Zwischenfall – Sandy Eyes [DE134]

Zwischenfall formed in Belgium in 1982 with Michael Sass (synths), Martin Urban (bass/vocals) and Stephan Kraemer (guitar/drums). They were united by their interest in combining electronic and traditional instruments, which developed the basis for 1982 demo recordings. By chance Patrick Codenys of the Belgian electro pioneers Front 242, heard two songs and decided to record a 4-song EP. The “Heute” EP was released in 1983 after a week of recording in Front 242’s private studio under the direction of sound-whiz Daniel B. In 1984 Martin Urban left the band and was replaced by vocalist Iben Larssen and bassist Thomas Kürsten. They recorded their second 12” single, “Sandy Eyes”, which contained a remake of their song “Fluct”, sung in the English this time. Some fairly revolutionary techniques were used, including the introduction of sampling (with an Emulator I and Ensoniq Mirage), and ‘gated reverb’, in which the sound of a large reverb room was processed through a Yamaha CS15’s envelope follower. This record was originally released in 1984 on both Les Disques du Crépuscule and Fuzz Dance, packaged in three different covers. The reissue EP features two bonus tracks from the 1984 recording sessions previously unreleased on vinyl: the saxophone drenched instrumental “Polar Magazine” and street beat dance track “Sacred Time”.

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Zwischenfall – Sandy Eyes [DE134]

The Pool – Dance It Down/Jamaica Running [DE130]

Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960’s in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of “Pool One,” a sixty minute home-produced cassette. “Pool Two” followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music. In 1983, “Dance It Down/Jamaica Running” 12” EP was released on Moment Productions. Based on response from D.J.’s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. “Jamaica Resting” was sped-up, extended, and reconfigured as “Jamaica Running”. The whirlpool synth-strut of “Dance It Down” came out of the studio as “Dance In Dub”, with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we’ve added two bonus European remixes from the 1984 12” of “Dance It Down/Jamaica Running”, released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool’s spartan, self-assured songs are experiments you can dance to

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The Pool – Dance It Down/Jamaica Running [DE130]

Africans With Mainframe – Faces Of Africa Pt. II [MATH091]

Africans With Mainframes return with ”Faces Of Africa Pt. II” in the series of Deep House and Acid Chicago sounds. Think Guidance or Large records from the mid-90’s.

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Africans With Mainframe – Faces Of Africa Pt. II [MATH091]

Route 8 / S.Olbricht – Selected Works [GFEP002]

Madrid’s Go! Finger takes the vinyl path again launching some selected tracks from one of their most notable cassette releases to date: Route 8 and S. Olbricht’s “Ste Pwri Tmod – Selected Works”, Budapest’s Farbwechsel duo’s early efforts together on Go! Finger. This EP includes S.P.T. Ballacid’s original live recorded tracks “Don’t Miss Us Florida” & “King County Metro Transit” plus their respective Route 8 & S. Olbricht remixes. Amazing raw analog deep jam cuts.

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Route 8 / S.Olbricht – Selected Works [GFEP002]

DJ Wey – Song For Masahiro [BANK004]

DJ WEY - Song For Masahiro

This up and coming producer is already a legend amongst the crew of techno freaks in Brooklyn. With previous releases on local imprint Lovers Rock, and releases slated for Proibito and Exotic Dance under the the aliases DJ Python and DJ Xanax, DJ Wey aka Brian Pinyero has contributed a massive 12” to Entro Senestre’s BANK Records.

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DJ Wey – Song For Masahiro [BANK004]

M. Rav – Common Purpose [LIES088]

M RAV - Common Purpose

Max Ravitz has made a name for himself with his hazed dance not dance productions over these last couple of years appearing on a handful of different labels under a handful of different monikers. Here on the 15 track, ”Common Purpose” cd we get Ravitz in all of his different forms as he teams up with numerous artists from his local Brooklyn scene and beyond, serving up unheard cuts from numerous recording sessions done over the last years. Through the record we hear the producer’s versatility from tripped out downtempo vibes, to mid-paced acid, to high bpm dust burners, as Ravitz and Co. explore almost all possible avenues while in the studio. Collaborators include Huerco S., Jahiliyya Fields, NGLY, Terekke, Bookworms, Cloudface, and Josephine.

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M. Rav – Common Purpose [LIES088]

VA – Mdm D [MDM001]

The first vinyl release by the cassette label Mmodemm, comes with a crackling electro by Lobster Theremin newcomer Privacy, a melodramatic dance tune by Robert Johnson resident Chinaski and skittering house by partner in crime DJ S aka DJ Slingshot. Completed by giallorific tones of Umberto and harsh compressor-experiments by Nick Klein.

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VA – Mdm D [MDM001]

Skatebård – Forgotten Woods EP [VIVOD012]

New EP from Skatebård on Vivod. A mixed bag from the prolific Norwegian producer showing us why he’s still at the top of his game. “Maskindans” kicks things off with some speak & spell funk followed by “Hissige Helger”, a brooding Chicago style banger sure to tear up some discoteques across the planet. On the flip are “Langbolgen” and Gloymde Skogar. The former is an acid style work out, the latter is more of a subtle, hypnotyizing opus. All very strong tracks.

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Skatebård – Forgotten Woods EP [VIVOD012]

Paul Withey – No Rain No Rainbow EP [VIVOD013]

Vivod welcome Paul Withey to the fold for a slice of his funk tinged repertoire. With recent tracks on Birmingham’s Ruby Hills & Diamond Mountain and a remix for Future Unit’s Tusk Wax release, this should be a telling year for Mr Withey.

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Paul Withey – No Rain No Rainbow EP [VIVOD013]

Sfire – Remixes [EES023X/CDA013X]

Hot on the heels of the co-release between Especial and Cocktails d’Amore Music of the Sfire Remixes EP (EES023/CDA013) comes an accompanying release with a pair of deeper, stripped back remixes from the inimitable Timothy J Fairplay and Willie Burns.

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Sfire – Remixes [EES023X/CDA013X]

Sfire – Remixes [EES023/CDA013]

SFIRE - Remixes

Especial returns to its concept of taking music it loves – in this case Sfire’s debut EP – and remixing them for a stand-alone release. Teaming up with Berlin’s Cocktail d’Amore Music, mixing desk duties are taken by newcomer Kris Baha, as well as label mainstays Jamie Paton and INHALT and the esteemed Lauer.

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Sfire – Remixes [EES023/CDA013]

VC-118A – Shift Register [TABR036]

Over the last few years, Dutch electronic misfit VC-118A has delivered a number of killer EPs and 12″ singles, each packed with sharp-edged electro, spacey techno, and industrial-strength analogue house. Shift Regsiter is his second full-length excursion and offers an expansive and hugely atmospheric journey through his trademark sound. Naturally, there’s much to admire across the 14 tracks, from the woozy, spaced-out electro-dub of “Input Mode” and the sparkling IDM of “Serial Data Transmission”, to the ultra-deep throb of “Radiation Curve”, and the hard-wired dancefloor bounce of the Drexciya-like “Apex”.

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VC-118A – Shift Register [TABR036]