Acidicted strikes back – raw deep and moody – with a full length 2x12inch album. For the 10th release Adalberto picked the finest tools out of his box to kick acidicted_2.0 on a trip new from the past to the future of electric houze. against all odds Toolbox comes along with 8 fresh oldschool flavoured trax, showing a wide range of hardware based and tb-303/tr-909 driven stuff……ride on!
Epic, tense, and driving Russom goes for the throat crafting beautifully produced functional club tracks that teeter on the edge of the deepest psychedelic realm. With hints of many different electronic strains creeping into his productions, we get the full specturm and see this talented producer doing some of his best work in recent times, the hidden gem being the b-side’s closing track, The Telstar File.
Raw Tools returns with four powerful tracks from the vaults of talented Scottish producer Stephen Lopkin. Chicago flavored beats and acid driven grooves bolted onto Detroit rhythms and swirling pads of analog goodness.
Dutch label Field is back with another album project, this time from American producer Christopher Ernst, aka L’estasi Dell’oro, who also records as Penalune and is co-founder of the Voodoo Down label. Before now, Ernst has proved himself to be adept at crafting deep and atmospheric, excellently ambient techno on a range of labels. Varying his tempos and textures, he does acid, raw stuff, tough beats and more industrial grooves. Across this new 8-track album, all this and more is explored in captivating fashion. This is an expressive and expansive modern techno album from L’estasi Dell’oro that is perfectly at home on the always interesting Field label.
New chapter in the Planet Rhythm Black series. Amazing 4 tracker featuring Samuli Kemppi, Yan Cook, Re:Axis and Von Grall.
Jon Beall finally follows up “La Caccia” with an even deeper and more diverse record. Great versatile release touching deeply rooted techno, bass, house and electronix. Another winner on WT Records.
Photonz, Portugese producer based in London Marco Rodriguez, makes his debut on Creme Organization. His first cut, ‘Gnosis Of Wolfers’ is a raw, knackered sounding house track with glassy melodic tension and slow-jack drums. It’s intense, multi-layered and nervy and keeps you engaged from start to finish. ‘Ceremonial Acid’ is then an airy, spacious affair with heavenly pads and gurgling synths and drums. Loose but atmospheric, it’s a fulsome track that really places you in the middle of Photonz’s sound world. ‘Sad Mania’ is another misty sounding cut with watery droplets, aqueous textures and ramshackle drums rattling below, before ‘Filterhatz’ is a slow and sludgy acid offering with sharp hi hats, filtered 303 lines and lots of wobble. Lastly, digital only track ‘Basik’ rounds out the EP in brooding fashion, with big retro synths, percolating drums and pinging percussion.
First solo EP by Interstellar Funk on Tape Records. Driving sinister tracks giving you an eerie sensation of spaciousness supported by subtle melodylines bubbling up and touching you right where it matters.
The next release on The Invariants contains three edits of tracks from the deep. The a side contains a Chicago leaning version of middle eastern esotherics and a more techno dub version of the same track. On the flip are black metal synths combined with 90s strings in a live jam recorded slightly in the red.
After a small hiatus Basic Soul Unit is back on track, delivering some serious jacking club action! Four deep & intense cuts, but all still with that tremendous party vibe… all equally powerful.
Its debut release time for Nitam as the Retold 12″ surfaces on Ostgut-Ton’s intermittent sublabel concern Unterton. It’s certainly the kind of friendly, melodic stuff that the Berlin label gravitates more readily towards, with a healthy amount of techno powering the machines. “Retold” strides forth with big room intent but not at the expense of the depth of the track, for it is indeed a hypnotic experience to behold. “Neotyp” meanwhile edges in a touch more groove to make for a gentler overall mood, before the muscular pump of “Value Time” brings in some sturdy bass, edgy strings and swooping synth tones. “Exiam” finishes the EP off with a drum-led workout that will have plenty of DJs swooning with mixable delight.
For June Records’ sixth release, the Vampire of Sacramento returns with a live jammin’, four track techno EP, filthy and as raw as anything previously consumed by the monster. A sequel to Trenton Chase’s full blown manic episode taking place inside the Manor asylum.
50 releases in under four years is no mean feat, so a round of applause to Unknown to the Unknown who surpass the landmark with a new record from Legowelt. The superbly named Immensity Of Cosmic Space arrives hot on the heels of Legowelt’s fine Vaporware Tracks record for Creme and sees the Dutchman exploring the realm of rave era breakbeat techno. Of course what makes Danny Wolfers work as Legowelt so distinctive his mastery of star gazing melodies and hearing them fused with recycled drum breaks on the title track and the Amen filled “Lumeria2” is a real delight.
The second Mork release finally gets out of the blocks, helmed by Italian analogue explorer Raw M.T. With some seriously heavy cuts under his belt, we coaxed him out of hiding for a varied 12” of low-slung house, dreamy beachside dreams and hammering arpeggiated techno, cut deep and heavy over two sides of wax.
The in-house label from Glasgow’s Rubadub has been an infrequent affair characterised by a sense of the unpredictable thus far. A third release arrives and it’s from a source much closer to home in Sparky, aka veteran Glasgow producer Dave Clark. The two track Tapes 12″ is an unfussy affair, arriving as a stamped white label and brandishing some archival productions from Clark’s mid ’90s output. If you like your techno deep and fizzy you will cherish A side track “94Archive2/8” whilst the accompanying production veers off into tracky yet transcendental territory.
The Hipodrome Of Music 