Florian Meyer back on Berceuse Heroique, with ten minutes of gamelan psychedelia, subtly and tensely minimalist as Terrence Dixon at his best. On the flip, Dresvn takes more of a beeline to Detroit, fuelled by submerged classics like UR’s Coinochime — cosmic, but deadly and unsettling. (‘Gammel’ means ‘junk’, in German. Maybe Magellan the explorer permeates that title, too, going round in circles in the East Indies, giddy and gammy below decks, amidst his trophy exotica.)
DUM Records are dipping into the label boss’s production archives for the next one: it is a reissue that features tracks from a number of classic Mono Junk releases. Two came on Trope Records, one in 1995 and one in 1993, and the last pair of cuts come from 1996 when they were released on Plug Research. Arguably some of the influential Finnish producer’s finest work, all of the tracks here emphasize how long he is operating on the top of his game already.
Officine Di Efesto is the latest 12″slab from Svreca’s ever on-point Semantica featuring remixes of two uncredited tracks from Donato Dozzy and Naples duo Retina.It, and the lack of further information doesn’t lessen the sonic impact. Dozzy features on the A-side, with his remix of “Automa Talos” a potent exercise in unrelenting techno hypnosis with a strange looped sound that is weirdly reminiscent of ducks quacking present throughout. The Retina.It take on “Automa Pandora” is a much more stripped back, minimal affair that is just as effective.
Darkmatter Inc.is an overlay network that can only be accessed with specific mindset, configurations, or authorization, often using non-standard communications protocols and ports. All Killer No Filler is the first release that comes to surface after long development in the hidden spots of the internet.
Midgar delivers a new release by Wata Igarashi. Ciphers EP is a rich assemblage of deep sonic excursions showing throughout a strong coexistence of organic and virtual elements. The record opens with ´Ciphers´, where a fast paced sandy groove is driving high on drones via sparking ambiances. Second track, ´Hailstones´ is basically a beat knocking its way outside, under a heavy hi-hat hail, slashed by snares and haunted by holographic spirits. On the B-side ´Lucifero´ carries a mellow but powerful mood, sounds like a morning star that gradually transforms into a supernova, is definitely the more dancefloor oriented cut of the release. Closing the vinyl, the slow-footed ´Cocytus´ is the complete opposite of its previous track, because of a cold, grave rhythm, treated like a windswept tree.
Fossil Archive rolls with its 4th release. With Fossil Archive’s previous release featuring as “Tune of The Month” on Mixmag’s Techno Page, this next two-part ensemble sees two very different tracks (‘Calyptraphorus’ by Voiski & ‘Velatus’ by Roberto) leave you with little doubt that Fossil Archive remains inspired to be at the forefront of all things techno.
It’s difficult to imagine The Bunker New York without Donato Dozzy. The roster of artists who have played the party over the past decade-plus reads like a proper Who’s Who of modern techno and house, but if there’s one artist in particular whose sound and vision has had an outsize impact on The Bunker, both as a party and as a record label, it would be Donato Dozzy.
An Atlantic crossover brings together Detroit’s Stingray313 and Glasgow’s Galaxian for a very special 12″. More collaboration than split, the EP sees each artist fly solo as well as combining their admirable analogue abilities. Pressures are high from the outset, Galaxian twists and teases patterns in the reverbing reverence of “Storm Coming.” BPMs surge as the two merge for the cold “NU-1000.” Lilting notes ghost between rasping rhythms. And it is around such racing drums that warmth flows, as in the meandering softness of “Graphene.” Beats don’t abate as Stingray takes the helm for the blistering bass of “Dopant.”
“An anachronism is a chronological inconsistency in some arrangement, especially a juxtaposition of person(s), events, objects, or customs from different periods of time. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material/textile, a plant or animal, a custom or anything else associated with a particular period in time so that it is incorrect to place it outside its proper temporal domain”. Frustrated Funk welcomes Heinz Kammler’s Teleportation Process Detected While In Progress [ITPDWIP] project to it’s roster.
Brilliant atmospheric works from Vertical67. Four tracks of spaced out and emotive electronics.
Leonid and Jose Rico team up as Cygnuss and drop a double 12″ on Freebeat. This stunner of a double pack spans ambient melodic structures, burning acid lines, noisey electro and bashing house tracks.
Amir makes his triumphant return to Argot with an exceptional and strange EP, across three arresting new tracks. The Butterfly is a seductive record. Its supple grooves and unique textures are ear-catching whether or not you notice the twisted lyrics of “Butterfly (The Monarch)” or the read into titles like “Many False Prophets”. Yet close observers are rewarded with bread crumbs that bring Alexander’s perspective into focus
Given the sprawl and epic that was the recent Principe Del Norte album from Prins Thomas, it is no surprise Smalltown Supersound have opted to think big for this subsequent remix 12″ series. Hieroglyphic Being kicks matters off with a pair of remixes of “D”, whose original 14 minutes made for one of the highlights of the album. In the hands of Jamal Moss, the track doesn’t transform into the corrosive monster you might expect though little of the original remains intact. The accompanying Beat Rework buries PT’s original krauty melodics deep below a killer barrage of drums and is our favourite of the two HB versions.
Bookworms drops cut after cut on his debut album Xenophobe. This double LP delivers 7 tracks showcasing some of his best material to date, and after listening to the title track we know Xenophobe is not going to be an average 12′. U-More is a slow and steady pulse of head nodding thump, while Illusion Flip is a hazy, bass driven track hidden behind waves of noise and warm melody. On the flip side, Showering is pure techno guided by an evolving modular loop built for the floor. Nik Dawson has no boundaries when it comes to making beats.
Brutaz unleash their first three tracker coming from Jules Venturini, a continental expat supposedly having ties with a famous nunmetal band and a certain secondhand record shop. Shameless melodies joined with a darker, churning grooves, pushed to the edge of with a gentle dose of distortion.
ITW003 MANIFESTO There is an audience to our drama. Like the hero of a dream, he works for us, in our behalf. there is an Strange world that waits and watches. And an Ancient dread of non – existence. ISTHEWAY 003 will be released in the spring and remixed by the legend Jamal Moss aka Hieroglyphic Being. He considers himself a child of many. Growing up in 1980s Chicago, he was a child of the city’s loft party heyday, pulled into the club scene by the grooves of Ron Hardy and Derrick Carter and kept there by the manic acid of Adonis and Steve Pointdexter. His key influence, though, is Sun Ra; the Afrofuturist jazz pioneer whose cosmic philosophies have permeated his own production work. For Moss, club space and headspace have merged into one. His releases and the catalog of his label Mathematics Recordings have a cult following worldwide, but it didn’t happen overnight: with a DIY ethic and all-consuming passion, he’s been pounding the streets of Chicago as a foot soldier for House Music since the edge of the early 1990s.
Ed DMX delivering some deeply rooted techno and acid tracks reminding of the heydays of Detroit Techno. The first EP features the lighter side, while the second the heavier gyro workout from Ed DMX on his duo release for this fresh label, Ride The Gyroscope.
The Hipodrome Of Music 