QphoriQ joins Fides Records with a 4 tracker Electro-Tinged EP named Emerald Journeys. Analogue synths, complex structures and pulsating drums are remarkable in QphoriQ style while a dj-friendly remix by label boss Z.I.P.P.O shows the eclectic nature of the label.
Rene Wise gets round to another of techno finest, Blueprint. A 4 track EP of his unique atmospheric soundscapes that always have a raw but modern touch, captivating the listener from beginning to end.
UK techno pioneer Steve Pickton has dug deep into his DAT tapes collection to unearth 2 previously unreleased recordings from the golden era ’92-’93. Both rarities offer a trademark lush and retro-futurist Detroit inspired sound that is totally unique. Fellow Likemind legend Nuron provides a stunning remix.
Originally released in 2000 this ep showcases the unique sound that is synonymous with Hood: simple but effective minimalism for the dance floor. This 4 tracker is essential for anyone considering themselves a Techno fan.
With “Universe Speaks”, Reggie Dokes is at the helm of the third release for Still Techno. It is rare for Reggie to drop 4 deep techno tracks on one serving but here we are. All tracks featured on “Universe Speaks” are an ode to the dancefoor and Detroit, where melodies, jazz, percussions and real electronic music collide to create a new and subtile soundscape.
Detroit produced and DJ Kyle Julian Hall presents the sixth release on his Forget The Clock label. “Good Hado” EP includes 4 warm Detroit House tracks.
Rawax welcomes Dana Ruh to the artist family, with her hommage to Detroit/ Deep House EP “Red Lights In Blue Skies” released on Housewax.
Schneebezen was formed in 1986/87 by Bart Plaskoff (vocals, lyrics, backing keyboard) and Glen Moller (keyboards, programming, backing vocals). They managed to build a small recording studio in West Los Angeles and started to compose their first songs. In 1989, with the assistance of producer Bryan Carlstrom (Billy Idol, PIL), they recorded the EP “Take Those Shades Off”. This release included two top-ten hits. “Magical Meeting Of The Minds” and “Can’t Remain A Friend” were beating out bands like Depeche Mode and The Cure on various dance charts thanks to heavy rotation on KROQ, LIVE-105 and other radio stations around the USA and abroad. In light of this success an EMI executive approached the band. Bart and Glen began doing some demos in 1990 but it was during this time they realized that from their perspective synth music was dead so creative differences began to occur. They knew they would go the way of most bands on the edge of getting a record deal with a major label. Schneebezen split. “Amnesia Lane” is a compendium of the short but fruitful career of Schneebezen including the complete “Take Those Shades Off” EP and lot of unreleased stuff with studio recordings, live outtakes and demos recorded between 1989 and 1990. Everything has been carefully restored and remastered from the original DAT and cassette tapes.
A tale of paramount love for machines and the inextinguishable power of subjugation that lies in these button-studded boxes teeming with cabled bowels that feel so intimidating to the uninitiated, Italo Brutalo’s longed-for debut album “Heartware” is a 12-track voyage across 25 years of intense synth collecting, fiddling, composing and endless loving for audio synthesis and the art of how robots make human bodies jack. Throughout the twelve cuts that compose “Heartware”, a feeling of retro-gazing, candidly playful glee prevails.
Dystopian “Temporal Interference EP” sees Jason McCracken returning to Brokntoys to deliver a perfect follow up to his highly acclaimed “Paranoid Android” debut EP on the UK imprint back in 2019. As usual, don’t expect a moody journey through lazy atmosphere from the US wizard as this future classic promises you some irresistible robotic movements on the linoleum. The four tracker opens with Sci-Fi monster “Android Humanoid”, a haunting electro song made of pounding beats, intricate sororities and menacing transmissions from outer space. Enhanced by a heavy yet warm bassline, this pure mayhem straight out of a Battlestar Galactica episode is guaranteed to damage any woofers thanks to its Cylon like vocals.
Talismann – Percussion Part 3 … The Series have come full circle, the Dragon at last bites its own tail.
Riding the relentless rhythms into eternity. Percussion has come to the End and therefore its Beginning…
Originally released on M-Plant subsidiary label, Duet in 2002. The record gets its hypnotic grooves remastered by Thomas Heckman for its 20th year anniversary,.
Vibrant acid tracks knead muscular electronic dance structures on Gerald Brunson’s debut EP. A member of the Model 500 extended family and running Dance Sacred Records, Brunson presents a restless world that beckons forth from the underground of the Midwest, full of bouncing flair and techno passion.
BAR08 is a various artists compilation featuring the Italian art-aud / secret rave mastermind Kreggo, the debut of Rotterdam talent Pim and Proper, a label debut by German bass wizard Panda Lassow, Teslasonic returns with another mindbending monster, Teeta; the third italian on this sampler with a big electro bass tune and last but not least the mysterious Stoornis 2 with heavy electronic violence.
Dalmata Daniel welcomes DJ Overdose back to their catalog, with the ‘Powers of Ten EP’ with a J. Mono remix. The distinct, crunchy sound of DJ Overdose, bearing aspects of old school hip-hop-infused sampling and contemporary analog vibes creates the perfect blend of both worlds.
Beokraft is a true supergroup of Yugoslavian electronic music pioneers Dejan Stanisavljevic (group Beograd), Zoran Jevtic (DATA, Sizike, The Master Scratch Band) and Nikolaj Bezek (Consequential). The Time Machine is their album inspired by Kraftwerk- the fathers of electronic music. The album consists of three parts with each artist creating their own repertoire of three songs. It begins with Nikolaj Bezek and his core Kraftwerk approach: simple musical phrases combined with striking rhythmical patterns and huge analog effects, especially the vocoders. Tracks The Time Machine, Robot Men and Transformator are beautifully rounded, almost like a memory lane to the early Kraftwerk’s world from Autobahn, Radio-Activity and Trans Europe Express. The similar impression continues with Dejan’s Stanisavljevic’s part, but in a broader context. In addition to his composing and arranging skills, Dejan shows exceptional talent to describe contemporary phenomena in Kraftwerk’s language. Tracks Ex Yu Roy At The Control, Quantum Computers and Into The Future, strikingly describe today’s problems with a rather dark message at the end. The album rounds off with Zoran Jevtic’s song set: Man, Women And In-between, Artificial Mind and Ja Sam Tvoj Robot, brilliantly produced tracks with almost synth-pop tone found in Electric Cafe and Tour De France albums. Rich and colorful production done with good-old “right from the start” sound is something any record collector or a DJ whose tastes go beyond the mainstream, will value.
Continue reading “Beokraft – The Time Machine LP [DCM-011]”
Konerytmi aka Kirill Jonolainen has been around the electronic music scene for quite some time. Even though he didn’t see his first vinyl release as Konerytmi until 2020, he was already able to make a name for himself with a lot of EPs under various other aliases like JLM Werx or Dr. Floyd. For eudemonia Kirill created a unique 6-track EP tingling between Electro and Italo showing what an outstanding producer he is.
The Egyptian Lover’s 2021 album 1986 was a widely-hailed blast of electro funk perfection from a true lifer – is there anyone other than Greg Broussard you would trust to bring the heat with an 808 and not much else? Now one of the album’s standout cuts, ‘Lose Control’, is getting the single treatment with an extended mix which lets Jamie Jupiter and Brian Ellis’ bonus musical contributions to the track take off in full flight. As a bonus treat on the flip, we get the sparkling new joint ‘Vocoder Jam’, ensuring you have two sides of raw electro heat from one of the sound’s true originators.
The Romanian duo Le Brouf presents “ProAntiAnti Going Nowhere” a six songs EP that will be released by Diffuse Reality’s sublabel Periphylla Records. The band goes through several musical genres and styles, from post punk to alternative rock with electro and industrial influences. The entire release can be listened on youtube and is available for pre-order on Diffuse Reality’s official Bandcamp page.
Composed of Edward Nicoara and Mircea Florut, Le Brouf was founded in 2017 in Oradea, Romania. After almost 2 years of experimentation, Le Brouf took its final form towards the end of 2019 when they started working on their first album titled ‘Charade’, self-released in April 2020, followed by ‘Counter Measures LP’ which came out on January 24th, also self-released.
Continue reading “Le Brouf – ProAntiAnti Going Nowhere EP [PHY122]”
Artificial Dance founder Interstellar Funk releases Live At The Rest Is Noise – Muziekgebouw aan ‘t IJ. Limited to 150 cassettes, the recording documents Interstellar Funk’s performance at Amsterdam’s Muziekgebouw concert hall in October 2021. The 45-minute set ebbs and pulses, leaving behind Interstellar Funk’s penchant for hardwearing club sounds in favour of melody and texture. Some passages mirror elements from the studio album Into The Echo (Dekmantel, 2022), but the live setting allows Interstellar Funk to expand and explore richly detailed sonic spaces that highlight his skills as a composer-performer.
The Hipodrome Of Music 