
Heavy acid bangers, by Umwelt and V-3.378 on Acid Avengers label.

The return of Manie Sans Delire with seven new tracks on a double vinyl edition (12inch & 7inch) recorded in studio between June 2015 and July 2016. Manie Sans Delire is the project of June and Trenton Chase focusing on electronics, played and recorded live.

TX Connect’s Gavin Guthrie is a horror soundtrack enthusiast and regularly DJs gigs with that premise. So it’s no surprise that he’d produce an EP that implements these themes. The T.R.U. Halloween EP is a special edition EP that collects and compiles 5 tracks from Gavin’s inner circle that range from 80’s era horror soundtrack chase scene music to dark techno. With the recent surgence of Survive and Stranger Things, this EP fits right in the pocket and is slated for a Halloween 2016 release.

Killer electro/wave tracks by Black Pond. Black Pond is a collaboration of underground star Beta Evers and Jeff Galea from the legendary Eleven Pond. Known for her solo work as well as various collaborative projects, Beta Evers can be considered the godmother of German electro wave. Her beats are strict while her voice is cool and deep. Jeff Galea, who founded Eleven Pond in the mid-80s, is the master of energizing bass lines and emotional synth melodies. Deepest Chasms reflects their shared darkness in four melodic and atmospheric synthwave tracks that won’t let go of you.

Synth Alien with a four tracker for the 7th reference of Clasicos del Ruido. ‘Beyond the Alpha Cygni’ its just one of those histories that someone could imagine while it’s watching the sky. Four cuts of melodic electro, that draw broadly, the map of an intergalactic trip, whose development will be different in any of you.

Savage Grounds return to Lux Rec for the third time, with their third record. Atrocities comes after Unpleasant Music for Unpleasant People, released in 2015, and Over Fences, 2014. It is, as much as the previous 2, the result of investigations in music, live, composed with a minimum amount of instruments. The duo, comprised of CCO and Daniele Cosmo, worked with a Roland 606, a Roland 909 and a modular synthesiser. Experimenting with FM modulation and loose sequences. The result is concrete noise, anger, ghostly voices, and above all, the sheer conscience of human failures. Atrocities marks number 30 in the Lux Rec catalogue.

DeepLabs is a Detroit based record label run by Luke Hess focusing on Detroit influenced techno for the dance-floor and in return building a strong community of likeminded artists. The third installment of the Warehouse Sessions Series highlights four artists: Deep’a & Biri, Jeff Hess, Hiver, and Mor Elian. Each track gives the listener and DJ a deeper understanding of the soul, character, and quality of each of these artists. Enjoy the music and play it loud.

Terrence Dixon returns as Population One, offering an unrivaled, dazzling excursion of late… “The Move” comes with an illustrious, energetic Orlando Voorn rework on the flip. Two esoteric portals into the Motor City mindset.

Irish producer Leonid is welcomed on board of the Into The Deep Records spaceship for their second installment. Paul Smith comes up with a stellar 4 tracks EP cut for clubs dancefloors. Landing deep in planet X analogic territories, you will find Leonid distinctive acid grooves fused in heavy basslines with amazing percussion work for a mystic journey across Nibiru’s galaxy.

BXP sterling debut on RA-1: two warped deep tracks coupled by two heavy duty remixes by D’Marc Cantu on the flip.

Atmospheric and ambient dub master Yagya serves up Stars and Dust, his seventh full length album and second on Delsin. It finds the Icelandic artist perfectly pair melody and minimalism to create ten more tender tracks that will sooth both body and mind with a range of very real emotions. Electronic but organic, it is another complete work that encourages you to lay back and get lost in sumptuous sound.

Editions Mego publish the third release by Sendai. Comprised of Peter Van Hoesen and Yves De Mey, Ground and Figure presents the duo reside in a more economic framework which allows the sound and rhythm they produce more room to shift, swirl and swim the circumference of the audio spectrum. Moving away from the twitchiness and anxiety of the earlier output Ground and Figure is a vast spacious journey from a duo in full control of their chosen path. Throughout Ground and Figure abstraction and rhythm weave amongst each other in such a sly manner that the resulting tension in the conflicting elements presents the listener with a hypothetical high-tech elastic percussive grid. A thudding, pulsating, shapeshifting ambient beast is summoned by these two creators working as one. This is machine music. This is hypnotic disorientation. This is an immense ambitious and refined world of sound and rhythm. This is the work of two producers who continuously try to top up their skills.

Due to technical limitations, numeric keys are displayed as a workaround. Numbers indicate a song’s offset from a given epoch. Alternate character codes are included for human readability.

Greek label Lower Parts is back with a cinematic new EP from Athenean artist Ioannis Savvaidis. Influenced by his love of old school computer programming, all four tracks are live jams made with classic Yamaha machinery from the nineties. Form start to finish this is an absorbing ambient release that transports the listener into the world of science fiction. Gently unfolding and expanding in all directions, Savvaidis invites you to cut loose and get lost in your own mind. Some are tracks darker and more foreboding, some are airy and heavenly, but all together the EP acts as a movie lived out in the mind.

Electro, acid and deeper atmospheric cuts from Morphology in their inimitable style. The perfect soundtrack for space exploration.

Following his stunning box set on Fundamental Records, Ed Upton aka DMX Krew makes his third outing on CPU, increasingly becoming home for his darker side. Space Cucumbers contains a wealth of expression with Italo disco arpeggiators, seldom heard time signatures, Hi-NRG, and bass heavy electro funk. Featuring the usual aquatic tendencies mixed with echoes of darkwave. Vintage analogue strings, overdriven acid and Upton’s favourite drum machine all make an appearance riding on his signature funk laced arrangements.

Boris Bunnik needs little introduction, a prolific producer who uses an array of monikers to release his many personalities. For Polychange he finds the balance between abstract, ethereal and jacking across all 4 tracks to create the sound of his unique take on electro.