
Continue reading “Strange Sounds From Beyond (Amsterdam) 25.06.2017”


‘Tone To Voice’ is John Heckle’s fourth long player, and second on Tabernacle. Science fiction tracks of the highest order demonstrating a subtle development of John’s already widely recognised sound.

British producer Richard Smith creates genre-bending techno that incorporates motifs from the past while presenting the tunes in a de nite forward advancing trajectory. By integrating in uences from 90s electronic music and classics such as DAF and Severed Heads, L/F/D/M presents 4 cuts that are sure to pique the interest of fans of modern techno who have an appreciation for IDM, classic Detroit techno and are searching for something to diversify their repertoire.

Fantastic 4 track EP of rare underground new wave disco tracks: John King ”Munich”, Klaus Schultz ”Macksy”, Escape from New York ”Save Our Love” and Wobble/Edge/Holger/Liebezeit ”Hold on to your dreams” produced by Francois Kevorkian. A must for fans of Italo, Krautrock, Moroder.

Four Flies Records is back in full force, this time with an EP that looks at the more sophisticated and modern dancefloor… The Italian label embarked on another journey of rediscovery, a specialty they seem to master. The destination of this trip was a dusty vault in Africa, where a famous Italian musician moved years ago… The Italian film and TV industry provided in the 60s and 70s countless opportunity for talented musicians to compose and produce a rich variety of music: soundtracks, library music, experimental music – an infinite amount of recordings that still represents a paradise for the most curious and passionate diggers. So here we have the proof that there’s still lot to discover. Alessandro Alessandroni is one of those pioneers, a maestro that built the legend of Italian soundtracks and library music along with Ennio Morricone, Piero Umiliani and many others. His vault testifies how prolific had been those times, with hundreds of tapes and obscure recordings from that period. Among the many, a dusty tape bearing the hand-written label “Afro Discoteca” captured the attention of Four Flies. The music contained in the tape had never been released until now.

Brand new Anatolian Psych-Pop sensation. 4 heart-melting gems where Turkish Folk meets groove and electric action. Young singer/multi-instrumentist Derya Yıldırım teams up with fantastic drummer Greta Eacott (G-Bop Orchestra / One-Take records) and 3 quarters of Catapulte Records’ Orchestre du Montplaisant (Antonin Voyant, Graham Mushnik, Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Şimşek (pronounce « Shimshek ») encapsulates the Outernational generation.

There are less than a handful of bands that can honestly say they were equally involved in the early 90’s noise scene, the mid 2000’s dark ambient scene, and what simultaneously emerged as the power noise movement in Europe. Orphx is one of these pioneers and have gracefully interwoven their tortured electronic architecture among the various subcultures of fringe electronics, while seamlessly continuing on to remain a vital part of the contemporary wave of industrial techno hysteria. Mannequin Records presents an archival collection from the what could be considered the genesis of Orphx’s unique sound. Inspired by early industrial music and new waves of noise from Japan and Europe, the compilation is gathers together some of the best material from their first two cassette releases along with previously unreleased tracks recovered from the original 4 track tapes.

A must have album for all Dub Techno / Basic Channel / Sushitech fans. Tikiman is back with an amazing album and the debut LP with Rhauder.

When the TSA agent left a little note in Mike Huckaby’s DJ case at the airport instructing him to protect the records that he dj’s with, little did he know that Mike Huckaby would be compiling his first LP. Given his length of service, it’s rather surprising to find that this is officially his debut album. This is a collection of previously released tracks that have been in demand ever since. It’s naturally packed with highlights, from the luscious minor key chords, jazz-funk bass and sneaky vocal samples of “The Jazz Republic” and thrilling peak-time stomp of “Dance”, to the jazzy piano flourishes, loose-limbed beats and starry electronics of “Groove Box”. Also worth checking is the fireside heat of bongo-laden beatdown shuffler “Mathematics From The Jazz Republic” and the sax-laden disco-house bump of closer “Flashback ’78”. A collection of too many classics, produced by Mike Huckaby.

7 yrs on, Fred P drops the second installment of “The Incredible Adventures Of Captain P”, subtitled Escapism, a constant stream of consciousness that takes you on a journey into a dimension of sound.

For it’s 15th release, Bokhari introduce 3 timeless classics from the analogue jam master Sweely. Spanning raw warehouse grooves on ‘The time has come’, smooth heavy rolling bass and melodic keys on ‘Hangover Day’ and shuffling US garage beats and choppy vocals on ‘Wopp’, this release has something for everybody. Paterson steps in for Bokhari remix duties darkening up ‘The time has come’ with a driving bassline, off-worldly atmospheres and dusty keys.


Medical Records in collaboration with our friends at Crispy Nuggets blog are happy to reissue a very obscure Australian gem from the 1980s. Ironing Music were a three piece band from Brisbane. They originally formed in 1984 as a result of their collective love for New Order, Human League and eventually Jean Michel Jarre and Cabaret Voltaire. Comprised of bass and electic guitar, Yamaha DX-7, melodica and an 808, they recorded a 12″ single as their sole outpt in 1985 in a limited run of 250 copies (obviously excruciatingly rare now!). It was recorded in their bedroom studio with at Teac 4 track. The video clip for the “hit” Shopping Bag Women was played on several national and local television music shows. They also recorded demos in hopes of landing a LP deal which unfortunately didn’t attract any takers at the time. They actually only played 3 gigs and were forced to disband after one of their members fell ill in 1986. The LP presented here included the original 4 track single as well as hand picked demos which nicely congeal to form a well rounded LP documenting the band’s brief existence. They can best be described as lo-fi synth pop with an emphasis on excellent pop songs and interesting synth/instrument arrangements.

A split release by two Rotterdam artists from the same part of town, Das Ding and Ian Martin.

The thrid an final installment of archive material. Tolouse Low Trax just needs an MPC, a small Synthesizer set up and some effects to create subliminal hypnotic music trips, driven by dark synthlines and drunken shuffled patterns. ”The primitiveness in my music is linked to something simple, and that don’t have to be obligatory minimal. For me it is enough to dance rough around the core. Music you don’t shape till the end contains of a moment of beauty. A veil of secrecy. I work very simply. I rather reduce my possibilities in ompass. Limitations offer lots of liberties.”

Dark Entries releases ‘Dualism’, the sophomore E.P. from contemporary Montreal-based duo, Solitary Dancer. They are known for their elegant, richly-sculpted sound design and knack for propulsive club rhythms that eschew rigid 4/4 drum patterns. ‘Dualism’ opens with “Anything”, equal parts Drexciya and Dopplereffekt — full of low-end bass stabs, blipping synths; swelling and washing to a cinematic close. For the first time on a Solitary Dancer record, vocals make an appearance in the guise of a male companion who’s lamenting a lost lover. “Losing Touch” takes a classic electro beat, and through the use of elegiac pad washes, distorted bass and menacing vocals, morphs into persistently engaging shapes. The B-side’s ”Emails 2 Myself” is a suspenseful corralling of intriguing sonic elements. Its fractured 707 beats combine with melancholic strings and features vocals by Marie Davidson. Also included is the instrumental version of “Emails”, accentuating the bass drum, snare, hi-hat and melodic synth tones, sailing into the subdued evening sun of the future.

The year is 2051. The human race has split into two groups. One maintained their basic human state, while the other transformed by tapping into their psychospiritual lifeforce potential. The second group created a higher dimensional civilization. They called it Xymeria.

LET Recordings boss JP Enfant returns to his own label for a third solo EP. The Dutchman, who is a resident at De School in Amsterdam, mixes up techno, breakbeat, ambient, dub and house into his own long and all consuming tracks, and on his latest EP he does that once more. Spacious and elastic grooves aimed at the body and the floor. Once again, this versatile and robust offering from JP Enfant is another standout release on the young label.