The DeepLabs imprint releases it’s fourth record with a killer collaboration between label CEO Luke Hess & FXHE label boss Omar S. made specifically for the dance-floor! Automatic Night brings you a classic analog excursion – a perfect blend of Detroit Techno & Detroit House. Outerspace Drive reaches for space – sure to be played by all future space travelers who wish to boldly go where no man has gone before.
Sumerian Fleet aka Alden Tyrell and Mr Pauli with vocalist Zarkoff. Their debut eponymous EP was released on Clones West Coast series in 2010 and the Sturm Bricht Los EP came out in 2012 on the Creme Eclipse branch of Creme Organization. Sumerian Fleet is ready to release their first full length album Just Pressure all new material recorded between 2013 and 2014 as well as a remixed version of the title track from the Sturm Bricht Los EP. Just Pressure contains 80s Dark Wave/EBM inspired tracks with an industrial tinge. Citing inspiration from Fad Gadget, Front 242, Bauhaus and Sisters of Mercy, Sumerian Fleet deliver 9 songs of vintage dark electro. Their sound brings to mind rough 80s/90s Industrial dance with a Gothic tinge and a touch of bass guitar as the lead instrument. The band utilizes vintage analog gear like the Linn Drum, Roland TR-808, MiniMoog, Korg MS-20, and Roland Jupiter 8 . All songs were recorded at Mr Paulis studio in Den Haag and Alden Tyrells studio in Rotterdam. The album has been mastered for vinyl at Fantasy Studios in Berkeley by George Horn. Each LP is packaged in a custom-made jacket by our in-house designer Eloise Leigh, incorporating Mesopotamian pyramids and occult symbols, offset printed with gold ink at Stumptown Printers in Portland.
The mysterious project by Jodey Kendrick who has released his first pure electro double album with Drexciya influences. Without compromise. Brut, Faster, Sexy like Varla.
For its first album project, Shipwrec is to release a new full-length album from pioneering electronic producer DMX Krew entitled “Shape Shifting Shaman” with colourful artwork by Doppeldenk. Ed DMX is best known for releasing six albums on Aphex Twin’s Rephlex Records and for spanning styles from breakbeat to techno to electro. He has already released two EPs on the four-year-old Dutch label Shipwrec and now returns with a full-length opus that proves, more than twenty years after first emerging, that few people are as sonically inventive as him. Of the album, DMX Krew says “I feel like these tracks are more original and have a stronger feeling of my personality in them. When I finished each of these tracks I had a happy feeling that I had done something true to myself and something that represents my best”. Reporting that he is always making and releasing music but tends to save back his best tracks for a full length project, Shape Shifting Shaman is just that – a collection of all killer material with great cover design and excellent mastering.
Cultivated Electronics round off the World Electronix series with a remixes EP featuring tracks from each of the 4 volumes. Morphology’s Darkstar is remixed by The Hacker, The Exatics Ten Days is given a dark twist by Sync 24, J.T.C’s In Transit is refunked by DMX Krew and the EP is finished off with Marco Benardi’s Morbider mix of Sync 24 & Deixis Ah Ah Ah.
Glaswegian producer Marco Bernardi offers up 4 tracks of unsettling, quirky, off the wall techno and electro. Along with his heavy release schedule, Marco has also launched his own label Take the Elevator that focuses on non-conventional house and techno.
The next release on Contemporary Scarecrow comes from Chicago house legend Boo Williams. This double pack features 8 tracks of quality Chicago house to complete another solid release on this rising Australian label.
Considering the combined talents of Detroit veteran Terrence Dixon and Black Jazz Consortium man Fred P, you’d expect this split EP for Finale Sessions to be a lesson in warm, soul-flecked depth. Pleasingly, that’s exactly what it delivers. Dixon excels with the sub-sporting alien futurism of “To The Bridge” – the aural equivalent of staring into space while dancing to electronic jazz – and the sumptuous, minor key bliss of the casual deep house jam “Starting Over”. Fred P, meanwhile, delivers two contrasting cuts. There’s some acid-fuelled deep house futurism in the shape of “Circuit”, and a chunk of bongo-laden dancefloor humidity in “The Road”, whose rising strings and sweet melodies are arguably the highlight of a superb EP.
Two tantric dancefloor jams marks the return of Theo Parrish to his spiritual home and life’s work Sound Signature. Building on the same rhythmical territory as the recent 12” for The Trilogy Tapes/Palace/SS.
NDATL continues with new tracks crafted by Brett Dancer known for his deep productions and being the creator of seminal label Trackmode. After a long hiatus he returned about year ago with the highly sought after Euphonic Moods EP. Now he he comes with three stormin deep tracks that encompass the Dancer sound. The title track Hybrid is a hypnotic journey that dance!oor will enjoy taking. Someone is a lost dub of the hit by Kai Alce & Phil Asher feat Kayenne released on Restless Soul in 2010. Here his rendition takes a very warped sublime aproach and with a little help from Glenn Crocker aka Glenn Underground this one will defnitely set a mood. Now Something rounds out the 12 with straight dance!oor mover! The light & uplifting key work & bouncin bassline shows Bretts ability to keep it deep and bumpin.
“After a couple of podcasts on our page with the likes of Hakim Murphy, Stereociti , K.atou and many more, we can finally share more info about our first label release. Compound Trax Vol. 1 MD is the first from our “Trax” releases and its a split EP between Ernie and Jorge Caiado.”
Philipp Weber is a musician living and working in Leipzig, Germany. His main focus when creating music is to capture the moment by using all kinds of instruments in a playful and intuitive way, experimenting with rhythms, sounds and melodies.
Astral Industries is a creative platform that challenges artists to experiment, collaborate and work outside of their comfort zones. For their first release, Rod Modell (a.k.a. Deepchord) presents ”Lanterns” – an epic journey through an evolving sonic landscape propelled by the churning momentum of reverb-soaked percussion.
Varg debut EP for Semantica. Collection of recordings from tapes found hidden in the depths of the Ursviken tombs. Recorded live by Varg in Skellefte.
Having re-emerged to great acclaim on Delsin in 2012 with an excellent album and EP offering, Manchester’s Claro Intelecto is back once again. This time out, following the label re-releasing his debut EP Peace Of Mind, Claro is serving up four brand new tracks that fuse his usual deep, dubby house and techno stylings to swathes of lush ambiance and delicate sound design.
The original Adventures in Techno Soul compilation was released back in 1996 with remixes of Ferox tracks from the likes of Derrick Carter, Carl Craig and Kenny Dixon Jr. A full 16 year’s after its follow up “Further Adventures in Techno Soul” comes this 8 track album of new and unreleased material on double vinyl from 8 different and exciting artists. Ferox is proud to welcome established and respected producers such as Fred P and Germany’s Move D to the roster, as well as a welcome return from Affie Yusuf, Nebraska and Bush Funk (Steve O’Sullivan and Winlord X) who were last seen on Soma Records back in 1996. The label is also proud to introduce two new artists, Darren Harris and Spain’s Hoax Believers who alongside label boss Russ Gabriel round off this package of soulful electronica.
Home Invasion is the new label from Real Tone man Franck Roger, a man whose career has scaled the full depths of house music over the past decade or so. Evidently seeking a new challenge, the Parisian’s new imprint promises to adhere to a vehemently underground way of working, with every EP released on vinyl-only terms and produced exclusively on analogue equipment.
Jet-setting Irish duo Bicep return to Will Saul’s Aus label with two steady analog techno grooves ready for deployment in either their own wildly celebrated sets or those of any DJ looking for modern dance tracks that are still faithful to the classics. Using gritty, vintage-sounding rhythm sections as solid foundations, each track gradually builds up its own lush, melodic embellishments overtop – ‘Circles’ stays true to its name with a cyclical main melody, shadowy bass and fuzzy house pads, whereas ‘NRG106 sets spacey, dramatic chords and breathy vocals against the insistent, chittering machine percussion. As usual these two esteemed bloggers / DJs / artists / all around polymaths prove themselves to be paragons of taste, but here it’s clear that they are also steadily growing as producers, taking on different styles with aplomb and making it all look much easier than it really is.
