DJ Skull – Revenge of The Synth [CHIWAX013]

Ron Maney aka DJ Skull lived in the Southside of Chicago. His musical career started during the summer of 1986, DJing first at basement parties, building his reputation to go on to larger events such as loft and hotel parties, and eventually the infamous Music Box and Power Plant clubs. At the age of fifteen Ron shopped his first demo at Trax Records. There he first met Chicago’s legendary DJ Ron Hardy, working as A&R for Trax Records. Two years, and a new alias later (DJ Skull) later while at the Power Plant, Chicago’s own Steve Poindexter heard a DJ playing one of Rons tracks, and met Ron. Steve was now A&R at Saber Records and invited Ron to release some tracks. So in October of 1991 DJ Skull’s first record ”N.R.G. Music” was released. In 1993, he released the EP ”The Stomping Grounds” on Djax-Up-Beats, which was more noted than the first one. Over the years that followed DJ Skull released lots of EP’s on several labels. He has become well-respected producer and DJ in the Techno industry.

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DJ Skull – Revenge of The Synth [CHIWAX013]

Mike Dehnert – Lichtbedingt [104DSR]

Three years after his last full-length album on Delsin, tireless techno producer Mike Dehnert is back with another one. The 104th release on Delsin, entitled Lichtbedingt, counts 12 tracks and is yet another subtle evolution away from the chord driven, functional sound he has championed before now. The album starts off with a suitably sombre intro that features cold, slowly shifting synths. They set an uneasy and moody tone before ‘Construction’ settles into a fat, swaggering. From there you get lost in broken, ruptured, malfunctioning bits of hardware that spit out random hi hats, bleeps and gurgles and then eventually get spat out the other side into a cantering bit of dubwise techno with paranoid vocal snippets. Moving along, the album throws plenty of diverse influences into the mix: ‘Movement’ is freaky and dynamic, skipping and pumping, ducking and diving through all sorts of occult synth sounds and shadowy vocal loops then ‘Single Action’ is like a sledge hammer groove run through with harmonic elements that glint and glisten like diamonds in the rough. Classic sounding Dehnert tracks like ‘ReRe’ remind us where this producer has come from, whilst the breezy house swagger of ‘Emlo’ show us where he might be headed. Key to this album and Dehnert’s output as a whole is, besides the killer grooves, the production: crisp and clean, full blooded and always outstanding, it makes his tracks leap out of the speakers and into minds, bodies and souls without relying on the usual tropes or same old cheap tricks.

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Mike Dehnert – Lichtbedingt [104DSR]

Tobias – A Series Of Shocks [OSTGUTLP016]

Second solo album from accomplished Berlin based producer Tobias Freund. Continuing his exploration into ‘non-standard’ electronic music, and expanding on the rich sound palette charted in his first LP, ‘Leaning Over Backwards’, this new chapter presents 10 versatile tracks taking us ever further into the purist, evolving sonic world of Tobias. ‘A Series of Shocks is Tobias’ is an impressive return to longtime home Ostgut Ton. Beginning with the beatless melodic pulse of the Steve Reich-influenced “Entire”, Freund works his way through a range of clandestine techno compositions, touching on claustrophobic acid and intense late night thump (“Testcard”, “Ya Po”), scratchy Chicago jack (“Instant”), deeper moods (“The Scheme of Things”) and, most thrillingly, early ’90s influenced intelligent techno. It’s in these moments – “If” and tactile ambient breaks of “Cursor Item Only” – that A Series of Shocks really flies.

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Tobias – A Series Of Shocks [OSTGUTLP016]

R-Zone – R-Zone 09 [RZONE009]

Just a year after starting and the irrepressible R-Zone series is up to release number 9. Again this time there is no real word on who is behind the music, but again it is fierce, searing techno for darkened dancefloors. The barrelling, stomping ‘Down You Go’ opens this EP with blocky metal beats, spares synth lines which bleed in and out of focus and plenty of rattling percussion. ‘Give Me More’ goes a little slower and deeper, with rubbery kick drums forming the base of the track as molten and melted acid gurgles percolate up through the mix. On the flipside, ‘Too Much TV’ is a more elastic groove that undulates up and down with short little acid stabs buried deep within as the bass drops in and out. Supple and propulsive, it’s arresting stuff that gets completed with final track ‘VHC Beats’. Whichever producers are behind the R-Zone series always manages to come up with the goods, so if you like fizzing, textured techno that pulls no punches, this remains the series for you.

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R-Zone – R-Zone 09 [RZONE009]

D’Marc Cantu – Long Weekend [MOSDEEP019]

D'MARC CANTU - Long Weekend

This new EP from D’Marc Cantu, Long Weekend, features three new tracks of fully formed house and techno with more than a touch of acid along the way. The title track opens the EP with a lively house jam that has proud kick drums, plenty of muffled and deeply buried chords and a busy bassline that darts about like a kangaroo on hot rocks. It’s propulsive and emotive as it surges along, taking you with it every step of the way. Next up, ‘1Lb Of Flesh’ is a much more jagged and serrated track, mainly because of the manic acid squiggle that runs right through the heart of the slapping snares and icy cold hi hats. Full throttle and as ever delightfully frayed and analogue sounding, it’s a real face melter. Last but by no means least, ‘Acid Test’ is the quickest of the lot, coming over like a slick, powerful fusion of electro and techno that whips and snaps as Dance Mania style snares flap about above a grilling bassline and acid wiggles in and out. It’s a busy, fulsome track but never feels cluttered and rounds out another exceptional EP from both MOS and main man D’Marc Cantu.

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D’Marc Cantu – Long Weekend [MOSDEEP019]

Hissman – The Ultimate Degradation EP [HM001]

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Hardmoon London is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. The first release comes by way of courtesy from the mysterious Hissman who captures, with his name, the vey essense of the tape’s sound: Hissssss… that’s the sound you hear when a tape starts rolling.

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Hissman – The Ultimate Degradation EP [HM001]

Steve Parker – Sugar High EP [OVM240]

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Ovum Recordings are taking you back to the darker side of techno with Sugar High EP from Steve Parker. His deep and hypnotic sound, combining groove-heavy rhythms with a minimal-tech production style, sees Steve able to move effortlessly from sultry warm basement sounds to full on vicious arena moments.

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Steve Parker – Sugar High EP [OVM240]

Anomaly – Red Clouds [SPM021]

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Fred P is never short of ways to get deep, but here he’s kicking off a new alias for a slight twist on how he approaches his signature plush chords and hypnotic constructions. Anomaly did previously appear on a Soul People compilation with “Above Below”, which appears here as the B2 and represents everything you can love about classic Fred P with its soaring pads and dreamlike finish. Elsewhere there are more rough edges to be found, as on the more abstract roll of “Tunnel Vision” and the moody grind of “Dark Room” with its spooked out synth strafes and poised sound design.

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Anomaly – Red Clouds [SPM021]

Aubrey – Floating Point 7 [FER302]

New Aubrey release on the long going Ferox label. Following up his earlier Ferox releases he drops two sweet cuts on this techno jazz fuelled 4 -tracker. Label head honcho Russ Gabriel, Hans Thalau come with the remixes.

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Aubrey – Floating Point 7 [FER302]

A Sagittariun – The Jupiter Chronicles EP [EDREAMS009]

Having established a particular style of house music with a series of releases on his own Elastic Dreams label, A Sagittariun. the supposed Bristol elder turned in one of last year’s finer debut long players in the shape of Dream Ritual. His first release since then is The Jupiter Chronicles EP, a four track 12″ of diverse productions that will please A Sagittariun fans no end. Lead track “Wave Upon Wave” is a fairly well titled exercise in unrelenting breakbeats and rolling Roland 303-esque riffs, and the shifts upwards as the EP progresses. There’s an undeniably subtle euphoria to “Re-Ignition” whilst wonderful chaos seems to grip A Sagittariun with the two B Side cuts, where the freneticism of “Ascella” is well complemented by the rugged yet playful “And The Moon Be Still As Bright”.

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A Sagittariun – The Jupiter Chronicles EP [EDREAMS009]