Milan-based Andrea Riberti is a live artist and producer with his roots cemented in early rave culture, drawing from the wake of Post Punk, Industrial and Body Music. As a project, Unconscious surfaced in 2013 to further experiment within electronic music, acting as an outlet to communicate raw, post-industrial sounds. “La vittima è la musica” is 5 tracker cassette released by Detriti Records.
Greek genius DimDJ is no stranger to a live jam, pushing his machines to produce gritty dancefloor stompers since the heady days of 2004. He makes his Gated debut with an EP of uncompromising 303 workouts, once again driving those silver boxes to produce addictive, floor-focused DJ tools. But it’s not all heads-down squelch, with a final track squeezed onto the B-side that brings a surprisingly punk twist to an EP that’s also appropriately named… Acid Tracks.
Dirty Blends 3 is here! The Jak returns to the forefront with these 2 new crucial compositions of Jakbeat: Black Accordion and Dirty Riddim ’87. Black Accordion was created in the realm of early Relief/Dancemania records preserving a specific timeline of early 90s Chicago style tracks that people like Gemini,Paul Johnson,Boo Williams Glenn Underground and Cajmere played on loft and warehouse parties… Dirty Riddim 87 is created strictly for Ron Hardy as this is the 2nd conceptual idea to follow “Hardy’s Haunted Box” from the 2nd edition of dirtyblends.
A few Highlights from the sessions Leron recorded in 1987-88 when he was fifteen or so. China Trax, featured on SS012, came from these sessions. These were hand made, meaning no sequencing was used for the keys on any of the songs featured, using cassette tape overdubs, a lost science. Omar-S touched up the material from those cassettes for this release on vinyl.
Hydrostatic Equilibrium EP is a reissue of the 2 tracks released by 30D Records from the Detroit artist Arpanet back in 2018 (cat# 30D-006), now presented together in a special limited edition single sided 12″ vinyl. The EP includes the original tracks Supernova Remnant and Main Sequence Star, being the only two tracks produced by Arpanet since 2006. Presented with a new artwork, designed by Arpanet himself, and this time on 30D Records sub label ExoPlanets, Hydrostatic Equilibrium EP becomes an instant collectors must have, especially after the quick sell out that followed the 2018 release and the numerous reissue requests received since then.
Latvian electronic producer Dmitry Distant is expanding further his sound palette with his new 2-track ‘Cold’ single, continuing his musical journey beyond pure ‘electro’ genre. The release clearly marks a new page in Dmitry’s artistic story – in his electronic reinterpretation of The Cure’s iconic song, Dmitry is giving the classic track a darker twist, with pounding reverberated drums and piercing yet soulful vocals by Valeria Simonova, paying tribute to his goth and new wave background. ‘Zenith’ is a majestic John Carpenter-esque synth anthem – the track can easily be imagined to accompany opening titles of a dystopian sci-fi blockbuster, with stark melodic synthesizer lines and minimalistic yet inventive structure.
Sudi Wachspress returns to Tartelet Records with Dance Planet, a third LP of emotionally-charged house music to welcome us back to the dancefloor. The spirit of true house runs deep in the sound of Space Ghost. Oakland native Sudi Wachspress is intuitively plugged into the romantic, mystical energy of 4/4 club music as a unifying force of empowerment and liberation.
The 2 Smooth World Vol. 1 album broadcasts a highly addictive tale of electronic frequencies. A whole universe of musical explorations, ranging from twisted electro to more dubby compositions, beatless ambient ballads, classic house nostalgia – naturally flowing into oceans of acid & bass.
Common Dreams bring a new 4 tracker from Mihail P, including a special John Shima remix. Electro breaks, synth basses and a cool pad to complete the perfect journey.
Somewhere in Berlin during a cold and foggy winter: Hyboid is recording his album “Sequencing the Apocalypse” directly to a 2-track recorder, using analog synthesizers and a couple of old effects units. Raw and no-frills. Influenced by the great French and German pioneers of the 70s, this is a soundtrack for dystopian minds in dystopian times.
Karl O’Connor (Regis) and Simon Shreeve (Kryptic Minds/Osirus Music/Downwards) team up again for a menacing four song EP of broken beat electronics. The perfect amalgamation of O’Connor’s and Shreeve’s solo works merged.. absolutely heavy dubbed out dark Birmingham electronics. Distinct, singular and subtly soul crushing music from masters of an uncategorizable genre.
The first release of the year brings back into the murky worlds of Vertical67. Thomas Pahl returns with a 5 track digital EP titled Abandoned Places. Only available through brokntoys bandcamp page.
In 1977, in the midst of a period of political turmoil and social unrest that went down in Italian history as “years of lead”, screenwriter and director Massimo Pirri made a film no one else had the courage to make: Italia: ultimo atto? (Could It Happen Here?). Here, Pirri explores the controversial (and, in the 70s, very current) topic of left-wing armed struggle. He does so through a storyline that is almost prophetic: in the film, a mysterious ultra-leftwing armed group plans and executes the killing of the Ministry of the Interior; in 1978 Christian Democrat leader and former premier Aldo Moro was kidnapped and killed by the Marxist-Leninist Red Brigades).
The violence of Pirri’s storyline is fully captured by the score composed by Lallo Gori, who uses obscure synths, analog keyboards, and dry-sounding acoustic drums to create an extremely tense and frenzied soundscape of electronic textures. The result is an album that combines dark, haunting jazz-funk with ambient atmospheres and suspenseful electronic sounds, and which ends up sounding like an instrumental proto-hip hop record where Moog synths take the lead together with drums. At the time, this must have seemed like a low-budget, ramshackle soundtrack – essentially, a B-movie soundtrack. Indeed, the extensive use of electronic sounds was meant to compensate for the lack of acoustic instruments, such as the bass or (alas!) brass, which were replaced by keyboards and MiniMoog synths. Today, however, Lallo Gori’s odd and minimalistic style of arranging makes this score sound unexpected, avant-garde, and innovative. In short, modern and contemporary. Previously unreleased in any format, all tracks have been remastered from the original master tapes.
Planet E Communications releases ‘Electric Worlds’ LP by Francisco Mora-Catlett, marking Francisco’s first electronic album in celebration of 30 Years of Planet E. Francisco Mora-Catlett’s career spans decades, genres and astral realms, perpetually defined by the quest for survival and being free. The Mexican-American percussionist, composer, and producer makes his solo debut on Carl Craig’s renowned Planet E Communications with his first electronic music album, ‘Electric Worlds’. Whether pushing the limits of free jazz with the Sun Ra Arkestra in the 70’s, studying at Berklee College of Music and touring with Max Roach in the 80’s, or playing in Carl Craig’s “The Innerzone Orchestra” in the 90’s, Francisco’s passion has always been for the capacity that the music created by black and brown people has to free the human spirit.
After 1 year in the making the 1st part the Archaic Future Sounds compilation trilogy is finally finished!
Selected with ❤ by Johnny ¥en it features 6 new club hits from Kid Machine, Endrik Schroeder, Emile Strunz, Furor Exótica, Doctr and Honored Matres.
Ourra makes his lucky number 7th appearance for Planet Star Creature. Coming off a 6-peat, it’s only fitting to tee up a swan song crown jewel of a heavy weight double LP full length extended off the richter black hole eclipse total density squared and cubed. A masterful journey through an acidic lens of future retro synth funk explosiveness. Where the deep house, synthwave and modern funk trifecta triangular apex penetrate boundaries of language, space, time and love to give us a joyful explosion of aural pleasure through our brain functions.
Collaboration between Live At Robert Johnson & Public Possession, both selecting some key label artists to remix “Gingko” a track taken from “Aksel & Aino”s debut Album “Lullabies for Insomniacs”. Including Mixes by Gerd Janson, Lauer, DJ City & Nice Girl ranging from Big Room Balearic Pop to tripped out Techno and classic house.