Royal Athlete is a new venture from Berlin’s Hot Pony party, a well-loved excuse to play camp Italo, boogie and ’80s electro from former Bristol residents Vexkiddy and Antoni Maiovvi. Both offer up tracks on this debut 12″, with Vexkiddy’s bouncy synth funk throw-down “Robotic Understanding” – all squidgy melodies and darting rhythms – just edging out Maovvi’s italo-revivalism in the highlight stakes. Elsewhere, UK Italo royalty Bill Ambrose and Marika Gauchi join forces as The Dreamers’ for the deliciously camp “He’s My Man”, before Berlin newcomer Dimitri SoEmotional delivers “Unconditionally”, a chunk of deep modern boogie.
Brilliant analogue space synth music on this small label from Spain. Including nicely crafted and designed covers. Wont be available for a long time to come.
Spanish label Fundamental come through with a ltd edition of their highly prized DMX Krew LP. Ed Upton’s been on prolific form this year for sure, with 100 Tears his fourth DMX Krew long player of 2014 following outings on Shipwrec, Mystic & Quantum and Luke Eargoggle’s Stilleben Records. The twelve tracks here really demonstrate that Upton is a grand master of electro whatever the tempo, and are apparently the result of him working with just a few synths and a drum machine as opposed to his full studio whilst in the midst of moving house. For most people this would be a stressful process, for Ed Upton the situation has resulted in a sublime, masterful album.
Finnish electro pioneers Mr Velcro Fastener return after a very long absence with this long-awaited and much-anticipated EP on Cyber Dance Records. Full of the same funked-out, quirky and fresh futuristic sounds that brought them instant recognition in the 90s electro underground the ‘TKU’ EP sounds like the innovative duo never went away, effortlessly picking up where they left off. ‘Brinkkala’ opens proceedings with their classic signature brand of Detroit-meets-Finland robotic funk jamming, while the next track ‘Bridge Over Nothing’ delivers harder and punchier rhythms deftly topped with layers of spaced-out chords and shimmering noises – and a relentless bassline that builds and progresses the grooves to alien dimensions of sheer electro brilliance. The sonic assault continues on Side B with ‘Ologrammed’, a pulsating monster of a track that pushes the Velcro Fastener sound into ethereal realms. The EP closes with ‘Johnny’s Wood’, a funked-up, jazzed-out and upbeat adventure over-brimming with robotic positivity and electronic optimism.
The latest output from Alek Stark and featuring remixes by Heinrich Meuller. These tracks are simple experiments using the TR808 triggers with the Dot Com Modular, SH101, Oberheim Xpander, Roland System 100/101, Jupiter 6 Europa, Pro One and other vintage synths. All tracks recorded at real time. This EP include two versions of the main track Titan’s Cycle composed by Heinrich Mueller aka Gerald Donald, Arpanet, Dopplereffekt…
The somewhat mysterious Jeremiah R. is steadily earning a reputation for putting out quality electro. Having first surfaced on London label Organic Analogue, Jeremiah R now boosts his profile further with a seven-track mini-album on the supreme Tabernacle operation which shines further light on his Drexciyan inspirations. It’s not all deranged synths and brittle snares shots though, with tracks “Far Sight” and “Twin Paradox” suiting the Tabernacle mould of jacking, Chicago-themed house music.
Abdulla Rashim and Varg’s collaborative project are back for another quest in sonic experiments and northern tales. Even if they do release obscure drone from time to time Northern Electronics continues to up hold its reputation as record label worthy of the tag: ‘buy on sight’. That can definitely be said about Varg and Abdullah Rashim’s second full length as Ulwhednar. For some dirty Rashim loops look to “De 92 Vita Stenarna” while for some Nordic drone splashed with Varg’s trademark space echoes check out “Kattarens Dom”, and if you want to experience what the crash landing of Star Trek’s USS Enterprise sounds like there’s “Askan Fran Balet”.
To date Fluxion, AKA Greek dub techno artist Konstantinos Soublis, has released three albums on Danish imprint Echocord, settling in nicely alongside the likes of Luke Hess, Deadbeat, STL, Conforce and XDB. Kenneth Christiansen’s label revisits the most recent Soublis long player, Broadwalk Tales which arrived back in April, for a remix 12″ packing some high calibre names in Deepchord and Joey Anderson. In the hands of the highly regarded Anderson, “You Don’t Know” is transformed from its vaporous origins into a slab of typically deep and jacking Jersey house, while Rod Modell naturally opts for fading resonance and cloudy white noise in his two DeepChord variations of “For You”.
This latest record seems to mark Kobosil’s first self-released record. “Head” is an intriguing opener, eschewing rhythms for simmering modular pulses, which grow into the seasick metallic clutter of “1018818”. More conventional techno fare can be found on the finely tuned acid minimalism fo “A15” and the artificial marching sounds of “polyheme”, but even these are pleasingly strange in the manner we’ve come to expect from Kobosil.
Iron Blu is a UK producer and broadcaster on the mighty Intergalactic FM. His production career has spanned krautrock/cosmic, post-punk, electrofunk to what he does today. Stepping aside from managing and A&R for Flight Recorder, Iron Blu releases his second offering for the label. “Science Probe Vessel” is 12 inches of jackbeat and Detroit techno. A1 is a dub-tinged organ driven 909 jack. A2 is a bass-heavy 909 jack cut through with glacial strings. B1 is heavy Detroit techno. B2 is a deep groovin’ house workout fused with wobbly seesawing strings.
Italian duo Life’s Track with raw, analogue house sounds that is physical as well as emotive. The first track here is ‘Stone’, a hurried house jam with raw and splintered hi hats racing over broken sounding drums as urgent synth stabs fill in the spaces left behind. It’s live sounding and loose, ghetto in texture and truly arresting in nature. The b-side starts with ‘Velocity’, another over-driven bit of house with non-stop claps chattering over slower, purposeful kick drums deep down below. Nagging synths slowly shape shift and draw you attention away from the physical percussion, making for a nice duality to the track. Lastly, ‘Invisible Symphony’ is a stripped back techno banger with heavy kicks, a great little hook at its heart and turbo charged synths slicing through it like lasers.
With prudent timing comes yet another artful release from Greece’s Nous contingent, this time courtesy of Manchester’s Moodcut who muses succinctly on the invisible overlap of Chicago and Detroit’s aural heritages. The Tame Cats EP delves deep into the industrial overtures of each with the melancholy sparseness of sound that characterizes the brutally beautiful aspects of man-machine-music.
Dave Huismans (A Made Up Sound) returns under his 2562 codename with the oneiric ambient/concrète dancefloor states of ‘The New Today’, his 4th solo album in this guise. Where its predecessor, ‘Air Jordan’, also for his When In Doubt label, took inspiration from the arid landscapes of the Middle East, ‘The New Today’ draws upon ideas sketched out whilst 2562 was in New York, late summer 2013, and was later finished at his home studio in Utrecht, The Netherlands. Rather than disco samples, as with his last LP ‘Fever’, he sources from and splices together an enviable library of European synth experiments, new age tapes, avant-garde, post punk, pop and long forgotten aces, offering an entirely different palette of textures and tones. Ambient is a keyword here, taking inspiration from the feeling of drift of utopian/dystopian novels, as much as the sublimation of electro-acoustic processes. Between the humid concrète drone sphere of ‘Arrival’ and the sweeping celestial space of closer ‘New Life’, there’s a keen sense of momentum through dreamy time and space, taking in the airborne melodies and syncopation of ‘Vibedoctor’ and ‘Utopia’ along with killer Afro-centric gyrations in ‘Terraforming’. Inarguably, it’s the the most diffuse yet cohesive and involving album in his celebrated cache.
