Roberto Auser is known for his wide range of sounds and releases on Viewlexx and his own Ausland label. Next to that he is part of Kaval (Vrystaete). Even though his releases until now go from italo disco inspired electro to exotica and dark jazz influenced electronics his production is always rather smooth. For Enfant Terrible he shows his raw and dirty side. “Faceless Future” is an old school minimal elektro record done with analogue synths with a real industrial and post-punk attitude.
Here is a new member to the Enfant Terrible family: Utroid. Behind this project goes the producer who was once known as Funxiun and BS-1. The biggest difference between Utroid and the former projects is that the music is less hectic as before. With Utroid the music moves into a more minimal direction while keeping the raw beats and rough vibe.
Project STS-31-Spiralgalaxie (Hubble Telescope Series Vol.3) A clash of the Titans! Celebrating Solar One Music’s 40th release and 10th anniverary, this split LP sees two stars under various disguises, Heinrich Mueller (aka Der Zyklus and various other projects) and German producer Robert Witschakowski aka The Exaltics, back to back in a no return odyssey through the depths of the Galaxy. Expect nothing but contemplative and cosmic electro beats using original outer-space sounds from the Universe. Closing the Hubble telescope trilogy which brought to you Luxus Varta and more recently E.R.P. (respectively with the “Everything Is Nothing” and “Ancient Light” EP’s), trippy “Spiralgalaxie” will mark a new step in SOM’s History. As usual, the final chapter of the series dedicated solely to Hubble and all the great scientists and engineers at the NASA and ESA, comes with a beautiful cover print picture taken by the Space Telescope. CD comes with bonus tracks by Project STS-31, The Exaltics, Robert Heise and a extended alternate bonus Version of Der Zyklus – Ionospheric Delay.
After some quiet years Stilleben Records is back. This VA 12″ goes on in exactly the same style as earlier records from Stilleben. A mix between electro and electro disco. Many records are planned and in the making right now for the future to be heard. This 12″ has a nice mix from E.R.P’s more 4/4 and harmonic melodies to more stiff electro-funk from up north.
BT12 welcomes ITPDWIP to Brokntoys. Founder of Remote Influence; a collective and record label pushing 70’s to 00’s electronic music. ‘Taking An Already Taken Decision’ takes on what post love would sound like with a doleful, melancholy interpretation of electro. ‘Dolphin’s Cry’ accommodates skipping, intricate minimal grooves. Closing the EP ‘Haguenesse Wind’ brings bass heavy, mechanical electro.
After crafting the deconstructed synth-pop of Soft Metals for the past 6 years, Portland OR – based synth artist Ian Hicks has resumed his solo output and has delved deeper into exploring the darker, weirder, more mutant alleys of his mind and studio. Inspired by the capricious winter of the Pacific Northwest, early industrial gear experiments, science fiction, horror and the explosion of the modular synthesizer scene in Portland, Ian presents VIY as his initial post-Soft Metals work. VIY is a snap shot of an ever-changing configuration of equipment, textures and moods captured with minimal processing and editing to preserve the original idea in the purest form.
Morah comes from Athens and his record on Lux Rec mirrors this magnificent, spendid, decadent, rotten and grimy metropolis. A long journey into the greek maze. Unsettling at times, not without fear or dismay. And those noises coming from a great distance away, are of fools, demented, lunatics. The release begins with “Around You, Around Me”, a sparse-but-energy packed fusion of wild acid lines, rising and falling, high register melodies, and sweaty, full-throttle drum machine hits. “Don’t Tear My Soul Apart” drops the tempo, but persists with the bold electronic riffs (it’s kind of like the original 1988 version of The KLF’s “What Time Is Love” after a session smoking crack), while standout “It’s Been A Long Time” whips off its shirt for a muscular dance around the altar of mid-80s EBM.
Conceptual beat-maker Nick Klein returns with ‘The Lonesome Dealer’ 12” for Alter. Four disparate, industrial-tinged tracks that demonstrate a rough-hewn synthesis of noise and techno, ‘The Lonesome Dealer’ is born from a geographically transient point in Klein’s life spent between Miami and NYC. Despite this, Klein has turned personal disruption around to make his most focussed statement yet as an artist.
London label Of Paradise marks its inaugural release with the Incipience EP, the debut 12-inch from Melbourne based producer Shedbug. Four dusty, tough and emotionally driven house jams born out of sun drenched hardware experimentation.
Drum machines, acid basslines and colourful vintage synths are the main characters of this release, blissfully warmed up by the recording on tape. This one will bring some hot vibes in your collection!
The new Mannequin Records serie “Death Of The Machines” is launched with their own Alessandro Adriani first up. It features a banging Mick Wills edit of the unreleased ‘Crow’ backed by ‘White Swan’, hypnotsing, and truly psychedelic electro tune.
Another split is on the way of the Suburban Avenue team. This is the turn of two young and talented producers coming from the new school, both nostalgic of the Techno of the origins: Birth of Frequency and Mike Storm. A side is entrusted to the refined hands of the French producer, A1 No Wonder” is a brilliant and direct techno track inspired by British school of the nineties. A2 The fugitive” is deeper and hypnotic. The precious B Side is made by the Dutch producer Mike Storm, both tracks B1 The one we know” and B2 Into Formation” are minimalistic and represent some old school spaced out Techno trips. Retro-Futuristic affairs continue.
Attic Laqs series continues with the owner of Gravite Records Bruno Sacco. His work starts with some grainy-noisey grooves in a danceable rhythm and pressurized synths. In the b-side Sacco turns into a nine minutes deep techno track ‘Imaginaria’. A dark corridor where different shades of pads get a conversation with an acidic chord in a lighted nocturnal way.
Threemore edits from one of the original house music creator Ron Hardy. Patrick Cowley – Mind Warp, King Sporty & the ExTras – Haven’t Been Funked Enough, Strafe – Set It Off (instrumental).
Created by the inspired young Jared Hines and produced by master minds Ron Trent and Jonecy, this self titled follow up to ”Mother Confessor” features four etherial, lush tracks that have a live feel and are equally heavenly. Inspired by the Jazz Funk elements of UK outfit Atmosfear and the alternative Disco sounds of Dinosaur L, presented here, A Band Called Flash embrace the energy of “live” dance music. Reminiscent of the early 80’s Boogie sound, A Band Called Flash will surely capture the attention of the more eclectic, global dance floor.
The sixth edition of the Previously Unreleased series of Playgroup 12″s brings more dubbed out disco cuts from from Trevor Jackson’s underground.
Subtle flowing house and ambient sketches plus a wonderful artwork and poster from Super Quiet.
The Hipodrome Of Music 