
New release by Arcanoid one Tabernacle Records, presenting his exploratory take on techno and electro.

New release by Arcanoid one Tabernacle Records, presenting his exploratory take on techno and electro.

Next for Brokntoys is prolific producer of the underground UK Electro scene, Scape One. Kurt Baggaley has released on many electro labels over the years including SCSI-AV, Drivecom, Electrix and Cultivated Electronics. For this EP Scape One serves up 4 tracks of deep and murky electro and techno for the early morning and afterhours.

Next on the “The Crystal Issue” series is EXS a side project from Robert Witschakowski better known as The Exaltics. Authentic Soul Techno flows on this one sided clear blue vinyl edition. German Techno rooted in Detroit for those who know.

Medical Records presents it’s second contemporary artist release with Roladex. Using an arsenal of analog instruments, Roladex nostalgically borrows ideas from music of the past to carefully craft a unique brand of futuristic-mechanized pop, with an emphasis on songwriting and layered production. Weaving sparse, sequenced arpeggios into fuzzy bass and bubbly melodies to create a bed of sound where they layout a somehow bright melancholia. Part minimal synth-wave, part dream pop. The opening track “Anthem For The Micro-Age” sets the tone with dreamy atmospheric synth textures and interwoven male and female vocals. “Love Surgery” is chock full of pop hooks and synth leads interspersed with angular guitar accents. “Empty Streets” has an almost minimal John Bender bedroom aesthetic. Fans of early Wire (esp 154), Drinking Electricity, Fad Gadget and even noisy 90s shoegaze are sure to enjoy. Presented on high-quality 180gram heavyweight electric blue transparent vinyl and features a bonus LP insert with lyrics.


Krautrock and EBM inspired post-industrial techno. Next-level electronic music made by one of The Hague’s most original producers. Must have for fans of Unit Moebius Anonymous and Shitcluster.

While JD Twitch & JG Wilkes aka Optimo are undoubtedly men-for-all-seasons musically, as anyone who’s seen them in action behind the decks will attest, they’re often at their best when creating a mood, delving deep into their bulging record collections to showcase sludgy curiosities, dark electronics and intoxicating oddities. Pleasingly, it’s this side of their multiple personalities that’s explored on Dark Was The Night, their sixth commercially available mix CD. Predictably, it’s a doozy, effortlessly joining the dots between the moody deep acid house of QX-1’s “I Won’t Hurt You”, the pulsating industrial rhythms of Carter Tutti, the icy melodies and snowy rhythms of Recondite’s “Cleric”, and the paranoid dubstep of Kode 9 and Space Ape.

Basic Soul Unit delivers another 3 track release on Lab.our Music, the label he has started with long time friend and dj partner Jason Ulrich.

New Tevo Howard project! As a step into the Chicago Electro House genre, Sequence Report is an alias of Tevo that came about with the intention of exploring Popular music. inspired by the early pioneer work of artists such as The Art of Noise and Kraftwerk who crafted the computer automated voice in electronic music. Secromance , nonetheless, utilizes tuned and pitched automated vocals in a bit more of exploration within the Chicago Electro House genre. Our special feature for this album is a popular gem for the Chicago Steppin’ community titled, ”Been Steppin’ to your Love…” All extended versions for the DJs.s

Second release of Hot jam with 4 different house tracks by 9077 System, Jkoofla, Matsuki and Matoo.

Owen Jay’s Batti Batti label continues to make steps into the physical realm, with their fifth 12″ release another split artists offering. Anyone with a firm grasp of contemporary deep house will recognise Deymare’s name and that should be enough to draw you into a record filled with redeeming production qualities. The Finnish producer opens proceedings with “Episode 2” a rippling and crisp house cut that sets the tone nicely. Label boss Owen Jay crosses swords with regular production partner and compatriot Melchior Sultana for “Moog Mood,” a wonderfully laid back saunter through musically rich house music and it must be said a subtly devilish bassline that no doubt informed the title. Those who always look for some B Side magic will find much to savour in Saverio Celestri and MP’s respective contributions with the latter’s “Tension” a wonderfully lopsided slab of punch drunk beat down.

The Capsule EP contains 2 exclusive remixes by Dubbyman from tracks by Jersey Real Estate feat. Jovonn and Ex Ffriendly feat Rich Medina.

The awesome analogue opener on this EP will have you reaching for the stars as Quarion opens up on the machines and shows us a new side of his super sonic persona. The 2 soul busting, groovy tracks backing the title up are so laid back that you’ll be falling over after listening in.

Cliff Lothar’s new record on Skudge White. After his wonderful entry for the Viewlexx camp earlier this year, our friend comes clean with a somewhat darker take on his trade sound. With “Murked Out”, we’re reminded of “Dro Friday”, but the halloween version. “Tangaxuan II” is equally funky but dwells further in a deep and bleepy fashion that invokes the early Warp catalogue spirit while “Audiomess” even enhances that felling, adding an eerie edge familiar to the more continental Bunker rooster. Concluding this four tracker comes the mostly gruesome “Darkhole Gloryroom” that uses high contrast to convey schizophrenic moves on the dance floor, a perfect testimony to what Skudge stands for after a year of unusual journeys.

Shan on Running Back with his monolithic ‘Chord Memories”. An evocation of what dubbed out house and techno tracks usually do, but to a rather unusual and – if we dare say – devastating effect. The flip holds three short and direct cuts with leanings to the A-Side and one acid track.

Debut release on Rising Label. Spaced out, stomping techno by NX1 with remixes by Tadeo, Jonas Kopp and Agony Forces.

Vril serves up is three titanic techno tracks designed with maximum dancefloor damage in mind. The Vortekz EP starts with the title track and it’s a dramatic bit of big room techno with nerve gangling chords and plenty of sonic grit. The dub version is slower and more purposeful and is buried in a much wider, deeper groove that snakes more than stomps. Finally comes ‘y7/10’, which rocks back and forth in the same rusted loop as percussion flutters like tin foil in a stormy wind. The track flows an ever-higher arc of tension that eventually erupts into a sea of analogue fuzz and hiccupping techno beats.