VA – Terra Incognita [ERC034]

Emotional Rescue starts its 5th year by shining a light on one of Europe’s best underground 80s’ label in Spain’s Auxilio De Ciento. Their Terra Incognita Volumes I and II collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. Released in 1985 and 1986, the Volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from London to Amsterdam and Dusseldorf to Glasgow. Here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. Starting with Denis Mpunga & Paul K’s esoteric Criola, a fusion of fourth world ideals and poly-rhythmic funk. The music of Mal, Bene Gesserit and La Caida De La Casa Usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. The inclusion of Hector Zazou with Bony Biyake and their contribution Komba, is a fitting continuation from their cult Noir Et Blanc LP before, things continue with US avant-artist Danny Alias and his humorous Big Brother “response” to Laurie Anderson’s Superman O. Image Pour Image loose indie-pop and the inclusion of seminal Beast Of Burden lead again to a Zazou contribution, this time in his collaborative Stranger In A New Light, before the compilation eclectically ends with the dadaesque Lakota and the post punk dub of Instead Of’s closer, Angels .

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VA – Terra Incognita [ERC034]

Nomade Orquestra – Estremundos [FARO198]

Nomade Orquestra return from the stratosphere via Brazil with their second offering: Entremundos (Between Worlds). Gazing outward through a kaleidoscope from the heart of Sao Paulo’s jazz scene, the collective consciousness of the ten-man orquestra has dreamt up an adventurous amalgam of earth’s most far reaching musical cultures. Recorded at Red Bull Studios, Sao Paulo, Entremundos is like a cosmic musical playground where Ethio-jazz, Indian classical and Oriental sounds dance around Afro-Brazilian roots rhythms and Northern hemisphere jazz, funk, soul, library music and hip-hop influences. The sheer vastness of the album is astounding, Nomade Orquestra have quite literally conquered the world in sound. vinyl / CD
Nomade Orquestra – Estremundos [FARO198]

Potter & Tillman – …Space…Rapture [HJLP002]

Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

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Potter & Tillman – …Space…Rapture [HJLP002]

Máma Bubo – Planeta Haj [JUP002]

Czechoslovakian band Máma Bubo was founded by Karel Babuljak in 1982; he put together five friends that he trusted. Having been more or less groping in the dark of music until then, Babuljak suddenly expressed a clear musical and human opinion to which the other members of Máma Bubo added theirs. A new band was born and although it had a clear face, it did not fit in anywhere, was hard to be connected with anything, and was isolated despite its openness. Máma Bubo always guaranteed an extraordinary and shocking experience which surpassed the level of entertainment. 1985: Babuljak’s disenchantment with the social situation as well as with artistic futility compelled him to a more profound attitude which resulted in a totally different concept, Planeta Haj, for Máma Bubo; yet, the concept was short-lived as if having been born in a place it did not fit in. In 2017, 2 LP of Planeta Haj, a record from 1985, was released on vinyl for the first time.

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Máma Bubo – Planeta Haj [JUP002]

UnknownmiX – Chew Some More [LXRC031]

UnknownmiX was a band active in Zürich between 1983 and 1992. Their music is a mixture of free vocalism, new wave and industrial, they released five LPs and three EPs. Out of their discography Lux Rec selected four tracks, remastered from the original tapes, and presented as a sampler EP. Four tracks that fit perfectly to the label’s tonal view. An ode to those Zürich days, when excesses and uncompromising choices were a badge of honour. And music was something to fight for, or fight with, or dive in and die.

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UnknownmiX – Chew Some More [LXRC031]

Broken English Club – The English Beach [LIES094]

British techno veteran Oliver Ho has released some fine material as Broken English Club since debuting the alias back in 2014. The English Beach, Ho’s second BEC full-length and first for L.I.E.S, is the audio equivalent of a trip to a run-down North Sea coastal resort on a wet Wednesday in November. Full of end-of-days electronics, stripped-back industrial techno, moody minimal wave shufflers and bubbly EBM workouts, it’s as authentic a tribute to early ’80s electronic experimentalism as you’re likely to hear all year. Highlights include the Nitzer Ebb style bounce of “Pylon”, the foreboding, desolate electronica of “Rust Ballad”, the angry electro moodiness of “Carrion” and the rolling, organ-laden autumnal bliss of “The English Beach”.

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Broken English Club – The English Beach [LIES094]

Smersh – M Appeal EP [KH008]

Archive tracks from this much revered New Jersey duo. We assume both the originals were recorded in the mid 80s. Nieuwegein’s most warped mind Parrish Smith, on remix duty. ”Smersh was the project of Mike Mangino and Chris Shepard. Together they recorded more than 30 albums throughout the 80’s and early 90’s. Their vision: rehearsal at monday night, record their improvisations, no live performances, only albums.

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Smersh – M Appeal EP [KH008]

Qual – Cupio Dissolvi [AV!046]

Lebanon Hanover’s bassist William Maybelline is back with his solo project. Qual strikes back with a three-track 12′ maxi-single. Each one of these new songs explore a different dimension of Maybelline’s approach to Body/Wave electronics. The title-track Cupio Dissolvi is what we may already call classic Qual: gloomy and throbbing, synth-driven and labyrinthine. A Bloody Blob explores new martial slants, with war-like timpani and a marching robot gait. Rape Me in the Parthenon is a 8 minute long dancefloor mayhem anthem scanned by some pounding techno drumbeat and EBM snare and pads.

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Qual – Cupio Dissolvi [AV!046]

Steffi – Fabric 94 [FABRIC187]

Given that there have been 93 previous editions of Fabric’s long-running mix series, you’d think DJs would struggle to find a new angle. Steffi, though, has had no such problems. The Berlin-based Dutchwoman has flipped the script by commissioning all 16 tracks especially for the mix. It’s a neat trick and works well, with the result being a typically impressively put-together stroll through a myriad of techno, house, IDM and electro-related sounds. There are two exclusive Steffi collaborations (one with Martyn as Doms and Deykers, the other with Shed), alongside seriously good cuts from pals Dexter (solo and alongside Virginia), Late Night Approach, Answer Code Request, Privacy and UAS.

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Steffi – Fabric 94 [FABRIC187]

Heinrich Dressel – The Styx Swamp [BAR014]

DRESSEL, Heinrich - The Styx Swamp

Roman producer (and a force behind MinimalRome label) Valerio Lombardozzi known as Heinrich Dressel returns to Barba with a second release for our label, titled “The Styx Swamp”. Heinrich has a unique way of combining classic techno and electro sounds with elements from the beloved Drexcyan universe and John Carpenter leitmotifs, and making them come together in a manner that both moves your body and pushes your mind beyond the point of awareness. “Gray Slope”, “Sailing The Nether Waterways” and “The Styx Swamp” are all quite moody and deep, rich with sound and thick with vibe. However, the tracks feel equally at home in 4 am techno situation and a heady afterhours affair. He truly is a master of crafting hybrids whose influences get so flawlessly embedded that it’s hard to point them out. If that’s not enough, “The Styx Swamp” got a treatment by Nigel Rogers aka Perseus Traxx, a multi-faceted producer and a mighty live act performer. Nigel stayed respectful to the original but made the original’s bouncy groove into something more direct and reduced, while retaining the same feel conditioned by lead synth’s hypnotic quality.

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Heinrich Dressel – The Styx Swamp [BAR014]

D’Marc Cantu – The Lodge [AMR038L]

After a quiet 2016 which saw the label release only a single EP, Altered Moods Recordings launches the first in a steady stream of releases for 2017. With “The Lodge”, AMR has joined forces with techno and jakbeat wunderkind D’Marc Cantu. On this double-12, he shows us and the world his more melodic, deeper side, while still maintaining a sense of urgency and a fingerhold on the jakbeat throughout.

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D’Marc Cantu – The Lodge [AMR038L]

Antoni Maiovvi – It Isn’t All Peach Cream Buddy [DM002]

The second Driftmusic release coming from Antoni Maiovvi. Further explorations of the deepest roots of Avrokosm, where occult still means hidden. Three cuts of electronic will, from the primordial ooze with a desire to simply be. Out of the gate, crown of light, come on, come on, this is now. Twisted 808s, melodic tripmuzik seduction, like the flares of 1000 suns. Swim through space with us.

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Antoni Maiovvi – It Isn’t All Peach Cream Buddy [DM002]

DECA – Alkaidb [DECA002]

Originally released in 1986, “Alkaid” was the first solo release of DECA following his debut appearance on the cult various artists compilation “Angelo Segreti”. The original edition was published in a tiny edition on the independent Italian label Videoradio and to this day remains a rare and sought after album. Following Mothball and Bordello’s continued work with DECA, they make this diverse and fascinating collection of music available to a wider audience. On this instrumental LP we can hear elements of modern classical, synth-pop, dark ambient and even some middle eastern influence.

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DECA – Alkaidb [DECA002]

Carl & Carol Jacobs – Yonge Street Jam Band [ERC042]

An update of Robot Jam’s music and riddim in a true Caribbean sense, Yonge Street is a freestyle remix and comes in the original’s Parts 1 & 2, plus a special Discomix by rising tape manipulator, Jonny 5. Following Robot Jam on Crosby Records, the Jacobs’ husband and wife team released a series of soca 12”s for Eddy Grant’s Ice Records in the following years. However, come 1988 and they decided to return to the electro flavours that had garnered considerable interest, reworking the Robot Jam tapes to create a new version for release on Straker’s Records in Brooklyn. Running for over 30 years from the early 70s to late 90s, Granville Straker’s label was a cornerstone of the soca scene releasing main stays, reggae stars and what have become highly sought rarities such as Yonge Street and The Rebles’ Sweetest Taboo. In Yonge Street again the cut-up samples are there, topped with a fresh bass line and Carl’s own rap attack. While Part 1 acts as straight up vocal version, Part 2 swerves towards scat-megamix stylings that work in their own right. However, as with the ”Disco Giant” series of 2015, this one-off return hands the tapes over for a modern reinterpretation. With acclaimed releases for Bahnsteig 23 and Power Cuts, plus an upcoming EP for Pleasure Wave, Jonny 5 has finally made the leap from respected CBS Forum oracle, DJ and collector with a penchant from dub to obscuro European cold wave and post punk oddities to finally sit in the producer’s chair. After sending the label a personal mix made for his own use, he was hauled in to the studio to officially cut, mix, arrange and dub a long-form Discomix in the truest sense that perfectly creates a dance floor retake that might well be heard from boat parties off the Dalmatian cost to the open air street parties of Sao Paulo and all over festivals across the green fields of Europe.

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Carl & Carol Jacobs – Yonge Street Jam Band [ERC042]

Francisco & Cosmo – Lineabeat Vol. 4 [SLOMO031]

The fourth volume of the strictly for retro club use series Lineabeat sees two of our most prolific producers deliverer the goods on a double a-side release. A pair of slick electro-disco chuggers that blend the familiar with contemporary and will fit into a wide variety of DJ’s sets.

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Francisco & Cosmo – Lineabeat Vol. 4 [SLOMO031]