
Emiliano Comollo signs his new EP for Land of Dance switching from underwater music to industrial techno, powered by voices and acid lines.

Emiliano Comollo signs his new EP for Land of Dance switching from underwater music to industrial techno, powered by voices and acid lines.

‘Grim Headlights’ features the latest acid mayhem by Peel MD member and Nerike Primate labelhead A. Stantz. Utterly advanced bassline tools for the dark techno clubs.


What beats an arpeggiated bass line over a teutonic 90 bpm kick and snare with eerie distorted vocals? I’ve been looking for years and I still don’t know if anything hits that sweet spot quite as well. John Carpenter esque Horror soundtrack synths creep along reverb drenched industrial drums, splattered with existential dread and spectral chants. Ryan is known for various monikers such as PC World / To Live & Die in Rayleigh (some of which are lined up for future Beat Concern drops) and his Club Mutante night which brings together the world of live techno, Industrial, EBM and noise. Punk ethics standing alongside dance floor machine funk. A Civil Terror.

The first Lux Rec release after summer is a split EP that puts together two musicians from different regions, different backgrounds. On the A-side there’s an old acquaintance of the label, Kinder aus Asbest, with Life after Death and Washed Away. As hopeless as it gets. On the B-side there’s Rosa Nebel, and upcoming artist from Austria that matches perfectly, with his dystopian views on society, the core dissatisfaction for humankind that Lux Rec has.


The next number on Zement is by Ole Mic Odd (aka Michael Padgett). He is a hardware operator and DJ from Los Angeles. He runs the label The New U.S. Government. Two slow gfunkish tracks for the slow people and two fast acid booty tracks that will blast your shoes off.

Trends come and go as we have seen, unlike many, Brooklyn-born Adam X isn’t one to follow trends, but rather set them. Now entering his 30th year of DJing and 25th year running his Sonic Groove label much of the world of dance music has come full circle since Adam started back in 1990. With that said there was no better time to explore his vast back catalog then the present as it’s all the more relevant right now. As many younger contemporary techno djs have taken to the faster, harder, stronger route as of late, this was par for the course back in 1992, where this compilation begins. What we have here is a collection of formative psychedelic acid tracks specifically made for the raves that were happening all over the world at the time. Many of the tracks here had previously appeared on cutting edge labels such as Direct Drive, Drop Bass Network and Magnetic North, who were all spearheading the sound at the time, we also get two unreleased cuts from the vaults, plus a rare collab with Thomas Heckmann. Back then the goal was simple- to push the limits of this fresh sound, and see how far they could actually go with their 303s; this music now filling warehouses and clubs worldwide. The eleven tracks on this record undoubtedly take rave-extremity to new heights whilst keeping the integrity (and brutality) of the music intact and the crowd in a frenzy.

Acid Avengers return. On the A-side, Portuguese producer Lake Haze delivers three techno cuts for the floor, all composed with a brutal acid line. On the B-side, Swedish producer Celldöd returns with three electro and techno tunes for those who like the cold groove of northern Europe. Sometimes ravey, sometimes martial, sometimes funky, here is a new split EP with six raw bangers.

Heavy wave-ish techno slammers by ANDI from Synthicide on Aufnahme + Wiedergabe. Comes with Silent Servent remix.

For the third time, Bosnian DJ and producer Borgie has delivered an astonishing 4-track 12-inch to Electronic Emergencies. Transcending the here and now, he rockets into Hyper Delta Space, where desire, emotions, pain and memory are transformed into telemetric signals. The sheer distance, emptiness and darkness of the outskirts of space are intertwined in the tracks. Disco noir or dark techno, it’s not an issue. Resistance is futile.


LYO steps forward with the first volume of their compilation series « Driving Blind » supporting underground new talents and confirmed artists from all over the globe as well as including in-house producers of the label. Selected with care and love, it will bring you on an electronic journey pushing boundaries of style featuring only fresh new original music.


Wata Igarashi’s debut release on Omnidisc is exactly what is needed at this moment. Escape from reality with mind altering LFO’d modulated everything. The EP is made up of 3 tough techno cuts balanced out by ‘Homecoming’, the closing track looking to a more positive future.

An outsider in the Detroit scene, Jared Wilson’s meandering acid jams have always sounded more Cornish than American. His brand new EP for the Netherlands’ 030303 Records continues on that spacey tip. Sea Friends starts warm, bassy and laidback with upbeat and frenetic melodies taking over later on, lifting the tune to another level. Seeing is Forgetting is a melancholic, beatless acid trip, drenched in a strange field recordings setting with waves, vocal snippets and bird sounds all present. Potentially referring to Detroit’s legendary record label and distribution company is Submerge the Ship, the most layered and mesmerizing jam on this twelve, a track that truly sends you off to the depths of the deep sea. Closing track Yogacamp is the fastest one on the record and with various eerie melodies battling for dominance, a great once for the darker dance floors.

The necromantic antibeats is the first longplayer by DJ WEB (Walid El Barbir). Repetitive and funky drum-compositions contradict vocal samples resembling horror, suffering, pain and malady, combining both into very playful compositions which contain seductive joy and the ill depths of mankind (hell) at the same time. Dead poems for the eager & the lost evoking forgotten potentials through ritualistic repetitions.

In his debut LP on the imprint, Fleisch collective co-founder and resident Halv Drøm crafts esoteric body music inspired by loss, nostalgia and ego-dissolution. With groove, finesse and nothing to prove, he processes his past and future through an arcane haze of post-punk guitars and industrial field recordings.