
Homesick #5 is the unplanned result of a tremendously funky DJ set by General Ludd in Hong Kong. Three tracks have been chosen by the Homesick team to reflect the intense disco inferno atmosphere we all felt on that unforgettable night.

Homesick #5 is the unplanned result of a tremendously funky DJ set by General Ludd in Hong Kong. Three tracks have been chosen by the Homesick team to reflect the intense disco inferno atmosphere we all felt on that unforgettable night.

Fresh out of the Midwest Keith Worthy (Detroit), Jamal Moss aka Hieroglyphic Being (Chicago) and Steven Tang (Chicago) bringing some of that notorious Midwest D.N.A. on this deep acid banger.

Melbourne’s Superconscious Records has become a source for straight-up, surefire club records. International nomad and the imprint’s co-founder Fantastic Man follows suit with the label’s sixth record Rhythm Algorithm. A hypnotic trio of mind bending explorations, all with a firm retrospective nod to the inner-city sounds that club music is built on.

The forty -fourth release on Will Bankhead’s highly lauded The Trilogy Tapes comes from Born Free co-founder Samo DJ. Given the Swede’s eclectic approach, it’s perhaps unsurprising that Kicked Out of Everywhere is a pleasingly mixed-up affair. Opener “Bleeps” drags the fuzzy, sparse and bass-heavy sound of Early British techno kicking and screaming into the industrial techno age (admittedly via the broken beats of West London), while “LKF” is simultaneously dreamy, trippy and rhythmically intense. Some may hear the influence of early Belgian techno in the slippery throb of “Medellin”, while the weird, spaced-out “Downer” sounds like hazy jazz after several shoe boxes full of Ketamine.

Compilation featuring 11 exclusive tracks from the New York Haunted family. Banging and distorted techno and electro tracks from young producers like Foil, Kluentah, MEZE, Leonardo Martelli and many more. Blending EBM style industrial with modern experimentalism, compiled by Drvg Cvltvre.

Four raw acid cuts created and performed live by Lithuanian producer, Audrius Vaitiekunas also known as IJO. The artwork image was generated by feeding audio signal through a custom built analog video synthesiser by London based artist and designer Tom Jef.

Not so many things to say about this five all killer, no filler trax – except that this Antonio EP is the perfect business card for the Pescara guy in order to confirm himself as one of the most talented young-bloodied, rawness manufacturer around right now. From 130 bpm ghetto acid madness to a surf-house summer anthem such as “Untitled” and the electro standout track “Clara”. Fasten your seat-belts and enjoy this ride provided by UNintelligent Trax Outsourcing, Milan.

Immersed in the early days of the 90s midwest rave scene, Bill Converse began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Twonz were key early influences. Since moving to Texas in 1998, he has experimented with analog techniques in varied studio bunkers. Early techno, noise, ambient, tape, and paranormal processing are all part of his uncanny sound palette. “Warehouse Invocation” is Converse’s debut 12? release, collecting material from a cassette release on Obsolete Future plus a new unreleased song. Three of the tracks, “Warehouse Invocation”, “Senys Magick” and “Consulted Acid”, were recorded in Austin TX between 2012-2013 at home and direct to tape with no overdubs or multi-tracking. “Riverbank” was also recorded at home in early 2014 in one take with a mic placed outside of the window to record the the sounds of the river late at night. Bill is informed by his surroundings, influenced by scenes of desolation in nature, the sea, the desert, and places of industry, like power stations, old factories, and warehouses. The songs on this EP length reveal a sublime influence from Detroit techno, early Chicago house, and Acid.

Simoncino already released two great records on the Chiwax imprint as Ken Kojima. The ”Deep EP” is his first appearance on Rawax.

Greg Beato is back on L.I.E.S. and back in top form with this massive 5 tracker. Beato demonstrates his versatility as a producer throughout as we seem him move from melodic house, to electro, to tweaker DJ Rush style psycho beat tracks.

The Lobster white label series finally gets back into gear with a sublime five-track scorcher from core London member Luke Palmer aka Ozel AB. After firing some deafening shots with last year’s Crimes EP – which burrowed deep into some seriously trippy and journey’d house, techno and acid -Valis sees Palmer develop those evolving arrangement ideas across five very different soundboards that bring his signature brain-fuzzed deepness, rubbery acid and dubbed-out sound design to the fore.

Plangent Records is back with the first various artists compilation and gathers long time friends, likeminded musicians and new talent on this 10 track release. 3 years after the last Recondite release on his own Plangent label this included works of Tin man, RNDM, Scuba, Dj Tennis, Monoloc and others. Plangent is establishing itself as platform for deep, low-key, melancholic electronic techno music with this big album release.

Electro kicks, raw textures, ominous choirs: L’ immaginario, Previsto’s opening track, ties a bound between Martelli’s two releases on Antinote, giving us one last glimpse at the uninhabited post-apocalyptic landscapes drawn in Menti Singole. However, this time Leonardo Martelli explores a more urban universe, as the use of rap samples on Negli abissi and Lo Schema suggests. Martelli exploits their aggressiveness in a way that somehow reminds us of minimalist rap tapes from Memphis. The third track’s title makes it even clearer: called Leggende Metropolitane, the song is a trip into the darkest blind alleys of the city, an invitation to wander among human wastes, driven by its light kick. La Luna, is the most contemplative moment of the album, offering us a meditative break before the nightmarish Il registro, Martelli’s brutal come-back to raw electro with a tune which depicts us a hellish engine room for expiating souls. Finally, the record concludes with Previsto, a haunted title track, filled with wailings that give us to contemplate a cruel vision of the urban misery we’re stuck in.

From scratchy ambience to dramatic slow tempo bpm cuts to melodic house tracks, 45 ACP shines on this ep showing his versatility and reinforcing his reputation for strong song writing and composition. Once again diverse enough for club or home listening, warm up or peak time…let the djs make the choice.

After inaugurating the ‘Opera’ sub-series of his Outis Music label with the ‘Omonimo’ double LP, Dino Sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. The aforementioned album, which wove together Sabatini’s atmospheric conjuring skill with the piano flourishes of Antonello Salis, already exhibits the label’s commitment to dismantling the ‘either-or’ logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). The follow-up EP, ‘Concentrica’, draws on the material from ‘Omonimo’ and delivers it into the hands of additional remixers in order to continue the Outis Opera voyage.

AvantRoots present Espectrum, a year-long effort to put together a compilation of the best dub techno. The compilation was carefully built with hypnotic, obscure, dense, and magical sounds with an eternal hook.

The Fantastic Planet EP sees Höppner collaborating with Japanese DJ and producer Gonno on three bouncy, club-enabled tracks, steeped in early 90s House and UK Electronica vibes.

Portray’s sound spectrum is diverse but always intimate, focussing on excitement, warmness and friendship. For the third release they bring 4 salty swirling posse jams from Jonas Palzer, Berni, Pablo Mateo and N.O.C.

Dominic’s initial Modaji releases garnered acclaim from luminaries such as Francois Kevorkian, Derrick May and Gilles Peterson and after 10 years away from releasing to concentrate on composing music for film and television, Jacobson returns to the studio to delve further into his deep house and ambient soundscapes. The first of two EP’s, Belle Epoque touches on a more cinematic approach to production and showcases a warmer, more expanded sound.