
Tokyo Matt from the Otaku Soundsystem and Mori Ra & Asn from Tokyo Oyama Edit presenting 4 edits out of this world. All very atmospherics, they are the ideal combination of space disco, Balearic rock, jazz, pop and fusion.

Tokyo Matt from the Otaku Soundsystem and Mori Ra & Asn from Tokyo Oyama Edit presenting 4 edits out of this world. All very atmospherics, they are the ideal combination of space disco, Balearic rock, jazz, pop and fusion.

Berceuse Heroique label deliver the second 12″ from the Heroique Edits series, coming form Japan Blues, aka Ethbo Records founder Howard Williams takes an altogether more eccentric approach. Opener “Half Dead Pulse” is dreamy, melodic and, well, rather odd, with vocal chants and fluid melodies riding a skittering drum machine rhythm and long, drawn-out chords. “Baroque Mutiny” sounds like post-punk-meets-chiming synth-pop (with a dubwise beat), but is almost certainly an edit of an obscure new wave track. Finally, “Mysterious Satsuma” delivers an attractive blend of exotic, Eastern synth lines and curious, experimental Italo rhythms.

Ferox is very proud to welcome a new artist to the roster for this release. Dublin-based Lerosa has a raw style very much his own and is well-known for his releases on Uzuri, Real Soon and Ireland’s own D1 Recordings.

Three emotionally driven club tracks straight from the heart of Untzz regulars, Mic Mills, Furious Frank & Bessie

Gunnar Haslam steps up with a new four track EP on Delsin that showcases his wide-ranging style. The EP opens with ‘Corridor Metaphysics’, a high-pressure bit of deep techno with urgent drums and eerie, haunting glass tinkling sounds. It’s a warm and humid track that places you right at the heart of it and everything that happens does so subtly and suggestively rather than with brute force. ‘Ataxia No Logos’ is then a spangled and disorientating track with panning and ever more manic synths encircling the listener. Incessant ticking highs and distant drones add to the sense of oppression and on a dancefloor this will do some serious damage. Flipside ‘Dunsinane Hill’ is more tender and sensitive, with deep house chords and drums peppered with loose tin pot percussion. It’s moody but purposeful, sad but cerebral and eventually makes way for ‘Discrete Markov Dub’, a rippling bit of techno with crisp hits, a fat bassline that pulls you right in and oversized hi hats leaving long trails.

Three more from Karlist who brings it down a notch showing other sides of his production… but then the harsh techno assault continues.

A nice selection of previously unreleased tracks from the studio of Scott Grooves, including ‘Movin’ On’ – the first vocal track Scott has released in the past 10 years!

The first release from the Future Reactions label. Top notch Detroit late night house music by Norm Talley, Rick Wade, Satore and Cris J.

Altered Moods Recordings prepares its 28th release, “Our Ways” by Birmingham, UK producers LAAK. The release features four deep, melodic house tracks for your listening pleasure.

Tunnels features three original tracks showcasing the London based duo’s versatility and maturity as producers with Bicep reconstructing the title track, morphing it into a punchy, bassline focused roller with piercing atmospheric pads.

MK aka Marc Kinchen should need no introduction, he still is the master of the finest Dubs and Remixes in the House business for more than two decades. His 1991 track Strider remained an obscure Detroit Techno classic only for those who know and were lucky enough to get hold of the a rare test pressing of MKs first release Get It Right! on his own imprint called Masahiro Records which later became Area 10. However Strider didnt made it to the official release and was replaced by another track, as years gone by a video of this true gem caught a lot of attention and leaded to this reissue eventually. The track was remastered and comes with an additional extended version edited by Mojuba’s very own Oracy.

Italian producer & Hot Mix label boss Nick Anthony Simoncino is back with “Some People”, a collaboration with Chicago’s legendary House vocalist Robert Owens. Simoncino’s 3 original mixes sound just like tracks lifted off lost EP’s straight from the mid 80’s with deep, melancholy synths, driving analogue drum machine sounds and Owen’s yearning vocal performance coming together beautifully while showing off Simoncino’s versatility as a producer. “Some People” is perfect late night House music with a classic sensibility, for the deepest hours of the night or the morning. On remix duties we have the UK’s very own Chamboche who delivers a deep, rolling version of “Some People” keeping things nice and stripped back and adding a dubby quality to his mix while Finnish new school House head Trevor Deep Jr’s “Warehouse Mix” keeps Owen’s vocals right up-front with some killer drum programming and percussion rounding out the EP while keeping the old school vibe firmly anchored to the dance-floor.

For this release the New York label has exhumed from Melja three cuts of bottom-end heavy, lo-fi and distorted techno music that will beef up a house set or nestle into a rhythm section of a long haul techno session. “I Won’t Forget” is the heaviest, industrial track on this 12″ while “Steady Mobbin” is body rhythmic, but with out the slam and assault you might hear from say.

Six nu-jack/acid trax by the Gehm. Voodoo Wolf features a sextet of stripped-back machine jams, which range from the spooky acid house of “Warming To The Galaxy” and ragging, Steve Poindexter-meets-Phuture wildness of “If I Was”, to the riotous, Dancemania-ish ghetto-house revelry of “Clap Your Hands” and the Larry Heard-ish melancholia of “77-88”.

Remarkably, it’s been 11 years since Leipzig-based minimal techno producer Marko Furstenberg released his debut album, Gesamtlaufzeit. While he’s been pottering away releasing singles ever since, Ghosts from the Past marks a welcome return to the full-length format. Like its’ predecessor, it delivers a range of smooth, warm, hypnotic and dub-influenced techno missives, high on tactile textures and low on crusty textures. The result is a set rippling with intoxicating grooves, soft-focus rhythms, fluttering chords and woozy late night electronics. Wisely, Furstenberg inserts a number of sublime downtempo interludes to break up the flow a little, with the beautiful “Piano” standing out.

The next techno adventure on Mojuba sub label a.r.t.less is ready to launch. This release is the shimmering debut by JP Enfant aka Jean Pierre Enfant, one of the initiators of the well respected LET (Les Enfants Terribles) crew from Amsterdam and established Trouw resident. This EP hits you with three unique Techno tracks fully charged with emotions.

Vosnos third release features Simone Gatto along with a remix from the dutch artist Orlando Voorn. On his Moss EP he opens up with The way of life a realy nice off beat dub techno track, which with its subtleness, brings a punch to any techno set be it a starter, mid session or end track. Moss gives you an opportunity to explore minimal house at its best. Simone invited Orlando Voorn to interpret The way of life and good on him for doing so! Orlando stays true to the original, which we praise here at Vosnos, and brings it that anthem feel without getting to obvious.