VA – Maud Sarr EP [RB001]

Here comes the first release of the brand new label named Roze Balletten. The label’s first offering is a various artist EP with tracks from Creme’s Innershades, Belgium’s Raw Sketches and Hotflush producer Locked Groove. Innershades opens the label’s account with ‘Volksverheffing’, which is a classically inclined bit of house music with a prominent bassline that dances about with real elasticity. The kick drums are as weighty as Kerri Chandler’s and the singing synths bring some Detroit futurism to the table in classy fashion. Raw Sketches, who also works as Ekleltiker and Tunguska, goes for a much slower, deeper, more purposeful vibe on his track ‘Spilzucht’. It’s one that wanders mysteriously on lumpy drums as sinewy synths perform acrobatics in its midst and will tie you in knots by the time its finished unfolding and evolving. Last but not least, Locked Groove comes hard with his firm techno workout. Machines go wild at the heart of it all and the ticking percussion is angry and insistent: it’s somewhat freaked out and acid in the latter half, working both itself and listeners into a noir frenzy.

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VA – Maud Sarr EP [RB001]

VA – London Housing Trust 005 [LHT005]

A nice mixed bag as ever, featuring label partner Prima’s first solo effort – grooves effortlessly and into darkest Africa , other half of LHT Alphonse brings the drama with – Acid Melody – youngest member Jamie Blanco makes a welcome return – with his trippy little Black Jack and finally newest recruit Asok crunches out this classic sounding piece of 4 to the floor goodness.

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VA – London Housing Trust 005 [LHT005]

Chris Moss Acid – Slam The Box [MATH074] (FREE DOWNLOAD)

Chris Moss Acid returns to Mathematics after a 6 year hiatus with a manic furry onslaught of squelch & tweaks to rupture the mind. Hard hitting acid tracks and good old fashion four to the floor rhythms.

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Free download from Chris Moss Acid on soundcloud!

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Chris Moss Acid – Slam The Box [MATH074] (FREE DOWNLOAD)

D’Marc Cantu – Physical State EP [ANSATZ1002]

D’Marc Cantu has long been a standard bearer for hardware revivalism, having first released his drum machine-heavy blends of vintage jack and starlight rave revivalism on Creme Organization back in 2007. Here, he pops up on Ansatz with a superbly varied trip into warehouse-friendly territory. There are a couple of rush-inducing doses of strobelight-enhanced rave revivalism territory (the frankly nasty “Heater” and brilliantly wide-eyed “Surface Dweller”, which sounds like it’s been ripped from pirate radio sometime around 1992), a Larry Heard-ish foray into tactile analogue deep house (the brilliant “Grey”) and a thrillingly industrial-sounding fusion of jackin’ beats and clanking bleep melodies (“Box Sound Scape”).

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D’Marc Cantu – Physical State EP [ANSATZ1002]

Mono Junk – Skudge White 06 [SKUDGEWHITE006]

Mono Junk from Finland with a new four-tracker on Skudge White. The affair starts off in a most evil fashion with “Electric Chair”, an industrial creeper with rolling minimal acid bass-lines. Next is “Yhteys”, a deep cut with Detroit cues and a highly 80ies romantic flavor, a haven before next the stage, “Jupiter Acid”, a night driving noisy banger that’ll turn your batteries acid, peak time ecstatic action followed by the contrast-full “Härinähouse”, a moody piece filled with a somewhat eastern charm to close this tense journey.

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Mono Junk – Skudge White 06 [SKUDGEWHITE006]

Coni – Comfort Zone EP [CCB12015]

Parisian club imprint ClekClekBoom return to the more familiar 12″ format with some new Coni produce. Presumably called the Comfort Zone EP because Coni wishes to lift you out of it, the four tracks here show a further evolution in his raw brand of hybrid dance. Lead cut “The Opposite” demonstrates a nice interplay between the delicate synth pads and dusty, tumbling toms and makes for a simple yet very effective DJ tool. “Napalm” is apparently Coni’s homage to Dance Mania which is quite self-evident when you hear the sound clip play, whilst B Side opener “Bunker’s Groove” offers a hint at the producer’s darker side, a chasm deep exercise in warehouse techno Paris style. “Exit to the Comfort Zone” offers a more introspective finale, though many will find it perfect as a mixtape opener!

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Coni – Comfort Zone EP [CCB12015]

VA – Subwax Record Store Day Series 2014 [SUBWAXRSD2014]

ALEXANDER, Amir/HINODE/SAMUEL ANDRE MADSEN/CHRIS MITCHELL - Enjoyment Of Servitude (Record Store Day 2014)

Versatil EP with strong tracks by Amir Alexander / Hinode / Samuel Andr Madsen / Chris Mitchell. Special Record Store Day 2014 release.

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VA – Subwax Record Store Day Series 2014 [SUBWAXRSD2014]

VA – Use Of Weapons 6 [UOW006]

Deep Space Orchestra’s Use of Weapons label has always been a reliable source of analogue-heavy left of centre deep house, with each split EP, featuring tracks from a variety of like-minded producers, featuring a range of must-have nuggets. This expansive sixth release, with eight tracks spread across two slabs of wax, is no different. DSO’s beautiful and surprisingly fragile “Mendoza” leads the way, with 7 Citizens calming, alien house groover “Fatum” close behind. Arguably best of all, though, is Other Worlds’ “Coldname ELD”, a sparse and bassy concoction blessed with some brilliant, Head High style pianos. It is, though, all good, with further impressive contributions from the Detroit-included Haku.

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VA – Use Of Weapons 6 [UOW006]

Joey Anderson – After Forever [DKMNTL017]

Dutch label Dekmantel release the debut full-length album from New Jersey producer, DJ and Inimeg Records boss Joey Anderson. Entitled After Forever, the album is the natural next step for a producer who has turned out plenty of deep and intriguing techno EPs for labels like Latency, Deconstruct Music and Syncrophone over the last couple of years. Having been championed by the connoisseur likes of Levon Vincent and DJ Qu before the rest of the world cottoned on, Andersons style has proved to be truly idiosyncratic, where near bottomless techno grooves get run through with haunted piano lines, shadowy synth work or elegant drones. There are barely ever any claps or snares, instead just plenty of deeply hypnotic kicks and plenty of noir tension. “Every track on the album has its own take on my personality, my mentality musically and my vision of off-dancefloor music,” says Joey. “I find it very difficult to create something for people just to like. I’d rather pay attention to making them get close to the album and uncover the ideas within it. Being my first LP, it’s dedicated to my two daughters, Akatriel and Auset.”

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Joey Anderson – After Forever [DKMNTL017]