Improvisation on Four Sequences was performed live in quadraphonic sound on the Buchla 200e and the Animoog at Festival Antigel in Geneva, Switzerland on January 25th, 2020. This record is specially encoded to be played back in quadraphonic sound and is also stereo compatible. This is the first release in 25 years on Suzanne Ciani’s Atmospheric label, which focuses on her live electronic music.
Welcome to Nicolini’s wonderful world of surprise – Penni’s Palace. Here you will find zebra-chairs and matchbox countachs, colourful tv-screens and Penni the cat presiding over proceedings. You will also find Nicolini, hunched over his MPC or Casio keyboards, sweeping the EQs to make the sounds move, jamming out his songs in heavy microdoses. They are the sounds of machines and the city – Amsterdam centre to be precise – brought to life with volts of electricity. These songs started out as a live show on the terrace of Garage Noord nightclub, and over the following months Nicolini tweaked and re-recorded them into the collection of tracks you have before you. Bristling with energy, these live jams have a loose, almost mystical feeling – you never know quite what’s around the corner. Sounds jump out of the speakers at you, from car engines to reverb crashes. Opposites face off against each other – the mechanical meets the organic, and the cold emptiness of the city contrasts with the warm timbres of tropical climes.
OHM Series continues to round up some of the best and the brightest within the dub techno scene. Side A features Federsen and Roger Gerressen, while the flipside we find grad_u and Merv.
Johannes Volk debuts on Eternal Friction Records with a 4 track EP called “Mutable Motor Units”. The result is a powerful EP filled with powerful grooves, smooth leads and uplifting rhythms, that clearly demonstrates Johannes unique and personal approach to techno.
Detroit techno icons Octave One serve up the third volume of their Locus of Control EP series. The two-track offering again explores the ‘power or powerlessness people feel over the things that shape their world,’ and never has that been more true than during the last 18 months of the pandemic.
Bunker returns with the third volume of Rogue Frequencies. Selected from Mike Hellboii’s archives, a whole set of predominantly heavy ’80’s-and-’90’s-Bruxelles-and-UK-styled electro-wave-synth-poppin’ EBM and other ever-tragically ‘New Romantic’ techno ‘massive-rave-and-lonely-dance floor classics.
First co-edition between Soil and Fill-Lex records. Bestial Mouths’ creations in the last two years are the phoenix cries of the project’s rebirth under the guiding hand of vocalist Lynette Cerezo, melding noise and darkwave pop into a theatre of skin-shredding catharsis that brings the project’s post-punk roots to new levels of club-ready destruction—equal parts intensity and accessibility. “Thousandneedles” pierces that veil with warped reimaginings of both releases, from a diverse selection of artists in the dark underground. Each brings their own unique twist, whether it’s to a dance ritual of pounding EBM and industrialized techno, fog-shrouded darkwave dives, cosmic washes of synthpop bliss, or soul-smashing noise dredged from a sewer cathedral. Dance through the pain, and make new paths of your scars.
Fourth installment of Syntetyk’s record venture comes in the split format – a collab between Mchy i Porosty and DogPatrol. Both artists sharing a love to the dirty and nostalgic, both writing their narrative on the respective sides of the 12″. A side guardian, Mchy i Porosty, is a spirit residing deep in the Polish woods. By twisting and mutating the soul of the forest with his craft, he was able to produce a very distinctive sound on the edge of euphoria and delirium covered with ruthless saturated drum work. On the B side resides DogPatrol, a notorious player overwatching the streets of Mannheim, Germany. Just like that murky tape you played loud while riding in the night, he asserts total dominance with his unique mixture of oddities, brutal patterns and razor-sharp technique.
Imagine Andrew Weatherall producing Pere Ubu. The 7” Taki Chrome / Strummer Maxxx single by Pink Skull released on Höga Nord Rekords give a hint of how such a collaboration would sound. Mid seventies kraut rock á la “Neu 75” meet leftfield and sophisticated punk. The record has an organic warmth to it yet the excessive use of electronics: most instruments on the tracks are synthesizers and drum machines – all Moog, Korg and whatnot. In the warmth of the Pink Skull-sound you suddenly get a wash of cold, hard rain from all directions. These elements of surprise create edges in the round soundscape and brings chaos to the mix. This is of course all part of Julian Grefes (founder of Pink Skull) plan. Pink Skull propels you out of the quarantine like a shiny metal free bird released from its rusty cage.
Recorded and released in 1983, ‘Cybernetic Love’ was the first of a string of Italo-era club hits from the late Salvatore Cusano AKA Casco – an undeniably the most impactful and timeless. On the A-side you’ll find the original mixes: a sweet vocal version featuring lyrics seemingly about falling in love with a robot, and an instrumental tale in which Cusano and his collaborators’ dreamy chords, sparkling synthesizer melodies, funky electro bass and unfussy machine drums come to the fore. Over on the flip you’ll find a new remix from Danilo Braca. He wisely retains the feel of the original, adding a few clonking electronic bleeps and a more chugging groove, whilst retaining the sparkling melodies and immersive chords.
Roi returns with his second EP for Fanzine Records, featuring two original tracks and two remixes from Carl Finlow and The Exaltics.
Though the hallowed halls of Berlin’s nightlife excess now sit cold, the sounds that once haunted their depths beat ever onward, and colder still. Birthed in these hushed plaguelands, XTR HUMAN’s new full-length G.O.L.D evokes the frozen melancholy of a post-pandemic city, driven ever onward by the impetus of night’s primary currencies: sweat, release and change. The latest full-length from Johannes Stabel, G.O.L.D finds the German producer evolving as much as the rest of the world has had to. Taking his political and socially conscious lyrics into his native tongue brings a deeper and more powerful thrust to their weight—particularly at a time when Germany is weighing its own social consciousness after years of being seen as a leading world figure.
Steve Summers delivers his long anticipated debut double LP for L.I.E.S. Stepping up with 13 tracks, Summers goes across the board exploring all ends of the long lineage of Chicago House music. As a member of Mutant Beat Dance with Traxx and Beau Wanzer or under his Rhythm Based Lovers alias Summers has always managed to tread the line between classic Chicago styles and modern psychedelic Jakbeat floor beaters. On the aptly titled “Generation Loss” we get the the full spectrum; from the old school 80s acid of “Who Knows” to the long form lysergic blackhole of “Boxed In” or the dx funk of “Unknown Origin” Summers cements his signature style which he has refined over years throughout this LP.
After a 4 year hiatus, Nation return to the vinyl world with their essential qty pressing / strictly ‘no repress’ policy firmly in place. A label designed to “Going Out” while “Holding The Lifeline”. Invocations of modern musical practice in the course of hypnotism in which each improvisation unreels in a mixture of a fanciful flight and a solid “Always There” beat. Modern Analysis is a new alias project for this their debut 12”. The duo was driven by these times of change and transformation in our world where we feel odd, lost or alienated. Lives have been lost, which has been greatly emotional for humanity. Everyone has a limited time on this planet and nothing stays the same – everything is in constant change.
Getatchew Mekurya is probably the most revered veteran of Ethiopian saxophone. A real giant, both physically and musically. Not only is he at the very top level of Ethiopian saxophonists, but he is the ‘inventor’ of an extremely distinctive musical ‘style.’
Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music, the swinging sixties which, in this country, went on until the fall of the Emperor Haile Sellassie 1 in 1974. On a par with Tlahoun Gèssèssè, Bzunèsh Bèqèlè or Mahmoud Ahmed, Alèmayèhu is a star at the top level of the constellation that once lit up the wild nights in the capital.
Amateur Dramatics is Awkward Corners AKA Chris Menist’s second LP in the space of a year. In 2020 – a time when the global pandemic gave artists more time and space to think about their music – Chris took his collaborations and compositions to a different level. Having already collaborated remotely with Sarathy Korwar, as well as Kitty Whitelaw through Karthik from Flamingods’ Isolate/Create/Collaborate community, Chris turned his thoughts towards a new project. Amateur Dramatics is influenced by the events of early 2021 and alludes to the general atmosphere of political life in the UK right now where we are chivvied along by people who seem woefully unqualified to be commanding authority. Musically, the LP builds on foundations of the meditative, devotional electronic aspects of previous LP Dislocation Songs but this time frames it more in a jazz context with significant collaborations with Collocutor and Maisha’s Tamar Osborn on four tracks.Vocals (from Kitty Whitelaw) feature on an Awkward Corners track for the first time, as well as double bass provided by David Leahy.The result is a thoughtful and deep listening 40 minute listening experience.
Axodry was founded in Frankfurt am Main in 1983 , the founding members were Talla 2XLC and RaHen aka Ralf Henrich. This is a remastered of the 1991 release on ZYX Music.
Luca Cucchetti & Massimo Berardi on KMA60 Rezpektiva with four Italian cosmic deep house tracks.
DJ Surgeles is back again on Eclectic Limited with a solo EP. 4 powerful tracks on clear orange colored vinyl showcasing his uniquely appreciable recognizable way of making Techno.
The Hipodrome Of Music 