
Rabih Beaini’s Upperground Orchestra (Beaini, Alvise Seggi, Tommaso Cappellato. Piero Bittolo Bon) back with their first studio material since 2008.

Rabih Beaini’s Upperground Orchestra (Beaini, Alvise Seggi, Tommaso Cappellato. Piero Bittolo Bon) back with their first studio material since 2008.

We Release Jazz presents the official reissue of the original soundtrack of Jean-Pierre Melville’s 1970 film noir classic Le Cercle Rouge composed by French soundtrack master Eric Demarsan. Eric Demarsan’s compositions for Le Cercle Rouge draw from the orchestral spirit of the Modern Jazz Quartet (as requested by Melville who loved John Lewis’ work), abstraction and minimalism to create a suspenseful and hypnotizing audio landscape which elegantly underlines the tense atmosphere of unavoidable fate that shrouds the movie and the doleful beauty of its characters. Simply put, it’s the finest combination of underworld existentialism, coldblooded chic, and crime jazz! Le Cercle Rouge boasts the participation of celebrated jazz players Guy Pedersen (bass), Daniel Humair (drums), Georges Arvanitas (piano), and Bernard Lubat (vibraphone). Starting as a collaborator of François de Roubaix and Michel Magne in the 60s, Eric Demarsan went on to become a mainstay of French cinema soundtracks, composing for directors such as Jean-Pierre Mocky, Costa-Gavras, and Patrice Leconte among others. He also recorded the cult album Pop Symphony (for Pierre Cardin in 1970) under the Jason Havelock pseudonym.

Concentric Circles presents ”For the Moment”, which features tracks from some of Di Stefano’s early cassette releases, as well as a number of unheard explorations of Indian polyrhythms from the early 90s. Di Stefano’s prescient and unique work will appeal to fans of Cybe, Joel Graham, UnknownmiX, Zru Vogue, and provides a fascinating view of the 80s US electronic underground. American-born, Japan-based composer John Di Stefano self-released a number of cassettes as part of the 80s DIY underground on his own imprint Oktron Produktions, including Klang’s Drift, a collaboration with Joel Graham. Living in San Francisco, Di Stefano had access to multiple University electronic music studios, where he had an impressive array of synthesizers at his fingertips, including both Buchla and Serge modular systems. Combining his knowledge of modular synthesis with a background in percussion, his early releases were a uniquely human approach to electroacoustic music, with flourishes of post punk in the mix. Di Stefano developed an interest in world music, studying Indian music theory and tabla, and after an extended trip to Indonesia in the mid 80s, he was particularly drawn to Javanese gamelan music. Future recordings would forever be indebted to the sounds he heard during those travels.


Moscow community System 108 representing new vinyl series, showcasing the sound of label residents. First to go is Kyiv-based producer Daniil Syenichkin aka Bejenec. The EP “Ruslan Tislenko” includes 4 tracks balancing on the verge of Uk Garage aesthetics and Detroit melodism .

Slow Life’s latest signing is Paolo Mosca, owner of the record shop Microsolchi. On his debut as solo producer, the young Italian delivers an spacy EP with a consistent and classy sound palette, very much on the label’s signature sound.

Originally released in 1985, “Saunetic Fraction” finally gets a reissue. A collaboration of France’s M.NOMIZED (aka Michel Madrange of No Unauthorized) and Belgium’s UNOVIDUAL (aka Henk Wallays of Micrart Group / co-founder of the 3rio tape label with Magisch theater and Dirk Ivens of Absolute Body control) . The 18-track album is a diverse beast, but affirms itself among the grandees of Minimal Synth and Electropunk, whilst maintaining a unique twist. At times coming across as the French / Belgian version of Chris & Cosey, there are also elements of the early cut-up Dadaist experimental oddness of Cabaret Voltaire. A much sort after tape, that was originally released in a ludicrously small edition, on Unovidual’s own label.

Before becoming Belgian new beat and techno titans, Praga Khan and Chris Inger were collaborators in a new wave influenced band called Shakti. “Verboden Dromen” gathers together the best of the outfit’s work recorded between 1987 and 1990, offering up tracks that join the dots between intoxicating synth-pop, moody new wave, hypnotic grooves and dark and sleazy dancefloor moments. All of the tracks have stood the test of time remarkably well, with highlights including the humid and exotic chug of “Kamasutra”, the hallucination-inducing tropical fever of “Demonic Forces” and “Shanah”, and the bustling, club-ready bounce of “The Awakening”, which sounds like the Thompson Twins after one too many tabs of acid.



Amsterdam based artist 5713 creates a sound that is inspired by sci-fi and can be described as a mixture of Techno, EBM, Electro, Wave or whatever lies between those movements and genres. Gewelddadige Realiteit EP, translating to Aggressive or Violent Reality, feels like an appropriate name for this collection of slow motion compositions of vigorously overdriven Industrial sounds. Whether its abrasive hats like on A1 Geen God, classic EBM on A2 Digitale Programma 7 or pitched basslines on A3 Ongezellig, all three tracks offer up cleverly distinct heavy hitters for your tweaked out dance floors. The B side with B1 Nodig and B2 Wakker a Mattie? are consistent in that they share broken kick patterns to offer a healthy dose of distorted swing. 5713’s style across the entire EP demonstrates his technical sleight of hand with such dense frequencies. This record shows how impactful and functional these elements can be when used with good measure.

Official license of the 1991 rare classic house produced by Mike Perras for Bassic records, now remastered and re-pressed by Flash Forward. “Beginning Of Life” is a pice of history of the deep house music and will continue to make old and new generations dance.

The second release from Hungarian label Crisis is coming from Datawave. Includes also an Exhausted Modern remix.


Central Processing Unit welcomes Biochip with their debut release ‘Synthase’. Eight tracks of analog electro and acid techno, all recorded live. Very much of the Selected Ambient Works Vol. 1 ilk. Beautifully noisy, highly melodic and raw, with those emotional mid nineties IDM tendencies that very few successfully capture. Biochip are Melissa Speirs and Julian Kochanowski from Montreal, Canada. Listening to Synthase you can tell they are huge fans of vintage analogue synths, magnetic tape and drum machines; their sound has a reassuring warmth and human feel to it.