Paul Mac – Hotel Insomnia EP [EPM019]

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Paul Mac is one of the UK’s real techno veterans, a producer with a sizeable back catalogue spanning a variety of sounds. For this EP, a taster for an album of the same name, he focuses on deep, Detroit techno, but with a twist. The title track is a driving affair, but Mac lends it a musical sound with evocative, breezy chords combined with dramatic string stabs. “Undoubted” sees him go down a more tracky route and its heads-down groove veers close to militaristic, but he keeps it on the right side thank to the clanging drums and crashing percussion. Marcel Fengler also contributes an excellent, wobbly bass-led version of “Insomnia”.

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Paul Mac – Hotel Insomnia EP [EPM019]

Myriadd – The Way We Were [SIG.MMXII.VII]

Two stunning slices of mercurial and heartfelt British Techno from two outstanding northern producers that cuts across the M62 corridor like a night drive into oblivion. A 10” black hit of space, lovingly designed for the dark, sweaty basements of provincial, post-industrial towns and the cold light of day in the car park of Knutsford Services.

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Myriadd – The Way We Were [SIG.MMXII.VII]

Factory Floor – Two Different Ways (Remixes) [DFA2341]

Factory Floor offer up a substantial distraction while the band put the finishing touches on their debut album, due out on DFA Records in early 2013. Their last single “Two Different Ways” is remixed by two different electronic music leaders. Richard H Kirk, co-founder of both Cabaret Voltaire and Sweet Exorcist, puts his own warped spin on the single, while Perc aka Ali Wells, takes the original and piles on his signature throbbing bass for the main remix. Perc also offers up a ‘Noisy Mix’ taking avant waves of feedback and noise and shaping into something unexpectedly beautiful.

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Factory Floor – Two Different Ways (Remixes) [DFA2341]

Robert Hood – Motor: Nighttime World 3 [MMLP038]

After the legendary “Nighttime World Volume 1” and “Nighttime World Volume 2”, Robert Hood returns with the long awaited “Motor: Nighttime World 3” on Music Man. With this, Robert Hood returns to the project he first started on Austria’s Cheap label back in 1995 and subsequently continued in 2000 on M-Plant. Fusing his trademark minimal techno into jazz inspired moods and inflections, Hood emerges from the smoke-lit shadows of a downbeat, but not beaten, Motor City metropolis. Inspired by Julien Temple’s documentary ‘Requiem For Detroit?’ Robert Hood examines the life, history and future of Detroit’s motor industry and its workforce, set against a backdrop of decay, despair, hope and re-birth.

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Robert Hood – Motor: Nighttime World 3 [MMLP038]

Inigo Kennedy – Spectre / Wonderhorse [TOKEN024]

Token sticks to its guns: Inigo Kennedy delivers a big new 12inch with a double a-side. ‘Spectre’ hits hard yet gloomy. Relentless drums bathing in reverb and a strange synth line create yet another unique IK-piece. ‘Wonderhorse’ is built on the same foundations but explores a more melodic & psychedelic trajectory.

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Inigo Kennedy – Spectre / Wonderhorse [TOKEN024]

Drvg Cvltvre – Everything Oblivion EP [V024]

The Hague Electronix veteran Vincent Koreman, Bunker veteran and Angelmaker label owner, presents his new project Drvg Cvltvre with the first release on Viewlexx. Koreman describes the project as an outlet for slow, doomy disco and experimental house, yet the superbly titled opening track “Bring Me Your Labradoodle” long with “Hermes Russia” and “Heart Beat” has more in common with the deranged techno of Gesloten Cirkel. Amidst all this, the vaguely unsettling “Monkey Man” sounds like Chicago Shags remixing Analord.

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Drvg Cvltvre – Everything Oblivion EP [V024]

Donnie Tempo – Systems On EP [MAMSW003]

The mysterious Donnie Tempo has been producing house music for over twenty years. His first release as Donnie Tempo was back in 2001 on Larry Heard’s Alleviated Records, demonstrating his old school acid inspired productions. Donnie Tempo unleashes the ”Systems On EP” due for release in September on MAMSW. The EP drops two previously unreleased tracks recorded between 1989-91 and one new production ”TCB”, that shows that the original Chicago house sound still runs deep. Finally, Donnie has found a new home to release the uncharted authentic house jamz that he’s created.

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Donnie Tempo – Systems On EP [MAMSW003]

Acidliner – Funkhouse [GANGSIGNS002]

The second release on Gangsigns comes in the shape of Acidliner’s ‘Funkhouse’. Funkhouse quite simply rolls. A pure acid house burner. It’s not house, it’s not techno, it’s not bass – it’s a roller. It combines all these styles with ease. No glitz or glamour – just pure electronic funk. Simply devastating. White Science on the flip dips the 303 into a more aquatic electro affair. Hats sizzle, claps jump in and out while the acid line weaves it’s way round some serious 808 action. It’s a mover for sure and a perfect partner to the all out groove of the a side.

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Acidliner – Funkhouse [GANGSIGNS002]

Stallion – Stallion 001 [STALLION001]

New misterious label from Berlin called Stallion. The first EP contains 4 tracks on the vinyl with an additional 2 locked grooves. Comprising of tough basslines, furious percussion, piercing stabs, industrial overtones and drifting melodies. Raw, stripped down techno tracks distrilled to their simplest and most effective form.

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Stallion – Stallion 001 [STALLION001]

Alex Cortex – RAW [KILLEKILL009]

KILLEKILL 009 comes from Alex Cortex with some vintage material recorded in the years 1996-2000, raw and substantial. With Future Acid the A-Side features a bomb acid track recorded live at the legendary HD800 club in Mannheim, which displays the raw power of Alex’ live sets. The B-Side features R-BYTE, a minimalistic Chicago-style stomper and MEM, a hood-like abstract and minimalistic techno piece.

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Alex Cortex – RAW [KILLEKILL009]

Mathew Jonson – Panna Cotta [IIWII015]

ITISWHATITIS is back! 2012 marks the 10th anniversary of the labels first release “Panna Cotta” with two new tracks.  Lost in vaults until now “Panna Cotta” resurfaced of a CD Mathew made for friends in 2003.  As fate would have it though it would be the first out of hundreds of CD’s only labeled “2003″ that Mathew picked from the box in his search.  Here at IIWII we believe heavily in synchronicity.  These tracks have found there place in time to be released.

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Mathew Jonson – Panna Cotta [IIWII015]

Silent Servant – Negative Fascination LP [HOS357]

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Silent Servant (aka Juan Mendez), a member of the now-defunct minimal/dub techno collective Sandwell District, makes his stunning album debut with the poised fusion of epic techno, primitive post punk, and industrial electronics on Hospital Productions. Now nine months since he stopped recording with Sandwell District, Mendez has explored his divergent yet compatible tastes to their fullest, recognising and reconciling their congruent rhythms, atmospheres and intentions with alchemical ability. If you’re familiar with his previous trajectories you’ll no doubt be seriously impressed with his balance and contrast of time-honoured elements, from the bellicose sci-fi romance of ‘Process (Introduction)’ to the full flight techno escapism of ‘Utopian Disaster (End)’, and if you’re new to his sound – whether you’re a noise freak wondering what the f*ck Hospital Productions are doing releasing a techno album, or a techno head who’s baffled by the raspy drums – you should be quickly realising that this stuff is the way forward. From the wave-scanning intro he spins a bleakly noirish narrative, slowly building tension with ‘Invocation Of Lust”s acid hypnosis and the stoic deployment of drones and agitated drum machine slaves on ‘Moral Divide (Endless)’ that resolves with gritted techno determination on ‘The Strange Attractor’. Yet perhaps our favourite moment is ‘Temptation & Desire’, sounding like the converged darkroom visions of Front 242 and Stephen Morris, but if any cut shocks us the most, it’s ‘A Path Eternal’, revealing SS at his most unreservedly sublime and vulnerable without his usual, armour-plated chassis of beats. It all surely adds up to one of the most impressive examples of modern industrial techno you’ll hear this year, one which doesn’t merely pay deference to its roots, but nourishes and augments them with the kind of vision that imparts the strong feeling that he’s really been biding his time, ’til now…

“Negative Fascination” is a 7-track affair said to couple Basic Channel vibes with post-punk and shadowy industrial cues.

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Silent Servant – Negative Fascination LP [HOS357]