected weapons. Two complex and subtle works of dark, considered techno are complimented by striking remixes from Leiras nad Stefan Rein.

Berghain infected weapons. Two complex and subtle works of dark, considered techno are complimented by striking remixes from Leiras nad Stefan Rein.



Italian producer Pearl River Sound has been crafting his unique blend of experimental electronics and banging acid for the last couple of years. On his debut tape for New York Haunted he drops 4 red hot tracks that will make your ears pop. Dancefloor acid with enough twists to keep you awake in the middle of the night.

Flight Recorder welcomes back this talented Russian producer for his third EP release consisting of five techno bangers.


Formed in 1997, and inaugurated that year with a split 12” from newcomers and label founders, Solvent and Lowfish, this year Suction Records celebrates it’s 20th anniversary with the reintroduction of their famed Snow Robots series of compilations. While originally started as a North American answer to UK electronix labels like Rephlex, Skam and Warp Records, a sound that is still a staple of the current Suction Records catalog, Suction’s sound has also swerved into new territories, reflecting our love of dark ‘80s electronic music synthpop, EBM, and beyond…. Snow Robots Volume 4 features an international array of artists, from Suction Records mainstays like Digital Poodle, June, Celldöd, and Ceramic Hello (with their much sought after 1982 vocoder anthem), to label favourites appearing on Suction Records for the first time: Beau Wanzer, Morah, and one of Skanfrom/Sleeparchive’s lesser known aliases, Civil Defence Programme.


Houndstooth presents 4 remixes for Second Story by Marcel Dettmann, Radioactive Man and The Exaltics.

The free will of Struments has led them to concentrate in one 12inch the encyclopedic knowledge of Marc Pinol, a duo of kids that present themselves as T.A.L., and the responsible for all that, Spastor, that appears in a remix signed by Florian Kupfer. Lliure Albir sounds as if Pinol was dazzled by the light of a lantern in a chill out while Paranoid London resound in the next room. In his remix, Palms Trax bet on tom toms and certain tribal groove, adding soft eighties keyboards, deep atmosphere, speeches and dub deliriums that perfectly fit in the freak universe of Pinol. Florian Kupfer remix made of Spastor’s Death In La Paz: a hit made in the German musician style whose groove is created by a fold in the sound and the apparent imbalance it has with the bass drum. If after this dawn breaks, it will not be small thing. T.A.L. are guided by a retro-spatial pulse to open a fan of sounds that expands and contracts threateningly, and delicately form what looks like an EBM hit stripped of the hammers.

The last Klasse Wrecks release of 2017 comes from Alphonse. The four tracks on the ‘Tribes of Atlantis’ EP display an acute and developed knowledge of all things House and Techno, fizzing with bonafide analog production the EP goes on a journey of warm deepness, clunky baselines and loose grooves.

Acid Fourniture is a journey into the darker recesses of Ceephax’s acidic mind. Simple 303 lines pulsate alongside sinister chords and detuned synths. Berlin Trip is a classic acid 4 to the floor track along the lines of Flow Coma by 808 State. Alligatored is a tight 808/303 groove made for the dancefloor. The Zone is a slower more introspective Acid, conjuring up lost warehouses and derelict minds. Alien Beacon takes a more electro acid slant, inspired by sinister lights in the sky and paranoia.

‘Macht Macht Zement’—what does it mean? 80s drums, synths and vocals, almost without context. Fallbeil, two soon-to-be men (aka boys), finish tracks at the rate of butchers kneading meatballs. Due to laziness and a lack of technique, everything gets recorded on one track and immediately thrown into the frier. Nothing is planned. First up, school detention followed by rough LoFi rap. The album contains a wide variety of themes; from mailmen to warthogs, from latecomers to sensible conversation, every track is created out of spontaneity. Two very short tracks on this album date back to 1999, when the boys performed as ‘Funky Granatos’ in the local youth centers. Sadly, their performances weren’t successful. Nobody wanted to listen to them and almost every concert ended in mass brawls. The track ‘Postman’ comes from the duo’s side project Grand Malheur and was recorded in 2015 in Bronxfeld. More output from this project will appear on various EPs in the near future.

Three tracks previously available only on cassette compilations, now re-mastered by Rude66, expect a load of dark electro / wave / acid madness.

Alessandro Adriani’s debut EP for the Stroboscopic Artefacts label, Enter the Fire, is the first evidence of a new mutation in the Stroboscopic DNA, as can be seen by a shift in Ignazio Mortellaro’s design work for the label.

Ukrainian producer Vakula, whose name is linked to the early days of Arma, re-emerges with Techno Game. The double vinyl features seven confidently-carved tracks that reflect Vakula’s current exploration of techno landscapes. As the cover suggests, it is a game. The author does little to nothing to explain the rules, throwing the listener into an elegantly structured space that feels alarmingly material.

Over the last 10 years Token Records has grown steadily, both in size and stylistic breadth. The aptly-titled Momentum comes as a celebration of the close-knit family of artists amassed throughout the label’s running. The record is a fitting collaborative project, with every track on the album produced by two longstanding and well-respected artists from the label’s roster and especially commissioned for the release. This type of collaboration is intended to showcase the specific sound of the label, developed through 10 years of careful curation, as well as bringing out the individual identities of the artists involved.

New chapter on Nonnative series. New Semantica artists Cosmin TRG, Samuli Kemppi, Opuswerk and Refracted featuring Nonnative 09.