
Following her iconic and genre-defying EP ‘Spacewoman’, Charlie has joined forces with Italo heavyweight David Vunk and prolific label head Franz Scala for two remixes of her singles, “Let Go” and “Spacewoman.”

Following her iconic and genre-defying EP ‘Spacewoman’, Charlie has joined forces with Italo heavyweight David Vunk and prolific label head Franz Scala for two remixes of her singles, “Let Go” and “Spacewoman.”

Two originals from the enigmatic producer pdqb: An übergroovy and supernatural disco track that could easily be the brainchild of Claudio Simonetti and John Carpenter, followed by a dark and dystopian technoid dancescape. On the flipside Danny Wolfers chips in 2 outlandish electro-eargasm Legowelt remixes.

Dalmata Daniel releases Redate IV, the latest chapter from synth jam mastermind J. Mono’s series of archival gems. This album brings together twelve previously unreleased tracks from 2014-2015, showcasing his playful, melodic style across electro, acid, and IDM landscapes with his signature uptempo beats, along with a few more downtempo tracks in this selection.

Over 25 years ago DJ Maaco and P Dog aka Detroit In Effect released the mean green “Only Time Can Stop A Dream” EP on their M.A.P. label. Tracks like “313 Frequency” and “Sike Yo Mind”, just to name a couple, banged dance floors from Detroit to Europe. Now with new generations of music lovers almost three decades later catching on to sounds some would now consider vintage, we feel it’s only right to pull out some throwbacks and make them available again. So here’s to old and new, the reissue of Detroit In Effect – Only Time Can Stop A Dream.

TLXCO’s music is rough, pure, imprecise and spontaneous. A lover of analogue jams, bizarre electro rhythms and underground club culture, Pietro Giubilato contains in his work a plurality of different musical perversions which, when exposed, will intrigue the most esoteric type of listener.

Release No.10 features ‘Everyday EP’ the first solo record by Hayter of the Dog Balls and Westlake & Hayter fame. The record seamlessly transitions from 2000ish Gigolo vibes to Detroit electro-funk and wave anthems. The release is spiced with an acid power ballad of a remix by Hayter’s fellow Leipzig electro poet Credit 00.

Sunfear returns to Dark Entries with ‘All at Once’, her sophomore LP. Sunfear is the project of Turkish multidisciplinary artist Eylül Deniz. Her music blends intense guitar feedback with layers of noise, creating vast, textured compositions and vocals that evoke a sense of both chaos and beauty. Since 2017, Sunfear has carved out a niche in the experimental music scene, using her guitar and her voice to explore the boundaries of sound and emotion. Her work often feels like a journey through dark, expansive sonic landscapes, reflecting her deep connection to the power of sound. Her aim is self-expressive; these experimental tactics are her narrative and worldbuilding tools. ‘All at Once’ shows Deniz deepening her connection to the guitar, her voice, and the Sunfear project as whole. All at Once is a darker album than its predecessor Octopus. ‘All at Once’ reflects the dark times we live in, but it does not only live in hopelessness; it recognizes that while loss and trauma may change our forms, we must continue to move forward.

The return of Texas heavy electronics, S.English is back on the label with a new 10 track tape of tense, metallic textured sci-fi slowbeat At this point English has honed in and perfected his own style of reaching some sort of unreal middle ground sitting between muslimgauze, s-core, and seico corp. Absolutely mindbending, headcrushing outsider electronics.

The second album from Noda & Wolfers on Nightwind Records is here. With “Evil Fades In Echo” the Japanese dub melodica virtuoso Takafumi Noda aka Mystica Tribe meets up with Danny Wolfers aka Legowelt again for an unique concoction of digital dub acid hall with raw lo-fi synth wave. Buckets of echo, crumbled tapes, mind altering phasers, luring spring reverbs, sloppy hythm boxes, heavy intense bass and the ever mystifying melodica playing from Noda bring this project to a new level.

British producer Radondo makes a striking debut on Wrong Era with his EP, ‘Deluge’. His unique blend of influences, drawn from his time in the German Capital and inspirations within Italo Disco, creates a musical landscape that is both familiar and refreshing.

Forest Jams continues the journey into the great beyond with Mori Ra’s Mantra–an EP composed of four edits created for any inquisitive earthling and forest wanderer.

This compilation features 18 songs released on physical media in 2024 from artists on the Cold Transmission Music roster.

Hexagon – the sixth installment in our yearly compilation series – is here, bringing together six tracks that explore a range of powerful and intriguing musical directions. Clouzer kicks things off with a driving EBM monster, setting a bold tone right from the start. Next up, Gunce Aci delivers a high-tempo, hypnotic hard-hitter. Then, Radondo takes us in a darker direction with a haunting EBM piece that blends atmosphere with intensity, creating a sense of eerie tension. Ton Globiter follows with a high energy of a track, infused with his signature vocals that give the track an undeniable punch. Dream Days maintains the momentum, keeping the tensity high. Finally, KMBN wraps things up with an electro-tinged, leftfield track, offering a surprising and experimental finish to the compilation.

In your face new 8 track LP of vicious beat driven warehouse electronics from the L.I.E.S. boss, Ron Morelli. Straight and to the point, “Extinctionist” stands very much in line and continues further in the sonically unapologetic L.I.E.S. Records tradition of the last 15 years.

For release number 051, Dame-Music welcomes E-bony to the label for the first time, with a full EP showcasing his fresh take on the electro sound. His musical style seamlessly blends elements of Techno & Electro, navigating through shades of darkness, light, and funky grooves, captivating listeners along the way. E-bony’s Machine Code EP is made up of 4 tracks, including three originals and a powerful remix of “System Error” by infamous French producer The Hacker.

Timothy “J” Fairplay returns with the 7th release on Dungeon Module. Like last years ‘Rule The Streets’ ‘Local Networks’ is made up of 8 Chicago House influenced beat tracks made predominantly with Timothy’s Casio RZ-1, just a couple of synths and an A/DA Flanger. As you have come to expect from Dungeon Module, raw but stylish 80s into 90s basement music to jack on.

Takeshi Kouzuki is back on Alley Version with this superb four-tracker EP. House music at its best, starting from the basics laid out by Chi-masters like Larry Heard, Marshall Jefferson, liquefied in the typical mesmeric touch of this Japanese legend.

Planet 303 is a distant astral body where acid rules suprem and the soundtracks that play out there are always unreal, just like this latest one from Acid Synthesis. ‘Actu Ikulurit’ blends 90s breakbeats and dreamy techno synth work with an undulating acid lien that anchors you to the floor. ‘Semplicita Aciduza’ is a little more serene but comes with some lovely melodic rain that falls down the face of the 303 and ‘Hafna 303s’ brings a psychedelic and colourful edge. ‘Actu Malti’ closes with plenty of journeying cosmic charm and celestial energy.

In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition. The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman’s first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene. Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album’s intensity – on and off the dance floor – has lost none of its potency in the intervening years. Available on limited edition double bio-vinyl from Mute and NovaMute.

Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control – a faculty they have demonstrated in releases year-on-year since. Highlighting this continuous font of vitality, Tresor Records has returned to the source and presents the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.