French duo Maelstrom & Louisahhh, make their debut on Discos Atonicos with an excellent 3 tracker of metallic and twisted textures, riding between the electro and darkwave, backed with the pulses of EBM. An absolute weapon that comes with a heavy remix delivered by Snare-Master Cardopusher.
Bearing the torch of a new generation West Coast artists, The Hague based Pasiphae comes through with a haunting four-tracker on Pinkman. Weaving the accents of horror with the ambience of hope, ‘Possessed Realms’ offers a trip through desolate terrains of restless minds. The haven of the night congregates the wrecked ones and hope tainted with misery turns the grimness into light. The idea of finding comfort and rejuvenation in the dark is liberated, opening broad horizons for creation. While our future might be uncertain, the present is ripe for Pasiphae.
Krakow based Olivia joins Pinkman with a modern twist on ancient charming practices. “Dancing Snake” takes you to a surging tomb rave in the heat of the desert. Your dehydrated soul will be satisfied by liquid notes of acid, while your mind is hypnotized by oriental melodies. Grubby rhythms and crunchy kicks reminisce about reality, making you wonder whether this all was just a lucid dream.
Lou Karsh returns on X-Kalay with his next effort “Lifeforms”, a finely crafted knack for electro, and the 303 in particular.
Qnete is back with four sublime works of house music tinged with a drop of acid and a gentle touch of electro giving you pieces of his mind, body and soul.
“Back to Life” presents its third installment repressing one of the best acid tracks ever produced, a must have for any collector: Bam Bam “Where’s your child?”, originally released on Westbrook Records in 1988 and licensed by Desire Records in the same year. Chris Westbrook needs no introduction: he is the sole owner of legendary Westbrook Records, always linked to the acid scene.
Silicon Scally is the most prolific of Finlow’s alias projects, and on Dormant, the third Silicon Scally release for Sheffield’s Central Processing Unit, Finlow constructs four pieces of thrillingly futuristic broken-beat electro. These tracks never stand still, their little cells of synth and percussion always evolving. When combined with some stomping drum programming, the final result is an EP which has that rare balance of endless danceability and genuinely innovative production. It’s the sound of a master creator letting loose while also managing to keep everything in the pocket, a marvel of moving parts.
Back in December 2019, Lunar Orbiter Program added Turk Turkleton to its roster via a fine split EP. Now they’ve given the mysterious artist a chance to shine via a debut solo EP. It’s a quietly impressive affair containing four fine cuts, all of which boast stupendously sturdy drums and tons of intergalactic electronics. Our pick of a very strong bunch is ‘Rock It’, a throbbing peak-time workout smothered in undulating acid lines and razor-sharp electronic riffs. That said, there’s plenty to set the pulse racing elsewhere across the EP, including chunky, funk-fuelled opener ‘Safe’ and rumbling Drexciya-esque closing cut ‘X-Statione’.
The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
Technobeton debuts on Italo Moderni with three powerful original tracks to smash the dance floors. Including a remix by Franz Scala. Hypnotic electro Italo bass lines to keep the floor packed and sexy female vocals with melodies that fly in all directions illuminating the sky. Two more remixes from Antoni Maiovvi and Donald Dust are available on bandcamp.
Awesome Orientalists From Europa is an edits project dedicated to awesome music and new politics. Inspired by record labels and DJs that specialise in reissuing ‘world’ music, A.O.F.E. turns the tables on the perception of exoticism by rediscovering obscure and forgotten western dance floor tracks. The music published in the project fantasises about the foreign, tribal and oriental, but was in its whole created in the west, for the west. The third release on the project features three edits by Aaron Maple.
All profits from this release are donated to NGOs that fight Islamophobia, antisemitism and racism in Europe.
An Italo rarity from the 1984 now available again including remixes by Flemming Dalum and Victor Ark.
An Italo Disco rarity from the year 1983 now finally available again as 12“ Maxi Single. Side A contains the original versions. The B side features two new and exclusive remixes by Flemming Dalum and Hysteric.
The Hipodrome Of Music 