Sleeparchive on a new venture with this new label.
Sleeparchive on a new venture with this new label.
The fourth chapter from Axis Records’ The Director’s Cut re-issue project gathers together various versions of killer cuts previously produced and released by the Motor City legend over the past two decades. Highlights include deep space techno workout “Deadly Rays (Of A Hot White Sun)”, the densely layered African percussion, low slung bass and echoing organ stabs of “Gateway Of Zen (Percussion Mix)”, the bleep-heavy electro/techno fusion of sweaty workout “999” and the alien-sounding, minor-key hypnotism of “The Industry Of Dreams”. Each track is accompanied by a separate “audio commentary” from the man himself, which is ideal for those who love to hear artists talking about their work.
Be yourself without reservation or fear. The night does not discriminate and at the club there are No Cameras Allowed. Navigating between jak-house, techno and acid, these tracks are designed to make you move while still keeping the Baz Reznik rawness!
The mysterious label from Italy is back with a 4 track EP signed by matteo.
Gennadiy Manzhos brings his Low Tape project to Private Persons for the very first time. “The Next Summer of Love EP” is an expansive and universally impressive affair, with the Russian producer brilliantly charging between sun-kissed deep electro, raw and heavy jack-tracks, skittish but spacey electrofunk, bittersweet brilliance and bass-heavy ghetto-house/ambient techno fusion.
Doug Lee returns to the label under his AN-I moniker, this time collaborating with prolific Greek producer Unhuman on a new four track EP. This is what happens when you take all the right elements of techno, punk and industrial music and smash them together; a fucked up and devastating hybrid of blistering modern electronics. Heavy, but not stark by any means, Lee channels his inner Liasions with his vocal performace through the record. Most notably this is heard on the cut Entschuldigung, snotty laughs and scattered barks accent the stuttered drums and ms-20 feedback; Lee bringing it all together in a sarcastic funked up fashion. Five to Nine sees both producers complimenting each other expertly, clocking in with the most “dancefloor” cut on the ep…a twisted five minutes of screaming psychedelic dance that reaches an epic anti-climax of sorts. A true hit for those who know how to use it right, not to be missed.
Years of Denial joins Pinkman Broken Dreams and deliver an EP with four devilish and cataclysmic electronic body tracks. The duo’s sound combines influences of deranged experimental music with vocals surrounding themes of isolationism and dark romanticism. The outcome is stunning in its very own way, as the music creates a deeply immersive atmosphere, and is abundantly vigorous to keep dancers on their toes and moving from the night’s darkest corners to the dawn of day.
Powerful EBM tinged Techno cuts by Betek who’s becoming one of the labels mainstay’s. Junior Flutuante is opening up the vaults of Bernardo’s harder and rougher work. After his succesor in 2018 with ‘Discipline’ ep we gladly welcome Bernardo back.
Dekmantel Selectors is now over, we are back to our usual life, or we are trying to, but the vibe of the festival is still buzzing through our vines. The turquoise waters of Tisno, the shade from the pine forest, the rocky coastline, the incredible sound of the cicadas that is worth of a representation in one of Rabih Beaini’s mesmerizing ritualistic performances, the music that was filling every space, will stay with us for days.
Danilo was always incredibly young with things. He started producing at the age of eleven—“way too early” as he jokes—having his first release out just five years later: Inverse Cinematics’ “Slow Swing”, released on Pulver Records in 2002, and ended up finding its way into Ricardo Villalobos’ record bag as well as onto one of the first Fabric mix CDs. An album under the same name and a string of EPs followed. Dailo’s latest releases, the Motor City Drum Ensemble’s Raw Cuts series in 2010, had the house music world responding strongly to the charmingly fresh and dirty sounding tracks, all mixed down in spontaneous two-hour sessions. Danilo has also released on top labels ranging from 20:20 Vision to Rush Hour as well as his own MCDE and Four Roses imprints, produced for Ben Westbeech and Rainer Trüby and never ceased to amaze with his challenging remix work for artists like Caribou, Jazzanova, DJ Sprinkles and Zero 7. His understanding of how the parts of a track can work has never been more apparent than on his DJ-Kicks mix. In 10 years, playing 80+ gigs a year, including such temples as Berghain, Fabric London, Rex and MOS, he’s absorbed dance history through hard and disciplined work behind the decks. Look at the opening selections of his DJ-Kicks mix to get a glimpse of his amazing ability to fuse totally disparate sound aesthetics into a coherent whole. With the next months holding an extensive tour schedule for Danilo, dancers around the world will be able to experience his gift as a selector first hand. That is, before he gets back into the studio to start working on his first album as Motor City Drum Ensemble as well as a live act. All this will prove, just as his DJ-Kicks is doing now, that there is no such thing as stagnation in the ever-evolving cosmos of Danilo Plessow.
New Weapons Of Desire coming from Snuff Crew.
Five cuts of obsessive electro/ebm from the cold heart of Croatia that will make you sweat. Unchaste vocals on brash basslines and slicing snares are melted with acid sounds and thumping beats. These tracks tie together a journey beginning in the 80s Yugoslavia, among rituals and lies, leading to the relation with sexuality and eroticism within the collective consciousness of mankind. How do you deal with your purely physical desires?