Every night, the young men’s dreams are invaded by space shuttles and alien creatures. Every morning, the two guys try to keep the sounds of those hallucinations alive. For the second EP, Supercinema Records welcome Detroit veteran techno producer Luke Hess.
Colophon returns to Lowercase Life with a 90’s vibe melancholic analog machine soul electro and techno. In true spirit, Melbournes’ talent Hymns (Salt Mines) delivered an elegant electro remix.
Dircsen is back on Soundtravels with four heavyweight dancefloor bombs, well worked out, 303 basslines, accompanied by moody synths. Dircsens tracks are always built to perfection, distinguished and raw at the same time. Timeless tracks which will last a lifetime.
Dona is back with another EP of emo-jakkin Mediterranean style dark-side. He walks the fine line between hope and hate on this one, mood-swinging his way through various shades of azure and off white.
OCP presents their debut release, coming from Koga, Frankfurt underground DJ and connoisseur of the M1 organ bass. The ‘Hive Mind’ EP contains four well executed tracks that are likely to disintegrate dance floors around the globe. Title track ‘Hive Mind’, featuring Simon Moncler, is a Brooklyn-style techno jam packed with hard hitting RZ-1 hats, while ‘Survivor (M&M’s techno will survive mix)’, featuring Maurice, freshly connects trancey elements with breaks and bleeps. The B side kicks off with ‘Fox Undercover’, a jam displaying developed knowledge of clunky baselines and pounding grooves, the 12″ rounds of with a bass-heavy remix of ‘Fox Undercover’ by DJ Slyngshot.
Black Meteoric Star returns with the Ghost Frequency EP, and this 12-minute hardware techno jam captures the haunted synthesizer sound that the title implies.
In this record you can find cosmic electro with more experimental and melodic electronica. Intelligent electronic music in its purest form.
Jensen Interceptor, doing what he is very reknown for, delivers a fierce electro jam and Tim Fairplay conjurs up a tremendously intense remix to seal this release pressed on limited edition, hand stamped & numbered one-sided black vinyl housed in a white disco bag with a printed insert info sheet.
After their collaboration in Panzerkreuz Records with Black Sites (F#x & Helena Hauff), the guys from Ghetto GEM did a series of small live performances in the The Hague squat scene. Places like Dystopia, Maakhaven and Syndicaat. Performances that took place during the Schilderswijk riots which delivered some slow and menacing tracks. Some of the recordings where found and six of these tracks can be found on this mini tape album.
Minimal Wave is releasing a newly mastered compilation of 6 tracks made by Scene de la Bohème (aka Anthony Waites), entitled ‘Standing in the Rain’. Scenes de la Bohème was formed by Anthony Waites in London, in 1981 with an innate desire to create poetic, subversive pop music. Without any intention of ever signing to a record label, he self-released one untitled 7” single in 1982, an edition of 150 copies, with money funded to him by his parents for his 21st birthday. He often used borrowed synthesizers to record his music in various bedroom studios and friends’ houses supplemented by his beloved cherry red Hagstrom guitar. This release includes 2 tracks that come off his sought-after untitled 7″ from 1982 and 4 are previously unreleased.
The Misz formed in Gent in 1983 by Jan Van den Broeke and Dries Dekocker at a time when they had both just relocated from the country. They lived on the same street and collaborated freely with the limited equipment they had, which always centered around the Fostex 250 4-track tape recorder. They used an unknown monophonic synthesizer, casio synths, roland drum machines, hand drums and guitars through effects pedals, improvising with their voices and often and included friends for additional voices and sounds. They captured these sonic experiments and sometimes released them on cassette in editions of 100-200. They described themselves as young, immature and bit strange yet totally bold and fearless. They sang about what surrounded them from world politics and environmental catastrophes to love and lust.
Pinkman delivers another sturdy record for the connoisseurs of discomforting electronics. The second 5 Years Of Tears release unifies 6 artists, each with their own interpretation of the labels ill-famed sound, embodied in vibrating basslines, metallic beats, and corrosive acid. Gear yourself up for yet more nerve-racking music and get accustomed to the obscurity of this series of releases, because the madness is all but finished.
The Hacker pulls out his Amato moniker to deliver an abyssal, floor-ready EP, drawing on influence from the funkier side of early electronic body music. Though dark, the illustrious Frenchman seasons the A-side tracks with a healthy dose of groove for peak-time frenzy. Meanwhile the rather dejected flip side will do the trick for the murkier of dance-floors.
Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12″ is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.
Identified Patient drops another calamitous record on Pinkman. Four dungenous slowbeat cuts, brimming with energy, emotion and attitude. The EP kicks off with Geen Syndroom where jaded, murky melodies go in tandem with sexy bass lines and an obliterating broken drum beat. Thereafter, Nog Steeds High Van De Lak progressively evokes feelings of desolation and melancholia, while carrying an aggressive punch and irresistible groove. Do the flip to find two more ferocious productions in Ver Verwijderd Van Vermoeid and Haar Glans Altijd Strak. The former grips you firmly with bubbling acid and machine gun snares on the backdrop of violent kicks. The latter ends the voyage entrancingly with hypnotic synth lines, whiplash-snares and rattlesnake-hats.
Cititrax presents ‘Dream Bleeds’, a new vinyl release by Brighton, UK based producer L/F/D/M aka Richard Smith. ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM. Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”
The Hipodrome Of Music 