
Low Frequency Alteration and Still For Real do the UK early bleep techno thing recycle thing… and we like it! Based on 90’s techno tracks but restyled, re-edited, remixed… delivering the joy of those releases plus extra.

Low Frequency Alteration and Still For Real do the UK early bleep techno thing recycle thing… and we like it! Based on 90’s techno tracks but restyled, re-edited, remixed… delivering the joy of those releases plus extra.

Sound Signature release “Sketches” from Theo Parrish, an album-length release featuring eight new tracks.

Three tracks of deep and dirty house music lifted from the forthcoming International Deejay Gigolo compilation. Nick Coleman’s ‘This City I Love’ is almost like a sleazier, sample based version of Levon Vincent’s ‘Six Figures’ with hypnotic strings and sexually charged bass libido, while DJ Linus takes it to downtown Detroit with the crackly beatdown textures of ‘Are You Ready?’. Best of the pack is Herman Schwartz’s gruff Chicago jack joint, a must for fans of Legowelt!

A remix for a remix…Falty Dl and Cosmin TRG go at each others tracks and the results are firing!

This is the second samplers, with tracks from James Ruskin and Kevin Gorman, chosen for Ben Klock’s Berghain 04 mix compilation.
Sandwell Districts main man Function hooks up with Jerome Sydenham to deliver a killer Ep for Ibadan.

“Gute Luft” remix treatment from two of Germany’s mainstay house producers to tackle Fehlmann’s music on Gute Luft Remixe, Philpot’s Soulphiction and Move D.

Time To Express is happy to welcome Dario Zenker to the label’s roster. With ‘Insirer’ he delivers a thrilling contribution to Time To Express. Peter Van Hoesen takes up remix duties.

Ooft is the joint effort of The Revenge and Ali Herron. With ‘Ride In To The Red Zone’ they lay down a bed of heavyweight slowhouse kicks before dropping a scorching male vocal, while ‘Spanky Spanky’ aligns itself with the sort of drag-house grooves.




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Ooft is the joint effort of The Revenge (aka Glasgow’s prolific Graeme Clark) and Ali Herron. With ‘Ride In To The Red Zone’ they lay down a bed of heavyweight slowhouse kicks before dropping a scorching male vocal, while ‘Spanky Spanky’ aligns itself with the sort of drag-house grooves spun out by Mark E and co. Limited copies only.


First up, i’m not in the habit of speaking up publicly, but I feel I have something to say…
Since I started out playing records 16 years ago, I have become increasingly frustrated by the lack of respect for our dance music heritage & artistry output In this increasingly naive era of disposable music, where tracks stay in people’s record bags (or should i say laptops) for a nanosecond before being ruthlessly sidelined for ‘newer, fresh’ material. I’ve always tried to play music that speaks to me. A lot of new stuff does get in the bag, there is always great fresh music out there somewhere but I also find that I’m continually drawn back to various cuts due to their continual aural radiance and integrity. These are the sort of records that connect with my mind… even if I have heard them many times before..
I hope people out there get where I’m coming from before passing judgment…. As it seems to me that what we are all presented with now is one big ego ball of media driven competitiveness. This saddens me. Where is the love?…
I believe really knowing every moment in a record allows one to fully harness the dancefloor and the mind of it’s occupants by delivering music in a way that goes far beyond words… Favouring quality timeless music regardless of age or release date, rather than ‘quick fix’ records is the way things roll over here.
For all those DJ’s out there with no musical integrity, I urge you to dig a little deeper in your quest and search out timeless music, never mind the ‘genre’. Leave those ego’s at the door and come soak up the flavors because at the end of the day, it really is all about the music…. So with that in mind I hope you enjoy the journey here, an honest, straight up mix from the soul……. Miles

7even offer a well-deserved opening to Joaan, a talented newcomer from Nantes. ‘Splendor in the grass’ manages to build sheer beatdown vibes for gathering summer evenings, over a cannily deployed half-speed drum and bass.